#5 Jack Taylor mystery set in Galway, Ireland and featuring the tormented alcoholic ex-Guard once again. Just released from ‘the nuthouse’ where he’s spent many months with his brain on vacation and subdued by medication after the tragic events at the end of the previous book (trying not to give spoilers here!), Jack discovers just how much Galway and his situation can change in just a few months’ time. He discovers that his old landlady at the hotel has died and left him a hefty sum of money and an apartment, his friend Jeff has become a drunken bum, and someone has beheaded a priest—a priest that had been one of those accused of sexual abuse of young boys a few years previously. His old nemesis Fr. Malachy actually approaches Jack and asks him to investigate, and Jack is also approached by a young man who has been following his career and wants to go into partnership with him as a pair of P.I.’s.

Through many stressful, horrible situations, Jack manages not to succumb to his desire for a drink, but this tale, too, ends tragically in what is becoming a bit of a formulaic plot device. I really didn’t expect anything different, as Jack can never seem to catch a break or a bit of lasting happiness. A stark and depressing tale, yet a deeply philosophical one that plumbs the depths of Jack’s soul, I wouldn’t read this if you’re looking for something light and uplifting—but despite the predictable ending, it was still a good read. ( )

Here we are, at installment number five of the Jack Taylor series. First, let me say that I've read a number of reviews of this book in which it was the first Taylor book the reviewer had read -- this is probably not the best one to start with. There's so much of Jack's character that begins with book one (The Guards) that starting at book five leaves you with big holes to be filled in only by sketchy references to events from the others.

brief look (no spoilers, I promise)

Like its predecessors in this series, Priest finds us once again watching the train wreck that you just know is going to happen, from which you are unable to avert your eyes. After the tragic events in The Dramatist (the book just prior to this one), Jack completely loses it and eventually finds his way into a mental hospital. After some time, an encounter with another patient puts him back on the road to recovery (as if one can ever recover from what put Jack there in the first place), and he is released, back to the streets of Galway. His old nemesis, Father Malachy, has a job for him: he wants him to find out who decapitated a priest who has a penchant for molesting young children. But (and faithful readers know there's always a but) he has a lot more on his plate: a young man who wants to team up with him in the role of a Watson to his Sherlock; his relationship with Ridge his Garda friend; his realization that his actions in the previous book also had tragic consequences for those closest to him, and last but not least, the fact that the Galway he's known since a child is changing right in front of him, and not for the better.

As I've said previously about these books, don't look to them for your daily dose of warm and fuzzy. I think that one reason I enjoy these books so much is because Bruen (through the voice of Taylor) just sort of tells it like it is -- no holds barred. I tend to get very involved while I read these; I find myself wincing at stuff Jack said, or I sit and despair over whether the poor guy's going to ever have a decent life again. In fact, I think at the end of each and every book I wonder what could possibly happen next.

Definitely a no-miss if you like Irish crime fiction, but you should know that the mystery here sits in second place to the characters. These novels are definitely the most character driven of any that I've read. I'd definitely recommend these to anyone who has a taste for noir, and a taste for Irish authors. But for pete's sake, don't start with this one as your introduction to Jack Taylor. Go back to the beginning, start with The Guards, and work your way through.

As for me...onward to #6, Cross. ( )

Terrific dark , intense novel. Not always comfortable to read, but couldn't put it down. ( )

http://www.austcrimefiction.org/node/... ( )

Little did I realize when I picked up my first Ken Bruen book, The Guards, back in the middle of April that I was going to have read three others of his by the middle of July. But that's exactly what has happened. Initially I was fascinated by the way that Bruen paid homage to many of my favorite American Noir writers of the past by using a writing style so similar to theirs and by including quotes from many of them in his books. But after reading another Jack Taylor story in Bruen's Calibre I started to wonder if too much of a good thing was going to grow a bit old. As I was soon to learn, there was no need to worry about that because Bruen lightened up on all the direct references to those writers of the forties and fifties and really hit his stride with the next Taylor novel, The Dramatist. Now, with Priest, Bruen has placed himself solidly on the watch list I keep to make sure that I don't miss any new work of certain writers.

Fans of Bruen's Jack Taylor novels will probably notice that I didn't mention The Magdalen Martyrs, an earlier book in the series. I almost always read "series fiction" in the order in which it is written but I somehow missed that one when its turn came. But it is on my shelves waiting for me now.

The beginning of Priest finds Jack Taylor confined to the mental hospital he ended up in as a result of the shocking tragedy that ended The Dramatist. Having lost all will to live, and preferring to drink himself to death, Jack still somehow managed to stay away from the booze before being locked up for his own good. Now he is being released just in time to find that his old friends have not fared well during his five months in the institution and that he barely recognizes the Ireland in which he lives. Taylor realizes that things in Galway have taken a particularly nasty turn when he hears that a priest has been beheaded inside his confessional booth.

Desperately needing something to keep his mind off of the events that placed him in the mental institution, Taylor reluctantly agrees to look into this murder at the request of Father Malachy, an old friend of his mother's. What he finds out about the dead priest's history of sexual abuse going back to the sixties, and how it was covered up, does not surprise him in the least as he tries to identify the killer. But Jack's life is never that simple. Along the way, he takes on a young, eager partner who needs a father figure as badly as Jack needs someone to take care of, a match not exactly made in heaven but one which Jack comes to accept. Their new relationship is severely tested when Jack is asked by an old friend to find and stop the stalker who is threatening her.

As is always the case in his Jack Taylor novels, Ken Bruen surrounds his basic story with the devastating portrait of what it must be like to walk in the shoes of an alcoholic who is always one drink away from losing control of his life. Jack is well aware of his problem and is forced to avoid his old friends and neighborhoods because everyone he meets seems to be heading to a pub and would be happy to have Jack join them in an exchange of rounds. His struggle to remain sober takes on an almost heroic nature and is painful to watch. Despite his self-control problems and his tendency to solve problems with the use of violence, be it verbal or physical, Jack Taylor is a hard man not to like. He loves the music of Johnny Cash and Bob Dylan and is a dedicated reader of relatively obscure American authors who are little appreciated even in their own country. Despite all of his troubles, his personal library somehow seems to survive and he is such a book collector that bookstore owners give him first crack at books they know he will appreciate. What's not to like about a man like that?

Readers will find that a Jack Bruen novel does not wind down in the manner of most detective or crime fiction. Bruen doesn't rely on a recap of previous events to provide him with an easy ending for his books and, in fact, some of his hardest punches to the reader's gut come just when it appears that all the story has been told. Ken Bruen has carved out a worthy spot for himself among all those authors he so admires.

Rated at: 4.0 ( )