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Frankenstein by Mary Shelley
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Frankenstein (1818)

by Mary Shelley (Author)

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
22,01139059 (3.8)1043
  1. 283
    The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (SanctiSpiritus)
  2. 171
    Dracula by Bram Stoker (MarcusBrutus, Cecilturtle, LitPeejster)
  3. 182
    The Island of Doctor Moreau by H. G. Wells (Liondancer, artturnerjr)
    Liondancer: another scientist whose creatures get out of control
    artturnerjr: Both books share a similar blend of science fiction and horror.
  4. 71
    The Journals of Mary Shelley, 1814-1844: 1814-1822 (Journals of Mary Shelley, July, 1814-1822) by Mary Wollstonecraft Shelley (JessamyJane)
  5. 72
    The Golem by Gustav Meyrink (Kolbkarlsson)
  6. 41
    The Sand Man / The Deserted House by E. T. A. Hoffmann (Nickelini)
    Nickelini: Written within a year of each other, Hoffmann's The Sandman and Shelley's Frankenstein both feature man-made beings. And both have been adapted beyond recognition.
  7. 63
    Dracula (Norton Critical Edition) by Bram Stoker (Nubiannut)
  8. 31
    Frankenstein: A Cultural History by Susan Tyler Hitchcock (FFortuna)
  9. 21
    Prometheus Bound by Aischylos (thecoroner)
  10. 32
    The Diamond Lens by Fitz-James O'Brien (Anonymous user)
  11. 54
    Oryx and Crake by Margaret Atwood (mcenroeucsb)
    mcenroeucsb: Both are novels about the horrendous consequences that arise from excessive human meddling with nature, i.e. "playing God."
  12. 10
    The Hidden by Richard Sala (Michael.Rimmer)
  13. 10
    The Mysterious Stranger and Other Stories (Dover Thrift Edition) by Mark Twain (JolieLouise)
    JolieLouise: The Mysterious Stranger is about a creator's treatment of his creation.
  14. 11
    Poor Things by Alasdair Gray (bertilak)
  15. 23
    The Memoirs of Elizabeth Frankenstein by Theodore Roszak (Cecrow)
    Cecrow: A modern sequel
  16. 46
    Pride And Prometheus by John Kessel (aethercowboy)
    aethercowboy: Pride and Prometheus is a clever and award-winning melding of Pride and Prejudice and Frankenstein. Worth reading alongside the original. It won the Nebula and Shirley Jackson Award, and was nominated for a Hugo and World Fantasy Award.
  17. 14
    The Merciful Women by Federico Andahazi (Mahlatikka)
  18. 16
    The Bride of Frankenstein by Carl Dreadstone (Anonymous user)
    Anonymous user: After you finish the Gothic original, have some fun with this film novelization.
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» See also 1043 mentions

English (379)  French (2)  Spanish (2)  Danish (2)  German (2)  Swedish (1)  Finnish (1)  Hungarian (1)  All languages (390)
Showing 1-5 of 379 (next | show all)
"Como quien, en ruta solitaria,
marcha con miedo y terror
Y, después de mirar una vez hacia atrás,
Sigue su camino sin volver a hacerlo,
Sabedor de que un enemigo implacable
Sigue de lejos sus pasos". Coleridge. ( )
  darioha | Dec 3, 2014 |
This truly is a classic tale of social insight, a story of one seeking acceptance and desiring companionship but being rejected and branded a monster. The thing that I liked most about this book is the fact that it’s divided into two accounts, designed to view both sides of the story. The first part of the book ‘Frankenstein’ tells the story of the life of Victor Frankenstein, the creation of Monster Frankenstein and the death of his younger brother William. A servant ‘Justine’ has been put on trial for this murder, but Victor knows the identity of the true killer. Monster Frankenstein and Victor finally meet up and despite his desire to kill his creation, Victor is forced to listen to the monster’s story, after being threatened.

‘The Modern Prometheus’ tells the story of the Monster Frankenstein, confused and unsure from the very first day of life, found himself hiding in the woods watching people and learning how to find food, create a fire and how to differentiate between the feelings of happiness and sadness. Watching a family in poverty taught Monster Frankenstein many things and he started chopping wood and shoveling snow for the family while they slept. His loneliness finally drove him to show himself to this family who ended up running away in fear. With a mixture of loneliness and anger, he seeks out his creator, finding his way to William where he decides to kidnap him for companionship and ends up accidentally strangling him.

This is where the two stories meet and monster Frankenstein pleads with Victor saying he’s ‘a good creature turned bad by unforgiving humans who scoffed at friendship’. The monster pleads with Victor to make him a companion which he would take and never be heard from again. Victor reluctantly agrees but found it harder and harder to do, even though his family was in danger. Victor began to realize the female companion could wreck much havoc by giving birth to more monsters and refusing to be with the monster as a mate altogether.
Monster Frankenstein swears revenge and goes about killing everyone close to Victor in attempt to show Victor what it feels like to be alone. As Frankenstein dies, the monster appears in his room and begs his dead body for forgiveness.

In the end the story has no true villain or hero. Monster Frankenstein and Victor Frankenstein were both portrayed as hero and villain. The story also leaves you wondering on how you treat others, do our actions end up turning people into a ‘monsters’? Overall this was a brilliant story, although the language was at times hard to understand, it is still worth the read.

This review can be found on my blog; http://literary-exploration.com/2009/04/21/frankenstein-or-the-modern-prometheus... ( )
  knowledge_lost | Nov 26, 2014 |
Frankenstein is not the monster's name but it is what causes most people to picture the monster. Victor Frankenstein, a young scientist, who works at creating new life but when he is successful, he tries to abandon his creation. The story tells of Victor's discomfort with the monster and the monster's anger at Victor.

It didn't really do it for me. ( )
  cyderry | Nov 3, 2014 |
Great book, but I picked horrible timing on reading this. Note to anyone interested in reading this: do not read during/after a break-up. It will make you even more angsty than normal. At times it was legitimately painful to read this because Dr. Frankenstein and his monster are such miserable, wretched creatures and I was too! Too much angst and misery!

This book discusses the classic struggle between man and monster, but as Mary Shelley points out in this vivid read, who is more monster; the man or the monster himself? It's not very clear, one wants to pity them both because they both suffer. Dr. Frankenstein suffers because the monster whom he created is so terrifying and supposedly wants to kill his family. The monster suffers because he is so alone and everyone is scared of his scary size and appearance. He does not wish to be alone, but Dr. Frankenstein refuses to make him a companion so he vows vengeance by killing of his creator's family.

Eloquently written, and still powerful. This is a read that will resonate with readers long after they've read it. ( )
  ecataldi | Oct 20, 2014 |
Wordy and old-fashioned in language. All action is told verbally after the fact. The amazing thing with this book is where in the hell Hollywood came up with their version. It's not even remotely like this book. The movie of Young Frankenstein has as much in common with this book as the supposedly serious movies did. ( )
  AliceAnna | Oct 19, 2014 |
Showing 1-5 of 379 (next | show all)
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» Add other authors (314 possible)

Author nameRoleType of authorWork?Status
Shelley, MaryAuthorprimary authorall editionsconfirmed
Bloom, HaroldAfterwordsecondary authorsome editionsconfirmed
Brockway, HarryIllustratorsecondary authorsome editionsconfirmed
Casaletto, TomNarratorsecondary authorsome editionsconfirmed
Couturiau, PaulTranslatorsecondary authorsome editionsconfirmed
Deaver, JefferyIntroductionsecondary authorsome editionsconfirmed
Guidall, GeorgeNarratorsecondary authorsome editionsconfirmed
Hindle, MauriceIntroductionsecondary authorsome editionsconfirmed
Hunter, J. PaulEditorsecondary authorsome editionsconfirmed
Johnson, DianeIntroductionsecondary authorsome editionsconfirmed
Karbiener, KarenIntroductionsecondary authorsome editionsconfirmed
King, StephenIntroductionsecondary authorsome editionsconfirmed
Miller, Walter JamesForewordsecondary authorsome editionsconfirmed
Monzó, QuimTranslatorsecondary authorsome editionsconfirmed
Moser, BarryIllustratorsecondary authorsome editionsconfirmed
Ruiz, AristedesCover artistsecondary authorsome editionsconfirmed
Seymour, MirandaIntroductionsecondary authorsome editionsconfirmed
Vance, SimonNarratorsecondary authorsome editionsconfirmed
Ward, LyndIllustratorsecondary authorsome editionsconfirmed
Weiss, JimNarratorsecondary authorsome editionsconfirmed
Wrightson, BernieIllustratorsecondary authorsome editionsconfirmed

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Awards and honors
Epigraph
Did I request thee, Maker, from my clay
To mould me man? Did I solicit thee
From darkness to promote me?
---Paradise Lost, x, 743-5
Dedication
TO
WILLIAM GODWIN
Author of Political Justice, Caleb Williams, &c.
THESE VOLUMES
Are respectfully inscribed
by
THE AUTHOR
First words
You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings.
The event on which this fiction is founded has been supposed, by Dr. Darwin, and some of the physiological writers of Germany, as not of impossible occurrence. - preface by P.B. Shelley
Mary Shelley: Though her life was fraught with personal tragedy, Mary Shelley was destined for literary greatness. (Barnes and Noble Edition)
Author's Introduction:  The publishers of the Standard Novels, in selecting Frankenstein for one of their series, expressed a wish that I should furnish them with some account of the origin on the story.  (Dover Thrift Edition)
Quotations
“ I had admired the perfect form of my cottagers- their grace, beauty, and delicate complexions: but how was I terrified when I viewed myself in a transparent pool . . . and when I was convinced that I was in reality the monster that I am I was filled with the bitterest sensations of despondence and mortification.”
"I will be with you on your wedding night!"
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is the main work for Frankenstein. It should not be combined with any abridgement or adaptation.
Publisher's editors
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Book description
Frankenstein was published in 1818, the work of a 21-year-old genius named Mary Shelley. Hundreds of movies, adaptations, and monster masks later, its reputation remains so lively that the title has become its own word in the English language. Victor Frankenstein, a scientist, discovers the secret of reanimating the dead. After he rejects his hideous creation, not even the farthest poles of the earth will keep his bitter monster from seeking an inhuman revenge. Inspired by a uniquely Romantic view of science’s possibilities, Shelley’s masterpiece ultimately wrestles with the hidden shadows of the human mind.

About the author:

Mary Wollstonecraft Shelley was born in London in 1797, the daughter of well-known intellectuals. She married the poet Percy Bysshe Shelley in 1816 and spent much of her adulthood in continental Europe, surrounded by her friends in the English Romantic Movement. Her tumultuous life included the loss of three children in infancy and her husband’s death by drowning in 1822. Nevertheless, her contributions to English literature continue to fascinate and inspire readers and artists alike.

Haiku summary

Amazon.com Amazon.com Review (ISBN 0141439475, Paperback)

Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

(retrieved from Amazon Mon, 30 Sep 2013 13:43:51 -0400)

(see all 7 descriptions)

Presents the story of Dr. Frankenstein and his obsessive experiment that leads to the creation of a monstrous and deadly creature.

» see all 65 descriptions

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