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will love Sign up for LibraryThing to find out whether you'll like this book. Now I wasn't a massive fan of Wicked, although a few of the ideas were worth mulling over. But this book I couldn't even get through. I'm sure the story isn't that bad, but the writing is shocking. Give it to someone else to write and we might have a decent book. Sorry, I'm not normally so harsh, but I can't even describe what it's about. I'm not usually a fan of sequels, but found myself absorbed in this one. Maguire's prose is always impeccable and, this is no exception. Through the lense of OZ, he explores the horrors of soldiers being forced to obey orders and the subsequent fallout, the coming of age of Liir, and a host of other social and ethical issues. Definately engaging and true to the characters of Wicked. The twists and turns of the plot were interesting enough that I kept reading in hopes of learning to like Liir, or find another character as interesting as Elphaba. There were little glimmers here and there, but it seemed that Maguire would present just enough of a character so that they might be likable or compelling and then reveal their grimy faults and disturbing habits. I've got the next book in the series and I hope it's more like Wicked than Son of a Witch. This was a neat follow up to wicked but left so much unanswered. Well written as we have come to expect from Maguire. Not sure if I like it as much as Wicked though, still a good read though
''Son of a Witch" is vintage Maguire, thoroughly entertaining even at its darkest. Oz is as complex and satisfying a fantastic world as ever, wonderfully described, from the steam rising out of the marshes to the sloe-eyed young homeless on the Emerald City streets. Enchanted elephants and dragon death squads — Maguire's sequel to his 1995 best-seller, Wicked, is as fantastical as a novel set in Oz should be. As a result the story - which is meant to contain great love and great tragedy as well as great invention - tends to slip awkwardly between registers. Maguire may have successfully done away with Dorothy, but he hasn't quite got control of his broomstick yet. Like the character Liir at its center ("a solitary figure untroubled by ambition, unfettered by talent, uncertain of a damn thing"), the novel suffers from entropy. It wanders around, off-kilter and aimless: "A year passed, another. Nothing was the same, year after year, but little was different, either."
Amazon.com Product Description (ISBN 0060747226, Paperback)Ten years after the publication of Wicked, beloved novelist Gregory Maguire returns at last to the land of Oz. There he introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead in a gully, Liir is shattered in spirit as well as in form. But he is tended to at the Cloister of Saint Glinda by the silent novice called Candle, who wills him back to life with her musical gifts. What dark force left Liir in this condition? Is he really Elphaba's son? He has her broom and her cape—but what of her powers? Can he find his supposed half-sister, Nor, last seen in the forbidding prison, Southstairs? Can he fulfill the last wishes of a dying princess? In an Oz that, since the Wizard's departure, is under new and dangerous management, can Liir keep his head down long enough to grow up? For the countless fans who have been dazzled and entranced by Maguire's Oz, Son of a Witch is the rich reward they have awaited so long. (retrieved from Amazon Tue, 05 Jan 2010 12:13:30 -0500) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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In Son of a Witch, the title character is Liir, who is actually uncertain of his parentage but believes he is the son of Elphaba, the so-called Wicked Witch of the West. WICKED ended with Elphaba's death by water (like in the movie), and this story opens around a decade later with Liir critically injured and in a coma. As he recovers in a convent-like place filled with maunts (the Oz version of nuns), he dreams of what has occurred to bring him to this point.
Maguire's Oz is no children's fairy land, but is instead a magical but often grim land where some characters are actually quite brutal. In this land, the Wizard was a vicious dictator and Elphaba was less evil than a defiant loner. Although the Wizard is now gone (with Dorothy) and Glinda the "Good" in control, things are hardly peachy. Liir sets off on a quest to find his half-sister Nor, but is easily sidetracked and eventually joins the army. Eventually he leaves this and goes off on other adventures.
In the Oz of this novel, the late Elphaba is treated as a hero by many, and for much of the book, Liir seems to be doing all he can to avoid his birthright. He is a boy (and later a man) who has the potential to follow his mother in doing great things, but he is much more comfortable doing nothing of consequence other that trying to find Nor.
While this is a good book (and I wouldn't be at all surprised if there is yet another sequel), Liir is not a strong enough character to make this a great novel. Compared to the people around him, Liir is kind of boring, which is basically what he intends to be. Also, although a satire, there are very few laugh-out-loud moments. I finished the book not quite sure what the point was, except to fill in the gap of the ten years after Elphaba's death and set the stage for an anticipated third book. (