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Son of a Witch by Gregory Maguire
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Son of a Witch

by Gregory Maguire

Series: The Wicked Years (2)

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Showing 1-5 of 67 (next | show all)
This was a neat follow up to wicked but left so much unanswered. Well written as we have come to expect from Maguire. Not sure if I like it as much as Wicked though, still a good read though ( )
  trinibaby9 | Nov 24, 2009 |
The sequel to "Wicked", this introduces us to Liir, who may or may not be the son of Elphaba, from the earlier book. Liir tries to find his (possible) half-sister, Nor, and this leads him to the grim prison of the Emerald City, Southstairs. He manages to make his escape from there with the aid of the witch's broom. Later, near-crippled by the dragons who have been attacking various citizens of Oz at the direction of Shell, the self-appointed Wizard, and Liir's uncle (perhaps), he is brought back to life by the novice maunt, Candle, and strives to fulfil a promise to the Birds regarding the dragons, and to a dying princess whose disguise has long ago left her control. An interesting and intriguing book, perhaps a bit less satisfying than "Wicked", with some loose ends that I hope and trust that the concluding book, "A Lion Among Men", will clear up. ( )
  burnit99 | Sep 24, 2009 |
I have literally JUST finished this book about a minute and a half ago, and my overall impression is.. wow. Now I wouldn't say it's "wow" as in "this is the best book I've ever read in my life", but I would say it as, once again, Maguire has managed to take us into the bizarro world of Oz and make us sort of like being there. The Oz of Maguires stories is kind of like the movie "Brazil", if you get my meaning. Everything is a bit twisted, and weird, and just slightly disturbing. But all of the weirdly twisted disturbing-ness of this world is very subtle, and compelling.

One of the reasons I love Maguire's work so much is his use of words. His words are so wild and unusual I have no idea where he gets them from! Even his character names are bizarre: Oatsie Manglehand, Trism, Iskaanary, Chyde, etc. And not just his names of characters, even names of places are weirdly cool like The Kells, and The Dissappointments. I love the names of the "maunts" which, you can infer by context only, are nuns - Sister Apothicaire, and Sister Doctor. These two in particular provide some much appreciated comic relief in their shinannegans. Also, there are animals and then there are Animals. The Animals are intelligent talking creatures, where as the animals are just the ordinary non-talking-thinking types. I will warn you, though, Gregory Maguire's work such as this is not for everybody! It is challenging at times in his use of language, and not exactly "happy" or "light" reading. I happen to love his use of weird words that, quite frankly, at times I have no idea what the heck he is referring to until later in the paragraph or chapter. But his style is so unique, I feel like it must be appreciated! But that's just ME.

Here is an example of what I mean: (the set up: in search for his beloved childhood friend Nor, Liir is taken down to the Southstairs district below the streets of Oz)

They found the set of steps leading farther down. Chyde asked for directions once or twice, and sent Jibbidee scampering to check the marks on buildings. "This'll be it, I guess," he said. "It's an Animal district, so you'll forgive the stench. Hygiene isn't their strong suit, as you know."

The air was so cold, though, with a wind whipping in from above that the smell seemed negligible. At any rate, Liir was too excited to care. He found himslef bobbing up and down, and once he nearly grabbed Chyde's hand to squeeze it. So what that Shell was a bounder, that Lady Glinda was a glamorous airhead! They've done something good; he'd gotten here. He'd find her, his only peer and friendmate, his half-sister if that version of history was true-- the girl who befriended mice, and shared her gingerbread, and who had giggled at bedtime, even when threatened by spanking. He would liberate Nor, and then--- and then----

I have sat down to read this book a half dozen times. I just couldn't get past the opening images. But had made this "deal" with myself that I wouldn't buy a book for a whole year (cough, cough) I decided it was time to read through the hundreds of books I already owned and this one was one of them. So, with my new found ferver in tact I plowed ahead.

The story begins with Oatsie Manglehand and her collegues on the road in a stage coach of sorts. They come accross several bodies on the side of the road. These happen to be maunts whose faces have been scraped. (See what I mean?) So, finally getting past this part after 4 years I was delighted to find that I was actually enjoying the story! Oatsie and her band find another unfortunate laying on the side of the road and when they go to retrieve the badly beaten and bloody body they find him still breathing. Barely. They decide to take him to their overnight rest stop which just happens to be the Mauntery.

At the time nobody knows who this unconscious stranger is, and he is left in the care of a young Quadling female named "Candle" who plays an instrument near him called a "domingon". This is how we find out that the stranger is in fact Liir, the Wicked Witch of the West's "son" ( I use quotes here as we as readers and even Liir himself are not sure if he is in fact her son) from the first story, and the music penetrates his sleeping mind and transports us into his past and how he came to be lying on the side of the road.

I really came to adore Liir. His character is not unlike Elphaba (the wicked witch) in that I ended up having a lot of empathy for the guy. He is extremely loyal, has his morals intact, and draped against the backdrop of of the sometimes despicable creatures we encounter in Maguires novels, he comes off as almost a saint at times! And standing witness to his struggles is very endearing. He is just trying to figure out who he is, and how everyone assumes he is the witches son and assumes he has some of her powers. In his inability to help the She-Elephant/Human we can see that he feels he has failed her and all of Oz, just by virtue of not knowing where he truly came from. And last but not least, reading passages of his times with Dorothy, the Scarecrow, the Tinman and the Cowardly Lion and their talk of the Wizard, makes me think about the movie and the original book and wonder, "Yeah! What IS the deal with the wizard hiding behind that curtain! What a scam artist!"

As I said before, Son of a Witch is not for everybody, and some people (like Wicked) will either love it or hate it. I for one loved it. And it will go on my shelf of favourite books in my office. I cannot WAIT to read the next one in the trilogy, "A Lion Among Men". For those of you that have already read Son of a Witch or end up reading it, I would LOVE to hear your thoughts on the book!
  ljemus | Sep 23, 2009 |
In "Son of Witch" we follow the story of Liir, the boy who is probably Elphaba's (The Wicked Witch of the West) son. Nobody really knows for sure though, and he really struggles with his identity as a result. In fact, he usually just avoids all questions that are family related!

After the death of Elphaba, Liir strikes out on his own, looking for his missing friend, and trying to figure out who he is in the process. Along the way he meets Princess Nastoya, Glinda, and even the Scarecrow! He also enrolls in the army for awhile, where he learns a lot, but eventually grows disgusted and leaves.

Thing are developing politically in Oz during this book. They go through succession of leaders after the Wizard leaves, and the consequences to the people aren't always good. Liir becomes more a more integral part of this than he wants or would expect.

I think I actually liked this book more than I did the first one. That could simply be because Maquire had more room to play here considering Liir is a new character to the Oz stories! It was interesting to see his nods to the original books though. I'm glad that I'm rereading the original series right now too :D ( )
  jedimarri | Sep 5, 2009 |
Interesting, a much faster read than Wicked. ( )
  laurab_53 | Aug 9, 2009 |
Showing 1-5 of 67 (next | show all)
''Son of a Witch" is vintage Maguire, thoroughly entertaining even at its darkest. Oz is as complex and satisfying a fantastic world as ever, wonderfully described, from the steam rising out of the marshes to the sloe-eyed young homeless on the Emerald City streets.
added by stephmo | editBoston Globe, Sarah Smith (Jul 19, 2009)
 
Enchanted elephants and dragon death squads — Maguire's sequel to his 1995 best-seller, Wicked, is as fantastical as a novel set in Oz should be.
 
As a result the story - which is meant to contain great love and great tragedy as well as great invention - tends to slip awkwardly between registers. Maguire may have successfully done away with Dorothy, but he hasn't quite got control of his broomstick yet.
 
Like the character Liir at its center ("a solitary figure untroubled by ambition, unfettered by talent, uncertain of a damn thing"), the novel suffers from entropy. It wanders around, off-kilter and aimless: "A year passed, another. Nothing was the same, year after year, but little was different, either."
 
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Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
I have no fear that the poetry of democratic peoples will be found timid or that it will stick too close to the earth. I am much more afraid that it...may finish up by describing an entirely fictitious country.

-- Alexis de Tocqueville, Democracy in America, 1835, 1840
All cows were like all other cows, all tigers like all other tigers -- what on earth has happened to human beings?

-- Harry Mulisch, Siegfried, 2001
A little patience, and we shall see the reign of witches pass over, their spells dissolve, and the people, recovering their true spirit, restore their government to its true principles.

-- Thomas Jefferson, 1798
My mother was a westerne woman and learned in gramarye

-- K. Estmere, 1470, collected in Reliques of Ancient English Poetry, 1765
Dedication
L. Frank Baum's second Oz novel, The Marvelous Land of Oz (1904), was dedicated to the actors David C. Montgomery and Fred A. Stone, who performed the roles of the Tin Woodman and the Scarecrow in the first theatrical version of The Wizard of Oz.

In that spirit, Son of a Witch is dedicated to the cast and creative team of the musical Wicked, which opened on Broadway in October 2003 -- the night before Halloween.


To Winnie Holzman and Stephen Schwartz, foremost and first, for their vision; to Wayne Cilento, Susan Hilferty, Eugene Lee, Joe Mantello, Stephen Oremus, Kenneth Posner, and Marc Platt and his associates, for bringing visions to life; and, among all the capable cast, most expecially to Kristen Chenoweth (Galinda/ Glinda), Joel Grey (The Wizard), and Idina Menzel (Elphaba), for bringing life to visions.
First words
So the talk of random brutality wasn't just talk.
Quotations
"Any murder at all, of any sort, is a murder of hope, too."
There is no resolving a good mess, he thought. Every breath one takes is a waking up into disjointedness, over and over.
Last words
Disambiguation notice
Publisher's editors
Blurbers

References to this work on external resources.

Wikipedia in English (1)

Son of a Witch

Book description

Amazon.com Product Description (ISBN 0060548932, Hardcover)

The long-anticipated sequel to the million-copy bestselling novel Wicked

Ten years after the publication of Wicked, beloved novelist Gregory Maguire returns at last to the land of Oz. There he introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead in a gully, Liir is shattered in spirit as well as in form. But he is tended at the Cloister of Saint Glinda by the silent novice called Candle, who wills him back to life with her musical gifts.

What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape -- but what of her powers? Can he find his supposed half-sister, Nor, last seen in the forbidding prison, Southstairs? Can he fulfill the last wishes of a dying princess? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up?

For the countless fans who have been dazzled and entranced by Maguire's Oz, Son of a Witch is the rich reward they have awaited so long.

(retrieved from Amazon Fri, 24 Apr 2009 07:57:55 -0400)

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