I revisited this story more than 20 years after I first read it, and was pleased to find that it held up reasonably well. The characters and plot are still interesting, and it was just as fun to see 11 year old Mark and his lawyer work to out-maneuver the politicians, the FBI, and the mob. Grisham's style doesn't hold up as well, and I wasn't as appreciative of the way he reveals his characters through random gobbets of exposition, but overall this is still an enjoyable story.

Audiobook, borrowed from my public library via Overdrive. John MacDonald did an okay job on the narration, but the audio quality for this version was pretty bad. It sounded like a digitized conversion of an old audiocassette book on tape, with strange random stops to insert the next tape (or disc, maybe), and it's oddly draggy. I had to increase the playback speed to make it listenable. ( )

I realized I had never read a John Grisham novel, and I like law (I watch Legal Eagle and listen to podcasts about it.) So I thought I ought to remedy that, since the guy basically invented legal thrillers. (Is there such a thing as lawyerpunk? Justicepunk?)

The style reminds me of Memory Man. Straightforward, good with tension, tight with time. All the events take place in only three or five days. (The justice system can work fast when it wants to in the Grishamverse). The story doesn’t seem like a thriller or suspense novel, but it is. It’s just about a kid who learns where a murdered body is buried. The thrill comes from the police, the federal justice system, and the press, and the mob leaning on a kid is smart enough to seek out a lawyer.

What I love most about it is the characters. Everyone is distinct and charismatic. Some of them muddle together but you always know who’s on who’s team. No one is really a bad guy–they all think they are the main character in their story and following the right thing. The writing style itself is so simple that I’m surprised Grisham became as popular as he did, with sentences like “The hangar floor was crystallized concrete.” Lots of the imagery is described by simple sentences, non-purple prose. These days you have to be “Where the Crawdads Sing” to get popular. ( )

Grisham stays upto his reputation, he has an uncanny knack of proselytizing Law into a racy fiction/plot. He never disappoints. ( )

One heck of a story. Really enjoyable and never really knew where it was going. Great read. ( )

Eleven-year-old Mark Sway, and his eight-year-old brother, Ricky, never suspected what was about to happen to them when they spotted a long, black car idling in the middle of the woods near their trailer park in rural Memphis. Mark was curious—Ricky was scared. Neither one could have imagined they'd soon be caught up in a nightmare involving cops, lawyers, hospitals, the FBI, and mafia killers. The Client is a first-rate, suspenseful thriller that never takes its foot off the gas pedal but speeds straight through to an electrifying climax. This is only Grisham's fourth book, yet one of his finest works featuring unforgettable characters like Reggie Love, Judge Harry Roosevelt, and the ambitious Reverend Roy Foltrigg. ( )