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Son of a Witch by Gregory Maguire
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Son of a Witch

by Gregory Maguire

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Son of a Witch is the story of Liir, who may or may not be Elphaba's son, and what he does following her death. The answer to that is 'not a heckuva lot.' He wanders around, joins the army, meets with some birds...
This is a profoundly boring book. It picks up at about the halfway point, but doesn't come to any sort of thrilling conclusion. In fact, this book seems like a bridge. As to what, I do not know. Apparently, there's a third book featuring a lion. ( )
lilyfyrestorm | Jul 4, 2009 |  
A brilliant take on the classic fairy tale. Maguire is very creative with turning a classic story into a modern, humorous adventure. Due to its content, I would only recommend this book to Seniors in high school and above.
teachak | Jul 3, 2009 |  
I thoroughly enjoyed Wicked, so I was really looking forward to this book. I couldn't get past the first 30 or so pages. Very Boring and didn't seem like it would get any better. ( )
manderleytea | Jun 11, 2009 |  
A year or so ago I read Wicked: The Life and Times of the Wicked Witch of the West, and found it pretty enjoyable and thought provoking. Enough so that I picked up the follow-up book, Son of a Witch. It took a while to finally getting around to reading the second book...and by now I've seen the musical and forgotten elements of the first book (which are definitely radically changed for the musical).

My overall feeling is that Son of a Witch has way too much going on and isn't terribly focused. While Wicked had a moderately clear message it was trying to convey, I often felt lost as to the direction Son of Witch was going. Perhaps it was done intentionally by Maguire to help us feel just as uneasy and confused as Liir. If so, I think it went a little overboard. It also felt like many aspects of the text were there for shock value rather than substance since many of the actions and themes were just dropped in the reader's lap without any further discussion or contemplation by the narrative.

The narrative style was a bit confusing at first, transitioning between current action and dream/coma flashbacks. I got used to that style fairly quickly, but then the coma ended...apparently before Maguire was done with the backstory, because the next many chapters continued the flashback tale even though Liir was no longer in his coma. It wasn't awful, just a little unsettling and felt like bad planning from the author. Once the backstory has finalized, Liir just seems to wander idly around Oz, picking up quest after quest, but not really focusing whole heartedly on any one task. He constantly behaves like a victim of circumstance, all the while bemoaning his fate and his lack of action.

The main storyline, once extracted from all the extraneous threads in the book, was actually fairly interesting. Over the course of Liir's young life, Oz is transitioning between one political faction after another. While the changes of power are relatively free of violence, each new ruler brings new trials, disasters, repressions and violence. The flashback history while Liir's in a coma takes us through a couple of puppet governments (one almost literally with the Scarecrow...though "not Dorothy's Scarecrow") and finally leaving us with the Emperor. Liir becomes aware of the vile machinations of the Emperor and disagrees with the actions of the government. He helps uncover a mystery plaguing many travelers around Oz (a violent and tragic "face scraping" of travelers...which threatens to throw rival groups into war, or at least keep them from any form of peace). Liir even leads a small rebellion against the Emperor, but he really isn't motivated in this and just sort of wanders off.

Generally, this book felt like it was trying to make a number of political and social statements but in the end it just felt like a statement about inaction, complacency and finding your own purpose. Any statement was muddled amid too many distractions. There were many great paragraphs and "sound bites" that would make for cool one-off quotes, but the ideas weren't lasting enough to help pull the book off.

All of that said, I am still interested enough in the vivid and intriguing Oz that Maguire has crafted, such that I will likely seek out the third book (A Lion Among Men) to see what happens next. But sadly, my expectations have fallen a bit.

***
2.5 stars (out of 5)
( )
theokester | Jun 5, 2009 | 2 vote
I thought that this fable of a country led down the wrong path by the failures of its rulers was every bit the equal of its more popular predecessor, Wicked. ( )
wanack | May 26, 2009 |  
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
I have no fear that the poetry of democratic peoples will be found timid or that it will stick too close to the earth. I am much more afraid that it...may finish up by describing an entirely fictitious country.

-- Alexis de Tocqueville, Democracy in America, 1835, 1840
All cows were like all other cows, all tigers like all other tigers -- what on earth has happened to human beings?

-- Harry Mulisch, Siegfried, 2001
A little patience, and we shall see the reign of witches pass over, their spells dissolve, and the people, recovering their true spirit, restore their government to its true principles.

-- Thomas Jefferson, 1798
My mother was a westerne woman and learned in gramarye

-- K. Estmere, 1470, collected in Reliques of Ancient English Poetry, 1765
Dedication
L. Frank Baum's second Oz novel, The Marvelous Land of Oz (1904), was dedicated to the actors David C. Montgomery and Fred A. Stone, who performed the roles of the Tin Woodman and the Scarecrow in the first theatrical version of The Wizard of Oz.

In that spirit, Son of a Witch is dedicated to the cast and creative team of the musical Wicked, which opened on Broadway in October 2003 -- the night before Halloween.


To Winnie Holzman and Stephen Schwartz, foremost and first, for their vision; to Wayne Cilento, Susan Hilferty, Eugene Lee, Joe Mantello, Stephen Oremus, Kenneth Posner, and Marc Platt and his associates, for bringing visions to life; and, among all the capable cast, most expecially to Kristen Chenoweth (Galinda/ Glinda), Joel Grey (The Wizard), and Idina Menzel (Elphaba), for bringing life to visions.
First words
So the talk of random brutality wasn't just talk.
Quotations
"Any murder at all, of any sort, is a murder of hope, too."
There is no resolving a good mess, he thought. Every breath one takes is a waking up into disjointedness, over and over.
Last words
Disambiguation notice
Publisher's editors
Blurbers
Book description

Amazon.com Product Description (ISBN 0060548932, Hardcover)

The long-anticipated sequel to the million-copy bestselling novel Wicked

Ten years after the publication of Wicked, beloved novelist Gregory Maguire returns at last to the land of Oz. There he introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead in a gully, Liir is shattered in spirit as well as in form. But he is tended at the Cloister of Saint Glinda by the silent novice called Candle, who wills him back to life with her musical gifts.

What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape -- but what of her powers? Can he find his supposed half-sister, Nor, last seen in the forbidding prison, Southstairs? Can he fulfill the last wishes of a dying princess? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?

For the countless fans who have been dazzled and entranced by Maguire's Oz, Son of a Witch is the rich reward they have awaited so long.

(retrieved from Amazon Fri, 24 Apr 2009 07:57:55 -0400)

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