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Frankenstein (Penguin Classics) by Mary…

Frankenstein (Penguin Classics) (original 1818; edition 2005)

by Mary Shelley, Richard Pasco (Reader)

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23,25041648 (3.8)1164
Title:Frankenstein (Penguin Classics)
Authors:Mary Shelley
Other authors:Richard Pasco (Reader)
Info:Penguin Audio (2005), Edition: Abridged, Audio CD, 1 pages
Collections:Your library
Tags:Audiobook, 1001, England, Film

Work details

Frankenstein by Mary Shelley (1818)

  1. 303
    The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (SanctiSpiritus)
  2. 192
    The Island of Dr. Moreau by H. G. Wells (Liondancer, artturnerjr)
    Liondancer: another scientist whose creatures get out of control
    artturnerjr: Both books share a similar blend of science fiction and horror.
  3. 171
    Dracula by Bram Stoker (MarcusBrutus, Cecilturtle, LitPeejster)
  4. 71
    The Journals of Mary Shelley, 1814-1844: 1814-1822 (Journals of Mary Shelley, July, 1814-1822) by Mary Wollstonecraft Shelley (JessamyJane)
  5. 72
    The Golem by Gustav Meyrink (Kolbkarlsson)
  6. 63
    Dracula [Norton Critical Edition] by Bram Stoker (Nubiannut)
  7. 41
    The Sand Man / The Deserted House by E. T. A. Hoffmann (Nickelini)
    Nickelini: Written within a year of each other, Hoffmann's The Sandman and Shelley's Frankenstein both feature man-made beings. And both have been adapted beyond recognition.
  8. 30
    Grendel by John Gardner (sturlington)
    sturlington: Both books attempt to get into the mind of a monster.
  9. 31
    Frankenstein: A Cultural History by Susan Tyler Hitchcock (FFortuna)
  10. 10
    The War of the Worlds by H. G. Wells (Morteana)
  11. 10
    The Hidden by Richard Sala (Michael.Rimmer)
  12. 10
    The Mysterious Stranger and Other Stories (Dover Thrift Edition) by Mark Twain (JolieLouise)
    JolieLouise: The Mysterious Stranger is about a creator's treatment of his creation.
  13. 21
    Revival by Stephen King (sturlington)
    sturlington: Revival is an homage to Frankenstein
  14. 54
    Oryx and Crake by Margaret Atwood (mcenroeucsb)
    mcenroeucsb: Both are novels about the horrendous consequences that arise from excessive human meddling with nature, i.e. "playing God."
  15. 21
    Prometheus Bound by Aeschylus (thecoroner)
  16. 32
    The Diamond Lens by Fitz-James O'Brien (Anonymous user)
  17. 11
    Sielun pimeä puoli : Mary Shelley ja Frankenstein by Merete Mazzarella (GoST)
  18. 11
    Poor Things by Alasdair Gray (bertilak)
  19. 23
    The Memoirs of Elizabeth Frankenstein by Theodore Roszak (Cecrow)
    Cecrow: A modern sequel
  20. 24
    The Merciful Women by Federico Andahazi (Mahlatikka)

(see all 22 recommendations)

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English (403)  Danish (3)  Spanish (3)  German (2)  French (2)  Swedish (1)  Hungarian (1)  Finnish (1)  All languages (416)
Showing 1-5 of 403 (next | show all)
The story is slow paced but definitely not boring !
it's a quest for knowledge that's reflected on all the characters throughout the book.
I found that felt sorry for the monster and found victor to be a sad little man who couldn't face the consequences of his actions.
In all it wasn't a page turner but quite an enjoyable read.
( )
  lisa.isselee | Nov 28, 2015 |
All these years and unbelievably I’d never actually read Frankenstein. I thought I knew the story, of course – who doesn’t? But that was from the films, and all they’ve done is lifted the central premise of Shelley’s novel and built their own interpretations of it out of that. I read Brian Aldiss’s Frankenstein Unbound many years ago, and from that I was aware part of Frankenstein took place at the North Pole. But there was plenty – the bulk of the book, in fact – I knew little or nothing about. Like the fact it’s structured as a series of nested first-person narratives, opening with letters from an arctic explorer who rescues a man from the ice. That man proves to be Victor Frankenstein who, once recovered, proceeds to tell his story – how he worked himself into a breakdown at university, building a creature from parts (none of which are named, nor their origin specified), and which promptly escapes. And then Frankenstein completely forgets about his eight-foot-tall monster for a year, and is only reminded of it when his youngest sister is murdered and a beloved family servant is accused of the murder. He then meets the monster, which tells its story… the murder was an accident, but it feels Frankenstein owes it and must make it a mate. So Frankenstein heads off to London, and then north to the Orkneys, but after making a start on a female monster, he suffers a change of heart… so the monster murders his best friend and Frankenstein is arrested for it… Frankenstein is a lot richer a story than film adaptations have led me to believe, but it’s also – and likely this is a product of the time – less rigourous than expected. The entire Frankenstein narrative, we are supposed to believe, is being told to Walton, and yet reads like, well, like a novel. The same is true of the monster’s narrative, especially the part when he spies on the cottagers (not what you are thinking: it is from spying on a family in a cottage he learns to speak French, and to read and write it). Not to mention actual correspondence from Elizabeth, Frankenstein’s childhood sweetheart, embedded in Frankenstein’s narrative. The prose reads somewhat overwrought to modern eyes, everything dialled up to eleven – Frankenstein doesn’t have friends, he has soulmates he loves deeply. The lack of narrative rigour also takes some getting used to. But the hardest part is untangling all the subsequent versions of the story knocking about in your head in order to fit in the original source text. ( )
  iansales | Nov 25, 2015 |
Oh what wretched mortal agony it was to try to read this agonizingly wretched book! ( )
  BooksOn23rd | Nov 25, 2015 |
Oh what wretched mortal agony it was to try to read this agonizingly wretched book! ( )
  BooksOn23rd | Nov 25, 2015 |
This book is considered the first Science Fiction Novel by many people. And, while it has many Science Fiction trademarks (new technology, etc), its more a story about the horrors of creating life. There is a reason its alternate title is "The Modern Prometheus".

First off - Frankenstein is not a story about monster creating evil scientists with hunchbacked assistants or pitchfork carrying peasants. That is all in movies, and unfortunately, its what most people think of when they think Frankenstein.

Yes, there is a scientist. But he doesn't have an assistant, or a castle, or even strange looking machinery. The book doesn't say exactly how Victor Frankenstein created his monster, or even what the monster looked like, except that it is gruesome, grotesque, and scary.

This book is really about justice. The monster is angry at being left alone in the world by his creator, unable to be part of human society due to his extreme stature and ugliness. The monster ruins Frankenstein's perfect life, by taking away all that is important to him.

This is story about cause and effect, about responsibility to one's creations - even if it was created in a fit of hubris, and the result is so horrifying that the creator runs away.

Highly recommended for everyone, although I did read this a long time ago as a teenager - and the message was lost on me. ( )
  TheDivineOomba | Nov 15, 2015 |
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» Add other authors (187 possible)

Author nameRoleType of authorWork?Status
Shelley, Maryprimary authorall editionsconfirmed
Bloom, HaroldAfterwordsecondary authorsome editionsconfirmed
Brockway, HarryIllustratorsecondary authorsome editionsconfirmed
Casaletto, TomNarratorsecondary authorsome editionsconfirmed
Couturiau, PaulTranslatorsecondary authorsome editionsconfirmed
Deaver, JefferyIntroductionsecondary authorsome editionsconfirmed
Guidall, GeorgeNarratorsecondary authorsome editionsconfirmed
Hindle, MauriceIntroductionsecondary authorsome editionsconfirmed
Hunter, J. PaulEditorsecondary authorsome editionsconfirmed
Johnson, DianeIntroductionsecondary authorsome editionsconfirmed
Karbiener, KarenIntroductionsecondary authorsome editionsconfirmed
King, StephenIntroductionsecondary authorsome editionsconfirmed
Lehtonen, PaavoTranslatorsecondary authorsome editionsconfirmed
Miller, Walter JamesForewordsecondary authorsome editionsconfirmed
Monzó, QuimTranslatorsecondary authorsome editionsconfirmed
Moser, BarryIllustratorsecondary authorsome editionsconfirmed
Ruiz, AristedesCover artistsecondary authorsome editionsconfirmed
Seymour, MirandaIntroductionsecondary authorsome editionsconfirmed
Vance, SimonNarratorsecondary authorsome editionsconfirmed
Ward, LyndIllustratorsecondary authorsome editionsconfirmed
Weiss, JimNarratorsecondary authorsome editionsconfirmed
Wrightson, BernieIllustratorsecondary authorsome editionsconfirmed

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Important places
Important events
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Awards and honors
Did I request thee, Maker, from my clay
To mould me man? Did I solicit thee
From darkness to promote me?
---Paradise Lost, x, 743-5
Author of Political Justice, Caleb Williams, &c.
Are respectfully inscribed
First words
To Mrs Saville, England. St. Petersburgh, Dec. 11th, 17--. You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings.
The event on which this fiction is founded has been supposed, by Dr. Darwin, and some of the physiological writers of Germany, as not of impossible occurrence. - preface by P.B. Shelley
Mary Shelley: Though her life was fraught with personal tragedy, Mary Shelley was destined for literary greatness. (Barnes and Noble Edition)
Author's Introduction:  The publishers of the Standard Novels, in selecting Frankenstein for one of their series, expressed a wish that I should furnish them with some account of the origin on the story.  (Author's Introduction to the Standard Novels Edition (1831))
“ I had admired the perfect form of my cottagers- their grace, beauty, and delicate complexions: but how was I terrified when I viewed myself in a transparent pool . . . and when I was convinced that I was in reality the monster that I am I was filled with the bitterest sensations of despondence and mortification.”
"I will be with you on your wedding night!"
It was the wretch, the filthy daemon to whom I had given life!
"I have lately been so engaged in one occupation that I have not allowed myself sufficient rest. But I hope that all those employments are now at an end, and that I am at length free."
I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is the main work for Frankenstein. It should not be combined with any abridgement or adaptation.
This is an omnibus edition of Frankenstein and of The Last Man. It should not be combined with either individual work.
Publisher's editors
Publisher series
Original language
Book description
Frankenstein was published in 1818, the work of a 21-year-old genius named Mary Shelley. Hundreds of movies, adaptations, and monster masks later, its reputation remains so lively that the title has become its own word in the English language. Victor Frankenstein, a scientist, discovers the secret of reanimating the dead. After he rejects his hideous creation, not even the farthest poles of the earth will keep his bitter monster from seeking an inhuman revenge. Inspired by a uniquely Romantic view of science’s possibilities, Shelley’s masterpiece ultimately wrestles with the hidden shadows of the human mind.

About the author:

Mary Wollstonecraft Shelley was born in London in 1797, the daughter of well-known intellectuals. She married the poet Percy Bysshe Shelley in 1816 and spent much of her adulthood in continental Europe, surrounded by her friends in the English Romantic Movement. Her tumultuous life included the loss of three children in infancy and her husband’s death by drowning in 1822. Nevertheless, her contributions to English literature continue to fascinate and inspire readers and artists alike.

Haiku summary

Amazon.com Amazon.com Review (ISBN 0141439475, Paperback)

Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

(retrieved from Amazon Wed, 01 Jul 2015 14:47:18 -0400)

(see all 7 descriptions)

Presents the story of Dr. Frankenstein and his obsessive experiment that leads to the creation of a monstrous and deadly creature.

(summary from another edition)

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