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Complete Novels: Red Harvest / The Dain Curse / The Maltese Falcon / The Glass Key / The Thin Man by Dashiell Hammett
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Complete Novels: Red Harvest / The Dain Curse / The Maltese Falcon / The…

by Dashiell Hammett

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I re-read Hammett's novels after acquiring a battered copy of this omnibus at a library sale. These novels show one of the fathers of "hard boiled" detective novels at work, and while they are entertaining and important to any understanding of the genre, they should not be taken too seriously. "The Maltese Falcon" features several passages of turgid prose that detract from Hammett's objective style; "Red Harvest" is almost cartoonish in it's violence, "The Dain Curse" at times seems like a collaboration with Gothic writer Matthew "Monk" Lewis instead of a detective novel. Nevertheless, all of these novels retain interest for the reader and are far above what was being published by inferior writers of the same genres. Of the remaining two novels, "The Glass Key" was considered by Hammett himself as his best work, and the almost impenetrable psychological plotting and well-drawn characters give that claim some weight; while "The Thin Man" is a fine romp with a hint of melancholy as you can see in the heavy drinking of the hero the signs of Hammett's own decline. ( )
  billiecat | Aug 21, 2009 |
Each of these stories is engaging and well-written. I wasn't sure if The Thin Man would be as witty as the movie - it was. The Glass Key and Red Harvest are glimpses into towns filled with corruption and vice. No one is innocent and no one is really a "good guy". The Maltese Falcon introduces us to Sam Spade - quite a shady character. The weakest offering is The Dain Curse. It's interesting but a bit too convoluted and challenging to follow. Despite that, I love this compilation and recommend it for all fans of hard boiled detective fiction. ( )
  drlake66 | Jan 20, 2009 |
At first, I couldn't get into Hammett as I could Raymond Chandler. Chandler writes so beautifully, you just sink into it, even if the plot makes no sense. Hammett, on the other hand, can't be pinned down so easy. He goes from the Maltese Falcon, which is somewhat like a Chandler book, to the Thin Man, which is very different in tone, and in between, you have the Glass Key, which seems to float in some sort of borderland between waking and dreams. When you read these books in order and you come to that one, you expect the story to become more normal at some point, but it never does. Chandler wrote the same novel (to a large extent) each time--Hammett never wrote the same one twice. Strange then that he gave up on writing so early - or maybe that is the reason. He wasn't content to do the same thing over and over.

(Please don't think I'm knocking Chandler - I give him five star reviews also. He is a superior stylist to Hammett -- indeed, he is one of the great writers in the English language. But he wasn't as creative when it came to plots and settings. He used the same character in each of his novels, unlike Hammett, whose protagonists may share some traits, but are hardly the same.) ( )
  datrappert | Nov 26, 2008 |
Spent something like a month reading this. Even though the individual novels are somewhat short, getting through 700+ pages wasn’t easy for me.

(Full review at my blog) ( )
  KingRat | Jun 16, 2008 |
Six novels in six years! Has there ever been their like. True, there are patterns: the mysterious, often unnamed protagonist (Just the :Operative" in the red Harvest; Sam Spade, of course, in The Maltese Falcon) with power and influence whose source is never explained; uneven portraits of the police, but uniformly tough, sometimes cruel, never there first; sexy women, albeit never graphic sexual descriptions, except a minor one in The Thin Man. Occasionally made fusty by age, they nevertheless hold up – for the tight dialogue, for the cynicism about municipal corruption (esp. Red Harvest), and unrelenting noir quality (except for The Thin Man), a comedy of sort albeit bordering on fantasy. ( )
  dcnorm1 | Apr 7, 2007 |
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Epigraph
Dedication
To Joseph Thompson Shaw
To Albert S. Samuels
To Jose
To Nell Martin
To Lillian
First words
I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte.
It was a diamond all right, shining in the grass half a dozen feet from the blue brick walk.
Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth.
Green dice rolled across the green table, struck the rim together, and bounced back.
I was leaning against the bar in a speakeasy on Fifty-second Street, waiting for Nora to finish her Christmas shopping, when a girl got up from the table where she had been sitting with three other people and came over to me.
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If you are going to make this part of the Library of America series, be sure to separate the non-LoA editions from the LoA editions first. Those who own the Avenel edition, for instance, do not have books in the LoA series.
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Book description
Red Harvest
The Dain Curse
The Maltese Falcon
The Glass Key
The Thin Man

Amazon.com Book Description (ISBN 0517338416, Hardcover)

Complete in one volume, the five books that created the modern American crime novel

In a few years of extraordinary creative energy, Dashiell Hammett invented the modern American crime novel. In the words of Raymond Chandler, "Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse.... He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes."

The five novels that Hammett published between 1929 and 1934, collected here in one volume, have become part of modern American culture, creating archetypal characters and establishing the ground rules and characteristic tone for a whole tradition of hardboiled writing. Drawing on his own experiences as a Pinkerton detective, Hammett gave a harshly realistic edge to novels that were at the same time infused with a spirit of romantic adventure. His lean and deliberately simplified prose won admiration from such contemporaries as Gertrude Stein, Ernest Hemingway, and William Faulkner.

Each novel is distinct in mood and structure. Red Harvest (1929) epitomizes the violence and momentum of his Black Mask stories about the anonymous detective the Continental Op, in a raucous and nightmarish evocation of political corruption and gang warfare in a western mining town. In The Dain Curse (1929) the Op returns in a more melodramatic tale involving jewel theft, drugs, and a religious cult. With The Maltese Falcon (1930) and its protagonist Sam Spade, Hammett achieved his most enduring popular success, a tightly constructed quest story shot through with a sense of disillusionment and the arbitrariness of personal destiny. The Glass Key (1931) is a further exploration of city politics at their most scurrilous. His last novel was The Thin Man (1934), a ruefully comic tale paying homage to the traditional mystery form and featuring Nick and Nora Charles, the sophisticated inebriates who would enjoy a long afterlife in the movies.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)

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