Classics Reimagined, Alice's Adventures in Wonderland (original 1865; edition 2015)
Alice's Adventures in Wonderland by Lewis Carroll (1865)
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All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide
Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet that can one poor voice avail
Against three tongues together!
[plus another five verses]
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, "and what is the use of a book," thought Alice, "without pictures or conversations?"
And she tried to fancy what the flame of a candle looks like after the candle is blown out, for she could not remember ever having seen such a thing.
'Curiouser and coriouser!' cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English); ...
How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!
How cheerfully he seems to grin,
How neatly spread his claws,
And welcome little fishes in
With gently smiling jaws!
'Ahem!' said the Mouse with an important air, 'are you all ready? This is the driest thing I know. Silence all round, if you please! "William the Conqueror, whose cause was favoured by the pope, was soon submitted to by the English, who wanted leaders, and had been of late much accustomed to usurpation and conquest. Edwin and Morcar, the earl of Mercia and Northumbria -"'
'You are old, Father William,' the young man said,
'And your hair has become very white;
And yet you incessantly stand on your head -
Do you think, at your age, it is right?'
[plus another seven verses]
'Begin at the beginning,' the King said gravely, 'and go on till you get to the end: then stop.'
Rule Forty-two. All persons more than a mile high to leave the court. — the King of Heart
Oh dear! Oh dear! I shall be late! — the White Rabbit
`I can't explain myself, I'm afraid, sir' said Alice, `because I'm not myself, you see.'
Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood; and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago; and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.(Click to show. Warning: May contain spoilers.)
This is the unabridged "Alice in Wonderland", a separate work from "Through the Looking Glass" - also, please do not combine with any abridged edition or adaptation.
This is a Disney adaption. Please do not combine with the main work.
References to this work on external resources.
Wikipedia in English (10)
In the most renowned novel by English author Lewis Carroll, restless young Alice literally stumbles into adventure when she follows the hurried, time-obsessed White Rabbit down a hole and into a fantastical realm where animals are quite verbose, logic is in short supply, and royalty tends to be exceedingly unpleasant. Each playfully engaging chapter presents absurd scenarios involving an unforgettable cast of characters, including the grinning Cheshire Cat and the short-tempered Queen of Hearts, and every stop on Alice's peculiar journey is marked by sharp social satire and wondrously witty wordplay.
With drawn screens, animation and music. The viewer can follow the story and answer questions or follow the story and see animations.
Down the rabbit hole,
Alice ponders madness that
unfolds strange places.
Amazon.com Amazon.com Review (ISBN 144042909X, Paperback)
Source of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland
is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without moral or sense.
For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie Coulter
(retrieved from Amazon Thu, 12 Mar 2015 18:18:23 -0400)
(see all 9 descriptions)
A little girl falls down a rabbit hole and discovers a world of nonsensical and amusing characters.
(summary from another edition)
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