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Loading... The Power and the Glory (1940)by Graham Greene
A painfully harrowing masterpiece which follows the last weeks in the life of a failed priest living illegally under the anti-Catholic regime in 1920s Mexico. The complex central character is not really good, brave or strong, but finds himself in situations where a sense of his guilt (he drinks and has fathered a child) and his responsibility to his faith (more than his belief) cause him to act well, bravely and with strength. The miracle of Greene's writing is that while it is sometimes so intense that I could only bear to read a few pages at a time, the tone is, under it all and in a mysterious way, comic, reflecting, perhaps, he sardonic fatalism with which people in horrific situations must go about their lives. It is rare that a novel this short so vividly creates a world and an atmosphere so completely. תחילתה של האובססיה הדתית של גראהם גרין By the time The Power and the Glory was published in 1940, Greene had eschewed his flirtations with modernism and had turned back to writing in a clear narrative style, intent on creating memorable characters and tackling some of the most contentious issues of his generation. Perhaps the overriding theme here is the indomnitable human spirit. Europe was at war and for many people suffering and death were becoming a part of daily life. Greene takes an unnamed catholic priest as his anti-hero; a priest who gives in to most forms of temptation including the cardinal sin of Pride, and yet by the choices he makes and despite himself he achieves some sort of dignity and even redemption in our eyes. The novel is by no means a paean to the catholic church, in fact Greene is continuously critical of it and its ministers throughout, but he does suggest it offers hope in times of oppression. Greene was commissioned to visit Mexico in 1938 to report on the religious persecution being enacted there and this provides the subject matter for the novel. A catholic priest is being hunted down by a fanatical lieutenant, who sincerely believes that the state will benefit by his elimination. Most of the priests have fled and so this last one (the whiskey priest) has become a bit of a cause celeb-re, who may or may not escape his fate if he makes it across the border. Greene's visit to Mexico cannot have been a particularly enlightening experience for him because from the very first sentence the reader is plunged into a night mare world of filth, heat and deprivation: "Mr Tench went out to look for his ether cylinder, into the blazing Mexican sun and the bleaching dust. A few vultures looked down from the roof with shabby indifference: he wasn't carrion yet". This first part of the novel takes alienation as its theme. Mr Tench: a dentist has no money to leave the shabby port town. A gringo bank robber and murderer is on the loose. Padre Jose has been forced into marriage and a rebuttal of his catholic faith. Mr Fellows the plantation owner is trying to make a home of a land where his wife is made ill by the heat. In the villages the whiskey priest is finding it harder and harder to find shelter. The second and by far the longest part of the novel deals with the priests ever more desperate attempts to keep body and soul together as he flees the red shirts. He has to offer a mass as a kind of bribe in the village where he has fathered a child. Greene fills in some of his background, he is not a good priest but no different from many; "an energetic priest was always known by his debts". He is befriended by an informer a sort of vampire figure with yellow fangs and provides him with many of his moments of self knowledge: "No, if he had been humble like Padre Jose, he might be living in the capital now with Maria on a pension. This was pride devilish pride, lying here offering his shirt to the man who wanted to betray him. Even his attempts at escape had been half-hearted because of his pride-the sin by which the angels fell" This section also contains some of Greene's most unforgettable scenarios: a night the priest spends in a filthy overcrowded cell, hiding his identity from the authorities but trusting his fellow prisoners with his true identity, leaving it to fate to save or condemn him, then the shameful fight with the broken backed dog for a meaty bone and finally his futile attempts to save the life of an Indian women's child. Part three finds the priest safely across the border but the informer finds him and the priest is tempted back to certain death by the chance to save the soul of the fatally wounded gringo murderer. Here Greene superbly captures the cowardly priests dilemma. A chance for salvation a chance to be true to his faith, a real chance to make some difference. This leads to the most fascinating part of the novel where the Lieutenant and the priest come to accommodate each others views. Both think the other is basically a good man. Part four steps back from the priest and we see the results of his actions through the eyes of the dentist Mr Tench. I think this is an important novel of it's time that raises many issues concerning a persons struggle to make sense of his life. In this case it is a Catholic priest and so faith and the catholic church are high in Greene's scheme of things, however there is much to be enjoyed by any reader with an interest in the human condition. Greene is at the top of his game here bringing so much to the table for discussion. The book can be read and interpreted in a number of ways. My advice if you are at all interested in Graham Greene's novels is to make sure you read this one.
This is the story Greene was born to tell. With this novel, Greene brings all his considerable talent, craft, and gift for suspense to bear on a story that penetrates the heart of one tortured man’s mystery. For all its darkness and intensity, it’s a thrilling, page-turning read: the story is structured essentially as an extended chase across the barren landscape of Mexico—mirroring the even vaster desert spaces in the heart of the pursued Priest. Greene evokes the heat and dust and sweat of the country and its inhabitants with cinematic immediacy. The atmosphere is stifling, almost unbearably intense, and Greene’s capacity for storytelling invention never flags. Is contained inThe Heart of the Matter / Stamboul Train / A Burnt-Out Case / The Third Man / The Quiet American / Loser Takes All / The Power and the Glory by Graham Greene Brighton Rock / The Third Man / The Power and the Glory / The Heart of the Matter by Graham Greene Brighton Rock / The Power and the Glory / The Heart of the Matter by Graham Greene Has as a student's study guide
Amazon.com Amazon.com Review (ISBN 0142437301, Paperback)How does good spoil, and how can bad be redeemed? In his penetrating novel The Power and the Glory, Graham Greene explores corruption and atonement through a priest and the people he encounters. In the 1930s one Mexican state has outlawed the Church, naming it a source of greed and debauchery. The priests have been rounded up and shot by firing squad--save one, the whisky priest. On the run, and in a blur of alcohol and fear, this outlaw meets a dentist, a banana farmer, and a village woman he knew six years earlier. For a while, he is accompanied by a toothless man--whom he refers to as his Judas and does his best to ditch. Always, an adamant lieutenant is only a few hours behind, determined to liberate his country from the evils of the church.On the verge of reaching a safer region, the whisky priest is repeatedly held back by his vocation, even though he no longer feels fit to perform his rites: "When he was gone it would be as if God in all this space between the sea and the mountains ceased to exist. Wasn't it his duty to stay, even if they despised him, even if they were murdered for his sake? even if they were corrupted by his example?" As his sins and dangers increase, the broken priest comes to confront the nature of piety and love. Still, when he is granted a reprieve, he feels himself sliding into the old arrogance, slipping it on like the black gloves he used to wear. Greene has drawn this man--and all he encounters--vividly and viscerally. He may have said The Power and the Glory was "written to a thesis," but this brilliant theological thriller has far more mysteries--and troubling ideals--than certainties. --Joannie Kervran Stangeland (retrieved from Amazon Sat, 05 Jan 2013 05:21:22 -0500) The last priest in a poor section of North Mexico where the Red Shirts have outlawed God finds himself a hero despite himself. |
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This little gem turned out to be quite a surprise. It is indeed powerful and it is glorious. Greene's writing seems really simple and is easy to read, and yet is so full of meaning. I am still soaking it all in.
As the lead character, the 'whiskey-priest', moves from one place to another, Greene takes us along on a journey taut with suspense and tension. However, it is really his moral journey which is the most captivating. We not only witness the priest's struggle to escape, we also get to look into his tormented soul and his ambivalence. He is constantly torn between following what his religious faith has taught him while his worldly sense seems to make more practical sense. He feels guilty for his sins, but he loves the fruit of his sin. He almost wishes that he be caught so that he could be rid of the fear and the misery. But doesn't his faith teach him that it is his duty to save his soul? He has sinned and is immoral, but he is also full of compassion and love for fellow human beings.
A question that haunts the priest and the reader throughout is whether he will find redemption and if his soul will achieve salvation? Or do immoralities and sins always overshadow a man's goodness? Greene makes it so easy for one to understand his characters. The priest, with his virtues and his flaws, feels like a very real person. It is not at all difficult to imagine such a person walking some part of this earth in flesh.
While we read the thoughts and the convictions of the priest, the lieutenant serves as the opposing voice. Both have some ideals which I do not completely agree with, but I also don't consider either of them to be totally wrong. I also liked that the priest and the lieutenant, though rivals, are able to see the good in each other and have mutual respect. Through these two characters, Greene brings forth the impermanence of beliefs through which one defines what is "right". Life can always take such turns that one's firmly believed ideals cease to make sense anymore.
As the journey proceeds and we encounter various places and characters, Greene also reveals the misery, poverty, disease and utter desolation that has engulfed these wastelands. He captures the feeling of the place and the moment with just the right words. Through his words, you can almost feel the oppressive heat or the thundering rainstorm or the tranquility and freshness of an early morning. Different characters that we meet give a sense of how bleak and despairing their life is. There is a person who cannot shirk off the idea of death, there is another with a desperate cheerfulness who has to constantly remind himself that he is happy. There are several instances where we see the difference between the world-view of adults and children. Adults who have known better times and have only those memories to draw any happiness from. While the only world their children have seen is this world of misery. These children haven't known what happiness, hope or faith means. They have matured before they have aged. All the playfulness and innocence of childhood has been drained away.
Another frequently encountered theme is that of abandonment. The words 'abandoned', 'abandonment' crop up very often..be it a man who has abandoned his family, a child abandoned by her father, a man deserted in the forest. However, what Greene is really hinting at is the abandonment of this land and its people. They are cut-off from the rest of the world to rot in suffering, while the world and civilization outside progress. The future holds no promises, all hope and faith has vanished. Life has ceased to have any meaning, God himself has ceased to exist. Death is an everyday affair for them and life is just a duty to be performed from day-to-day without ever knowing its joy and charm.
She said: "I would rather die."
"Oh," he said, "of course. That goes without saying. But we have to go on living."
"She was one of those garrulous women who show to strangers the photographs of their children: but all she had to show was coffin."
For the most part the novel is bleak and grim, but it speaks of hope as well.
"It is one of the strange discoveries a man makes that life, however you lead it, contains moments of exhilaration: there are always comparisons which can be made with worse times:even in danger and misery the pendulum swings."
Greene also reminds us of how peace and beauty can exist in the smallest of moments, which people often fail to notice until it has been left far behind.
"It was nearly like peace, but not quite. For peace you needed human company-his alone-ness was like a threat of things to come. Suddenly he remembered - for no apparent reason - a day of rain at the American seminary, the glass windows of the library steamed over with central heating, the tall shelves of sedate books, and a young man - a stranger from Tucson - drawing his initials on the pane with his finger - that was peace. He looked at it from outside: he couldn't believe he would ever again get in."
There is so much more I have to say about this novel, I could never cover it all in a review. Let me just say it is so very human.
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