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Loading... Jericho's Fallby Stephen L. Carter
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will love Sign up for LibraryThing to find out whether you'll like this book. Big difference in style and language between the Emporer and Jericho! I still found it a bit tedious and wondered if it could have been edited down even more, but all in all a good read. I was a little disapointed in the end when there was....well, you'll just have to read it, won't you? I really enjoyed this thriller with the theme: Trust No One! I got completely absorbed in trying to decide which of the many characters in the book were the "good guys' and which were the 'bad guys'. Unbelievable plot?---Maybe!--- But Don't Care!! I was having too much fun trying to keep up with the twists and turns in all of the action. no reviews | add a review
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Question: Jericho's Fall is a departure from your previous novels. What made you decide to turn your attention to a spy thriller?Question: In your "Author's Note" you write that "the problem of mental illness among intelligence professionals is often said to be endemic." This link between intelligence work and madness is certainly born out in your character Jericho Ainsley. Why do you think this link exists and is this what drew you to Jericho's story?
Stephen L. Carter: In researching my previous novel, Palace Council, I became fascinated by the problem of mental illness in the intelligence community, an issue much-commented on in the 1960s and 1970s, mainly because of James Jesus Angleton, whose paranoia when he ran counter-intelligence at the CIA nearly tore the place apart. I thought that structuring a story around an ex-spy who was losing his mind might provide a nice hook, and the rest just followed.
Question: Jericho is former Director of the CIA, former Secretary of Defense, former White House National Security Advisor ("former everything" as you refer to him). You seem equally interested in how his career affected not only him but his family and in particular his ex-lover Rebecca DeForde ("Beck"). Why did you decide to make Beck the center of the story?
Stephen L. Carter: My first novel, The Emperor of Ocean Park, dealt in part with what happens to the family of a man who is embittered after losing a tough confirmation battle for the Supreme Court. Here, I thought about the men in public life who have been brought down (or nearly brought down) by their relationships with women. We always find out what happened to the men, but rarely what happened to the women. In Beck DeForde, I wrote a character who was once "the other woman" to a famous man, and has had to rebuild her life after their tempestuous relationship ended. The idea of drawing her into the conspiratorial web surrounding her ex-lover was irresistible.
Question: Have you always been fascinated with the idea of spies and secrets?
Stephen L. Carter: It is not spying itself that interests me, it is the people who do it. I have done some reading about the toll that intelligence work takes on families, and here I have tried to imagine it fictionally.
As to secrets, I teach a course at Yale Law School on secrets and the law. We build powerful walls to keep secrets, and most of them are probably not worth keeping. Those that are, sooner or later tend to leak through the wall. No doubt there are some secrets that should be kept, but classification and national security tempt those in power to keep in the darkness acts and words that should be dragged into the light. One rule of thumb I wish all officials would follow is this: Don't do anything you're not willing to defend in your memoirs.
Question: What sort of research did this novel require? Did you have to investigate the history of the CIA? What it's like to work in the intelligence community? Interrogation techniques? Did your research into the intelligence community unearth any surprises?
Stephen L. Carter: I did a lot of research about the CIA, its history, its structure, its personalities, as well as about various mental illnesses. One thing that struck me was how much mental illness there has been, historically, near the top of the Agency. I mentioned Angleton. Frank Wisner, the father of the clandestine services, had a nervous breakdown while on the job. There are other, smaller stories, as well.
(Photo © Elena Seibert)
(retrieved from Amazon Fri, 26 Jun 2009 06:57:51 -0400)
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Ainsley having many, many years earlier honed his paranoia (as so many in the intelligence business do) to a fine, sharp edge, Rebecca is not surprised to find that Stone Heights, "Jericho's pretentious name for his mountain redoubt," is even more of a fortress than it was when she last saw it. She quickly slips back into habits learned at his feet, when she was a 19 year old undergraduate and he the professor who gave up everything to have her, looking for spooks lurking in all the shadows, suspicious headlights in the rearview mirror, and potential hidden meaning in every conversation she has. It doesn't help that her cell phone keeps ringing, despite there being no service in the mountains, sometimes broadcasting a high-pitched tone when she answers it, sometimes a phantom voicemail from her daughter. Hey, just because you're paranoid doesn't mean everybody's not out to get you, right?
And she's not wrong.
Jericho is dying, and although he's been out of the business for a very long time, he's got something, it seems, that everyone wants. Secrets, are what he has, the stock in trade of agents and spies and bad guys the world over. The secrets are in his mind, of course (the brilliant mind which may or may not have been slipping since even before Rebecca met him, she's told by his oldest friend--or betrayor?--Phil Agadakos) but surely Jericho would have some physical evidence squirreled away somewhere. Wouldn't he?
Rebecca must sift through the elusive clues that Jericho drops in their conversations, references about their past that are just slightly off and may be intended to lead her to the evidence...and may just be the product of the cancer that has metastasized to Jericho's brain. She has to figure out first what the secrets he's holding are about--matters of national security? shenanigans in the financial world he joined after he left academia?--and then find the evidence without leading the bad guys to it.
Paranoia and perfidy abound in this delicious espionage thriller. Stephen L. Carter has taken a completely different tack from his previous novels, which were elegant but slow-moving, and crafted a fast-paced, seriously violent--but still elegant--thriller. One character after another is first a friend, then a potential judas, then a friend again, then, in some cases, dead--the head spins trying to keep up with it all. And in the end all we learn is that there are bad guys and then there are bad guys, and that sometimes it's a victory when it's just the bad guys--no italics--who win. (