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Ulysses by James Joyce
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Ulysses (1922)

by James Joyce

Other authors: See the other authors section.

Series: Volumen 1 & 2

MembersReviewsPopularityAverage ratingConversations / Mentions
16,216226108 (4.05)4 / 1144
  1. 261
    The Odyssey by Homer (_eskarina, chrisharpe)
    _eskarina: Joyce himself recommended Homer's epos to get better insight and understanding of Ulysses.
  2. 200
    A Portrait of the Artist as a Young Man by James Joyce (ZenMaintenance)
  3. 80
    Infinite Jest by David Foster Wallace (browner56)
    browner56: You will either love them both or hate them both, but you will probably need a reader's guide to get through either one--I know I did.
  4. 60
    The Man Without Qualities by Robert Musil (roby72)
  5. 104
    Moby Dick by Herman Melville (ateolf)
  6. 40
    The Bloomsday Book by Harry Blamires (bokai)
    bokai: The Bloomsday Book is a book length summary of James Joyce's Ulysses. It informs the reader of the general plot, of particular references in Ulysses to events in other books (most usually Dubliners)and includes a minimum of commentary, usually focusing on the religious aspects of the novel. For someone reading Ulysses with a limited knowledge of Joyce, Ireland, or Catholicism, this book may be the deciding factor in their enjoyment of the novel itself.… (more)
  7. 41
    The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne (roby72)
  8. 52
    The Magic Mountain by Thomas Mann (roby72)
  9. 31
    To Have and Have Not by Ernest Hemingway (ateolf)
  10. 10
    J R by William Gaddis (chrisharpe)
  11. 10
    The most dangerous book: the battle for James Joyce's Ulysses by Kevin Birmingham (Cecrow)
    Cecrow: The (Non-fiction) story behind the novel's publication and its struggles with censorship.
  12. 10
    Dublinés by Alfonso Zapico (drasvola)
    drasvola: This book is a graphic narration of Joyce's life. It's in Spanish. Very well done and informative about Joyce's troubled relation with society, his work and family relationships.
  13. 21
    Shakespeare and Company by Sylvia Beach (andejons)
    andejons: For those who want to read about how the book was published (and other details about Joyce's life in Paris)
  14. 10
    The Death of Virgil by Hermann Broch (chrisharpe)
  15. 00
    The Sleepwalkers by Hermann Broch (thecoroner)
  16. 11
    Berlin Alexanderplatz by Alfred Döblin (rrmmff2000)
    rrmmff2000: Both books of a man in a city, celebrating human life in all its variety, and revelling in language.
  17. 00
    Modernism: The Lure of Heresy by Peter Gay (charlie68, charlie68)
    charlie68: Book has section on Modernism in literature that includes a section on Ulysses.
    charlie68: A section deals in criticism of James Joyce and specifically Ulysses.
  18. 00
    Station Island by Seamus Heaney (kara.shamy)
  19. 00
    La Medusa by Vanessa Place (fuguette)
    fuguette: Place's work is a free-form experiment tracking the depraved, obsessive, unfiltered thoughts of her characters.
  20. 00
    Milkbottle H by Gil Orlovitz (EnriqueFreeque)
    EnriqueFreeque: Similar kind of disjointed interiority with multiple pov's.

(see all 26 recommendations)

1920s (16)
1910s (58)
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English (209)  Spanish (4)  Portuguese (2)  Dutch (2)  Norwegian (1)  Danish (1)  German (1)  Swedish (1)  French (1)  Italian (1)  Portuguese (Portugal) (1)  All languages (224)
Showing 1-5 of 209 (next | show all)
On Reading Joyce again

More than a week this cold has gripped me
But now the sun has warmed the front of things
And drawn me out into the garden
To read the start of Ulysses
Joyce's words flow now
As they did then
A part of my head still holds the cold
Chambers of warm salt water
That somehow aid the reading
Matching muddle that was pre-meditated
Reading him is a luxury requiring you to suspend or withhold
Your customary reading faculties
Daedalus's headwork on the beach
Bloom's early morning pottering
You can let go of the references
Sacrificial lambs to the flow and ebb
While in my own head
For decades the start of the book was somehow sunnier
That Dublin world more real
And now I'm back in it
I find new things
Rhythms of a real world
The unreliable erratic flick of thought
Smallness and bigness of thoughts
If thoughts are not things
Then think of Joyce above it all
Away from it all
Plotting revising laughing I hope
Rattling the words like a stick dragged along fence panels
Till finally I think
It is only mid April after all
My bum is numb and my back is cold
I will go in
Take the book back indoors with me ( )
  adrianburke | Apr 20, 2016 |
Life Goal Achieved! You all know that I am definitely not a genius. And this book is not enjoyable much of the time. However, it is an incredible, monumental exploration of the written word. It is important. And the Penelope (Molly Bloom Soliloquy) Chapter was so divine that it should have been labeled the original Vagina Monologue. The audio performance of that was perfection.

I had to read, listen, and study my way through this book. I am so glad to no longer be in the dark.

This is how I did it, and it wasn't the perfect plan, but it worked.

I figured it was finally time to take the plunge when everything in my life kept popping up as James Joyce. Last fall I read "The Most Dangerous Book" which told me the story of the publication / obscenity battle. That was mainly due to the Molly Chapter, although the middle chapter was also a scrumptous read-between-the-lines tale, in which Bloom encounters a sea nymph posing as a beautiful young woman, and gets his own pleasure from her. Seriously, anyone wanting to write anything about romance or sex, needs to read this chapter. Pure genius at saying it without saying it, and leaving the rest to the imagination.

Several months ago I found an old hardcover US Edition of Ulysses at the Library and picked it up for a mere quarter. I'm not fool; that was sign enough that it was time to plunge in. (The Greeks would be proud).

So, I pulled out my Odyssey, mainly the audio version but also the Harvard Series, and I also bought an audio of Ulysses, as well as an audio course on it. My plan was to listen to them all basically a chapter at a time, and that what both a good and a bad way to do it. It was good because it helped it all make sense while it was fresh. It helped me keep plunging on. I'm not sure that I know an American born child of the 80s that would find much to understand or like about the book, except the two previously mentioned chapters. But even had I been Irish born, the course would have been a must.

I didn't really want to study about it before hand, so I didn't realize that the chapters didn't actually correspond, because Joyce presented them as they occurred, rather than as they were relayed in the Greek fashion. I also didn't realize how very loosely it is based on the great Greek wandering tale. So the course was invaluable, and it didn't matter that much if the timing was off a bit. Reading it mixed in gave great relief from some of the chapters.

Because some of them were so strange, and long, and puzzling that they even almost put the publisher off. (Yes, hearing that in the course did make me feel better). The publisher had Joyce to explain, I had the course. The whole idea of demonstrating different writing techniques (Joyce, the ultimate showoff) would have completely escaped me, I think. At least, the newspaper chapter was easy to pick up on, as was the great Ivanhoe romantic style.

Some of the chapters I actually enjoyed. Many I hated. Some of the "Odyssey" I liked, some of it I didn't love. It didn't have the same feel for me as the "Iliad", even the audio version. But I loved every single class. The course was awesome.

And then, there is Molly Bloom. She made a believer out of me. That man was a genius. The audio and in fact the whole journey, was made worthwhile just for Molly Bloom's moment. My stream of consciousness isn't near so fascinating. ( )
2 vote sydsavvy | Apr 8, 2016 |
Read this to work my way through 100 Greatest Novels List. Most interesting walk through the streets of Dublin. ( )
  yvonne.sevignykaiser | Apr 2, 2016 |
Humbling. Exhausting. Sometimes exhilarating. Often beautiful. This is a novel that puts you in your place. It tries your patience and requires you accept that you'll go large stretches without understanding what's happening. Eyes will glaze over. Attention will wander. But it will reward the reader. There will be points at which the reader will marvel at how deftly Joyce twists and turns the English language. The humanity that busts out of this thing is impressive. The second to last 'chapter' alone is an incredibly powerful piece of writing. Perhaps a bit too erudite for its own good, Ulysses still manages to captivate as often as it obfuscates. ( )
  Matthew.Ducmanas | Mar 18, 2016 |
Not sure what to make of this one...much more difficult to follow and stay with through its rambling parts than other Joyce novels. I think this would be much more interesting in a classroom or discussion group setting. ( )
  Jen.ODriscoll.Lemon | Jan 23, 2016 |
Showing 1-5 of 209 (next | show all)
A few intuitive, sensitive visionaries may understand and comprehend "Ulysses," James Joyce's new and mammoth volume, without going through a course of training or instruction, but the average intelligent reader will glean little or nothing from it- even from careful perusal, one might properly say study, of it- save bewilderment and a sense of disgust. It should be companioned with a key and a glossary like the Berlitz books. Then the attentive and diligent reader would eventually get some comprehension of Mr. Joyce's message.
 
For readers to whom books are an important means of learning about life, it stands preeminent above modern rivals as one of the most monumental works of the human intelligence.
added by Shortride | editTime (Jan 29, 1934)
 
During the one exciting day in Dublin, Joyce turns the mind of Bloom inside out. The history of Ireland comes to us in refracted rays. Through Stephen Dedalus we are introduced to Joyce's own profound spiritual uneasiness, his sense of loss, his hatred of the pragmatic commercial ethic, his need for the moorings and soundings of the medieval Catholic synthesis, his mental honesty that won't permit him to accept a religion, no matter what its appeal, so long as his intelligence tells him it is a figment of dream.
added by Shortride | editThe New York Times, John Chamberlain (pay site) (Jan 25, 1934)
 

» Add other authors (61 possible)

Author nameRoleType of authorWork?Status
Joyce, Jamesprimary authorall editionsconfirmed
Berkel, ChristianNarratorsecondary authorsome editionsconfirmed
Bindervoet, ErikTranslatorsecondary authorsome editionsconfirmed
Brandt, MatthiasNarratorsecondary authorsome editionsconfirmed
Clever, EdithNarratorsecondary authorsome editionsconfirmed
De Angelis, GiulioTranslatorsecondary authorsome editionsconfirmed
Deutschmann, HeikkoNarratorsecondary authorsome editionsconfirmed
Dewey, Kenneth FrancisIllustratorsecondary authorsome editionsconfirmed
Ellmann, RichardPrefacesecondary authorsome editionsconfirmed
Ernst, Morris L.Forewordsecondary authorsome editionsconfirmed
Gabler, Hans WalterEditorsecondary authorsome editionsconfirmed
Hülsmann, IngoNarratorsecondary authorsome editionsconfirmed
Henkes, Robbert-JanTranslatorsecondary authorsome editionsconfirmed
Johnson, JeriEditorsecondary authorsome editionsconfirmed
Kenner, HughIntroductionsecondary authorsome editionsconfirmed
Klaußner, BurghartNarratorsecondary authorsome editionsconfirmed
Koch, WolframNarratorsecondary authorsome editionsconfirmed
Kogge, ImogenNarratorsecondary authorsome editionsconfirmed
Lehto, LeeviTranslatorsecondary authorsome editionsconfirmed
Mallafrè, JoaquimTranslatorsecondary authorsome editionsconfirmed
Matic, PeterNarratorsecondary authorsome editionsconfirmed
Matthes, UlrichNarratorsecondary authorsome editionsconfirmed
Melchior, ClausEditorsecondary authorsome editionsconfirmed
Milberg, AxelNarratorsecondary authorsome editionsconfirmed
Noethen, UlrichNarratorsecondary authorsome editionsconfirmed
Rois, SophieNarratorsecondary authorsome editionsconfirmed
Saarikoski, PenttiTranslatorsecondary authorsome editionsconfirmed
Samel, UdoNarratorsecondary authorsome editionsconfirmed
Schüttauf, JörgNarratorsecondary authorsome editionsconfirmed
Steppe, WolfhardEditorsecondary authorsome editionsconfirmed
Tellegen, ToonAfterwordsecondary authorsome editionsconfirmed
Thalbach, AnnaNarratorsecondary authorsome editionsconfirmed
Vandenbergh, JohnTranslatorsecondary authorsome editionsconfirmed
Warburton, ThomasTranslatorsecondary authorsome editionsconfirmed
Wollschläger, HansÜbersetzersecondary authorsome editionsconfirmed
Woolsey, John M.Contributorsecondary authorsome editionsconfirmed
Zischler, HannsNarratorsecondary authorsome editionsconfirmed

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Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.
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Grad student door stop.
Tree that I would never see
One hand clapping ‘yes’.
(SomeGuyInVirginia)

Amazon.com Amazon.com Review (ISBN 0679722769, Paperback)

Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus

(retrieved from Amazon Thu, 12 Mar 2015 18:13:10 -0400)

(see all 7 descriptions)

This account of several lower class citizens of Dublin describes their activities and tells what some of them were thinking one day in 1904.

» see all 16 descriptions

Legacy Library: James Joyce

James Joyce has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

See James Joyce's legacy profile.

See James Joyce's author page.

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Audible.com

14 editions of this book were published by Audible.com.

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Penguin Australia

2 editions of this book were published by Penguin Australia.

Editions: 0141182806, 0141197412

Urban Romantics

An edition of this book was published by Urban Romantics.

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Recorded Books

An edition of this book was published by Recorded Books.

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