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Until I Find You by John Irving
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Until I Find You (2005)

by John Irving

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English (43)  French (2)  Dutch (2)  German (2)  All languages (49)
Showing 1-5 of 43 (next | show all)
the subject matter is hard to read, a bombardment of abuse of the main character, ugh; incites the same reaction as Bonfire of the Vanities did; a favorite scene: Emma vs. Mrs. Machado, too bad it was only about 2 pages long; I didn't like this book but decided that it warrented 2 stars for the massive size, partial credit to the author for effort ( )
  EhEh | Apr 3, 2013 |
We follow Jack Burns from an early age and on into maturity. As a child he is taken by his Scottish mother from Canada to tour Europe in search of his father who had deserted his mother. On his return to Canada we follow him through school, college and eventually into his career as an actor. But it is not until his mother dies that he begins the search of his own for his father, and what he discovers is very different from what he remembers from when he was a child.

Until I Find You is an involving novel, and one needs a good memory for many of the characters we meet in the early pages will reappear in one way or another much later, one also needs to remember events for we may well get a different slant on them as the story unfolds. But of course it is Jack that we follow throughout; and as a child he is a bright and endearing, but he may well loose some of our affections as he grows up for he is not always best behaved, but I am sure that if you stick with him and understand what made him he will reclaim your feelings, for ultimately this is a very touching and moving read, and Jack really does come out of it with honours.

Along the way we encounter an array of those characters beloved by Irving, the misfits, the mis-formed, the eccentrics and those on the borders of acceptable society, as well as some truly caring individuals; there really are those who are watching over Jack for his welfare.

It all adds up to a typically engrossing Irving novel, humour and wit intermingle with passages that are moving or touched with sadness or even tragedy. Never predictable but ever inventive, and of course beautifully written as one would expect from Irving, it all makes for a very worthy read. ( )
  presto | Jan 7, 2013 |
http://www.cozylittlebookjournal.com/2005/11/until-i-find-you-by-john-irving.htm...
It was alright. John Irving seems to be re-writing his own story the way he wished it had happened--the hairy sexually dominant older girl, for example. But a few things were left sloppy and the author's voice could be so frustrating. As with all John Irving novels, I wanted to shout at him for drawing all the wrong conclusions about people, yet I couldn't put the book down. ( )
  CozyBookJournal | Apr 13, 2012 |
I finished this behemoth of a book Thursday night. I'm torn about whether to recommend it or not. It's John Irving after all and the writing itself is exactly what you'd expect. I've always loved Irving and A Prayer For Owen Meany is probably my favorite book ever. So I personally was completely caught up in the story. I read 800+ pages in the time it usually takes me to read a 300 page book. There were times I literally couldn't put it down.

That said, the story itself is disturbing. It's about a child who is sexually abused. It's about memory and what we think we know and how we are changed when we find the truth (in this way, it was reminiscent of the excellent Julian Barnes book, The Sense of an Ending).

There are graphic scenes in the book. That probably won't surprise you if you've read any other Irving. But the scenes don't feel prurient. They simply feel like reporting a story. Or, as Irving says in this book, telling the whole story in chronological order.

So, would I recommend it? Maybe. Did I think it was a good book? Definitely. ( )
  jennyo | Mar 24, 2012 |
9
  Stef.Gyssels | Aug 3, 2011 |
Showing 1-5 of 43 (next | show all)
One of the problems with this novel is that Mr. Irving never finds a persuasive voice for narrating these events. The repeated acts of sexual abuse committed upon the prepubescent Jack play neither as awful, realistic acts of abuse nor as metaphorical, Grand Guignol encounters. As a result, the whole book is suffused with a smarmy but cartoonish aura: the reader is unable to sympathize with Jack as a poor abused child or to regard his experiences as some sort of farcical parable about the wicked ways of the world.
 
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Epigraph
What we, or at any rate what I, refer to confidently as memory -- meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion -- is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.

-- William Maxwell, So Long, See You Tomorrow
Dedication
For my youngest son, Everett,

who made me feel young again.

With my fervent hope that when you're

old enough to read this story, you will

have had (or still be in the midst of)

an ideal childhood -- as different from

the one described here as anyone

could imagine.
First words
According to his mother, Jack Burns was an actor before he was an actor, but Jack's most vivid memories of childhood were those moments when he felt compelled to hold his mother's hand.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0345479726, Paperback)

At over 800 pages, John Irving's Until I Find You is a daunting proposition at best. Anyone who finishes it will have acquired forearm muscles, sore shoulders, and not much else. The story is self-indulgent, repetitive and, ultimately, boring, that cardinal sin that readers can't forgive. Longtime Irving readers have stayed with him through a few hits and a miss or two, but this is an all-time low. We are accustomed to Irving's work as quirky, bizarre, and off-the-wall and have forgiven all by calling such high-jinks and characters "imaginative" or "absolutely original." The only thing original about this tome is the descent into soft porn.

Jack Burns, the hero of the tale, is four years old when it all begins. He is the illegitimate son of Daughter Alice, a tattoo artist and, guess what, daughter of a tattoo artist. She takes Jack on a pilgrimage to find his womanizing father, William, a church organist and "ink addict." By seeking out church organs and tattoo parlors, she expects to find him. She doesn't, and by now we have spent more than a hundred pages in Northern European cities doing an imitation of Groundhog Day. Same story, different day: a little prostitution for Alice, a few questions asked; alas, no daddy.

Alice and Jack return to Toronto so that Jack may enter a previously all-girls school, which will admit little boys for the first time. There begins another 200 pages of the girls and the teachers abusing Jack, over and over again. By now, he is five and is, for some unfathomable reason, eminently interesting to girls and women. His "friend" Emma keeps careful track of "the little guy," as she calls Jack's penis, looking for signs of life. The worst part of all this is that none of it is funny or sad or even clever. There are wrestling vignettes, of course, and prep school tedium, but no bears. Maybe bears would have saved it. There were funny parts in The World According to Garp and The Cider House Rules as well as poignant, horrific parts in both of those and other Irving novels. This story is flat. The voice never changes; it just drones on.

Jack becomes an actor. First, he is a boy in drag because he is so pretty, then he takes transvestite parts. He and Emma, now a published novelist, live together in LA, which provides endless opportunity for name-dropping. His career eventually takes off and he gets recognition and awards, but still no daddy. Irving, it turns out, never knew his father, either. Perhaps this exercise will exorcise that demon once and for all and Irving's next book will be about something more compelling than a little boy's penis and his trashy mother's antics. If you do make it through to the book's snapper of an ending, you deserve to find out what it is on your own. Call it a reward. --Valerie Ryan

(retrieved from Amazon Thu, 14 Feb 2013 13:36:11 -0500)

(see all 3 descriptions)

The story of the actor Jack Burns. His mother, Alice, is a Toronto tattoo artist. When Jack is four, he travels with Alice to several North Sea ports; they are trying to find Jack's missing father, William, a church organist who is addicted to being tattooed. But Alice is a mystery, and William can't be found. Even Jack's memories are subject to doubt. Jack Burns goes to schools in Canada and New England, but what shapes him are his relationships with older women. John Irving renders Jack's life as an actor in Hollywood with the same richness of detail and range of emotions he uses to describe the tattoo parlors in those North Sea ports and the reverberating music Jack heard as a child in European churches.… (more)

» see all 2 descriptions

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