HomeGroupsTalkZeitgeist
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

The golden notebook by Doris May Lessing
Loading...

The golden notebook (original 1962; edition 1962)

by Doris May Lessing

MembersReviewsPopularityAverage ratingConversations / Mentions
3,409501,584 (3.64)1 / 279
Member:thorold
Title:The golden notebook
Authors:Doris May Lessing
Info:London, 1962. 567 p. ; 8vo.
Collections:Your library
Rating:*****
Tags:fiction, 1960s, feminism, communism, Southern Africa, diary

Work details

The Golden Notebook by Doris Lessing (1962)

  1. 31
    The Two of Them by Joanna Russ (lquilter)
    lquilter: While reading The Two of Them by Joanna Russ, I was persistently reminded of Doris Lessing's The Golden Notebook. The female protagonist's articulated rage, the psychoanalytic approach, the insurmountability of the patriarchy. For readers across genres who liked either of these novels, I would suggest trying the other.… (more)
  2. 00
    Orwell and Politics (Penguin Modern Classics) by George Orwell (DLSmithies)
    DLSmithies: Alright, this one's tenuous, but bear with me! Orwell has lots of interesting things to say about the socialist movement of the 30s and 40s in Britain and elsewhere, especially in Stalin's Russia. Similarly, the Communist Party in 1950s Britain looms large in the background of The Golden Notebook, and the main character is deeply troubled by the situation in Russia under Stalin (along with everything else that's happening on the world stage at the time). So, you see, there's a link!... ...or maybe it's just me.… (more)
  3. 01
    The Bell Jar by Sylvia Plath (readerbabe1984)
  4. 12
    DORIS LESSING CHILDREN OF VIOLENCE (geneven)
    geneven: This five-book series is great, though depressing in spots. (I haven't read The Golden Notebook.)
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

English (44)  Spanish (3)  French (1)  Dutch (1)  Danish (1)  All languages (50)
Showing 1-5 of 44 (next | show all)
More of a 4.5 really, because of a few issues. However, I'm still fairly certain this is a masterpiece. Review to follow. ( )
  humblewomble | Oct 19, 2014 |
Although I can see that this novel may have been seen as feminist when it came out in 1962, it isn't actually very feminist in content - it just has women who are outspoken about every aspect of their lives including sexual and emotional relations. Apparently it was viewed as shocking that Anna and Molly were critical about men, Richard in particular; this, as with most of the other 'feminist' aspects, is now routinely found in contemporary novels.

The real heart of the novel in my eyes was Anna's ultimately unsuccessful attempt to integrate her desire to live by ideals with politics; the dichotomy of wanting to do work which will improve the world versus helping individuals to a better life. Lessing has captured the growing disillusionment of the Western communists in the years following WW2, not in the philosophic ideal of communism but with the reality of the political party.

Another major theme was the fragmentation of Anna, and by implication society as a whole, leading her into a state of mental breakdown. The 4 notebooks in which she tried by different methods to capture "the truth" each ended up being false just as different aspects of personality are not true representations of the whole person. Different versions of this concept were popular at this time (late 1950s, early 1960s), and if I had read this book during my twenties I think I would have been much more interested. Coming to it later in life, I found the political idealogical theme more compelling. ( )
1 vote leslie.98 | Jan 18, 2014 |
Big thick book. Bigger than I usually read, but I was committed after not very many pages. About the novel, about politics, about women and men. The structure was fascinating, the way the different parts of the book talked about one another. I read Lessing's introduction maybe three times and found it deeper each reading. ( )
  mykl-s | Dec 7, 2013 |
It's difficult to capture the complexity of a 568-page elaborately structured novel in a few paragraphs. Nobel Prize-winning Doris Lessing's fifth novel was a departure from the realism common in 1962 when it was published. Anna and Molly were best friends sharing the common bonds of divorce and single parenthood. Both flirted with Communism and became disillusioned. The core of the book, "Free Women," is presented in five segments interspersed with lengthy entries from Anna's four journals. The 'free' in the title is ironic because the women are failed feminists who are still controlled by the need of men in their lives. Free women are not so free after all!

This is a soul-searching book. Anna is obsessed with self-analysis in order to create calm out of the chaos of her life. She spends much time undergoing psychoanalysis by the perceptive "Dr. Sugar" who tries to make sense of the dreams that are replacing the words that have begun to fail her. Bad news for an author, even one with writer's block. It seems that compartmentalizing her life experiences in separate notebooks is part of the problem, not the solution.The four notebooks of different colors represent the disintegration leading Anna towards the mental breakdown that just might give her "a new kind of strength". One of the strengths of the book is the sense of hope lurking in the background of darkness and depression, although the reader has to dig deeply to find it.

The Golden Notebook is not an easy book to read because of its fragmented style. The fragmentation of narrative reflected both the crises in Anna's life and the changes in society during the mid-1950s. There is much to ponder in this book for the careful reader who wants to learn more about the effects of communism in England and the awakening of women's struggles to be equal with men. Anna may be complex but she's not unique. She is an intelligent, creative person with self-destructive tendencies, which might describe many of us. Whether or not you relate to Anna, you will find that Lessing has created a deep and memorable character to represent the postwar upheaval that led up to the craziness of the 1960s. ( )
2 vote Donna828 | Nov 8, 2013 |
I don't really know what to think about this book, but I can tell you one thing - it's a book that refuses to be summed up by a one-sentence description. Instead, here's a list of some of what it's about: friendships between women, Communism, single motherhood, sexual mores, psychoanalysis, writing, suicide, marriage, British colonies in Africa, race, class and gender divides, British vs. American tendencies, insanity, independence, love, losing faith in a cause, losing faith in oneself, public vs. private faces. Oh, and apparently it is supposed to be some sort of feminist touchstone, although Lessing says she didn't write it with that intention and I didn't personally read it that way myself.

I seesawed frequently between being intrigued and being bored. There's no doubt that Lessing's writing is engaging, but it didn't overcome the subject matter of some sections for me. I am not that interested in reading 50 pages on the future of Communism in the wake of realizations that Stalin was a monster. I'm not that interested in reading 3 pages of headlines that our main character, Anna, has clipped from newspapers and pasted into her journal. (Those 3 or 4 pages *felt* like 50 to me.) The structure of the novel was intriguing, although I admit I didn't entirely get it until near the end - I have no idea if a reader is supposed to have picked up on it before that.

My attention was held by the relationships between Anna and the major players in her life - her friend Molly and Molly's ex-husband, Richard, and their son, Tommy. Anna's relationship with her daughter, Janet, had some moments and expressions of emotions that any parent will recognize. Anna's relationships with men and her reflections thereupon were like the rest - sometimes interesting, sometimes so much tedious navel-gazing and justification.

Recommended for: anyone who wanted confirmation that bohemians are just as miserable as anyone else, people who think eating your vegetables before getting dessert makes dessert more rewarding, people with more patience for abstract whining and over-analyzing than me.

Quote: "She seems to me so fragile that I want to put out my hand to save her from a wrong step, or a careless movement; and at the same time so strong that she is immortal. I feel what I felt with sleeping Michael, a need to laugh out in triumph, because of this marvelous, precarious immortal human being, in spite of the weight of death." ( )
1 vote ursula | Jul 31, 2013 |
Showing 1-5 of 44 (next | show all)
no reviews | add a review

» Add other authors (19 possible)

Author nameRoleType of authorWork?Status
Doris Lessingprimary authorall editionsconfirmed
Valentí, HelenaTranslatorsecondary authorsome editionsconfirmed
Vink, NettieTranslatorsecondary authorsome editionsconfirmed
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Information from the German Common Knowledge. Edit to localize it to the English one.
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Dedication
First words
The two women were alone in the London flat.
Quotations
Ella decides to write again, searches herself for the book which is already written inside her, and waiting to be written down. She spends a great deal of time alone, waiting to discern the outlines of this book inside her.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Publisher series
Original language

References to this work on external resources.

Wikipedia in English (1)

Book description
Haiku summary

Amazon.com Amazon.com Review (ISBN 006093140X, Paperback)

Much to its author's chagrin, The Golden Notebook instantly became a staple of the feminist movement when it was published in 1962. Doris Lessing's novel deconstructs the life of Anna Wulf, a sometime-Communist and a deeply leftist writer living in postwar London with her small daughter. Anna is battling writer's block, and, it often seems, the damaging chaos of life itself. The elements that made the book remarkable when it first appeared--extremely candid sexual and psychological descriptions of its characters and a fractured, postmodern structure--are no longer shocking. Nevertheless, The Golden Notebook has retained a great deal of power, chiefly due to its often brutal honesty and the sheer variation and sweep of its prose.

This largely autobiographical work comprises Anna's four notebooks: "a black notebook which is to do with Anna Wulf the writer; a red notebook concerned with politics; a yellow notebook, in which I make stories out of my experience; and a blue notebook which tries to be a diary." In a brilliant act of verisimilitude, Lessing alternates between these notebooks instead of presenting each one whole, also weaving in a novel called Free Women, which views Anna's life from the omniscient narrator's point of view. As the novel draws to a close, Anna, in the midst of a breakdown, abandons her dependence on compartmentalization and writes the single golden notebook of the title.

In tracking Anna's psychological movements--her recollections of her years in Africa, her relationship with her best friend, Molly, her travails with men, her disillusionment with the Party, the tidal pull of motherhood--Lessing pinpoints the pulse of a generation of women who were waiting to see what their postwar hopes would bring them. What arrived was unprecedented freedom, but with that freedom came unprecedented confusion. Lessing herself said in a 1994 interview: "I say fiction is better than telling the truth. Because the point about life is that it's a mess, isn't it? It hasn't got any shape except for you're born and you die."

The Golden Notebook suffers from certain weaknesses, among them giving rather simplistic, overblown illustrations to the phrase "a good man is hard to find" in the form of an endless parade of weak, selfish men. But it still has the capacity to fill emotional voids with the great rushes of feeling it details. Perhaps this is because it embodies one of Anna's own revelations: "I've been forced to acknowledge that the flashes of genuine art are all out of deep, suddenly stark, undisguiseable private emotion. Even in translation there is no mistaking these lightning flashes of genuine personal feeling." It seems that Lessing, like Anna when she decides to abandon her notebooks for the single, golden one, attempted to put all of herself in one book. --Melanie Rehak

(retrieved from Amazon Mon, 30 Sep 2013 13:59:49 -0400)

(see all 6 descriptions)

Anna is a writer, author of one very successful novel, who now keeps four notebooks. In one, with a black cover, she reviews the African experience of her earlier years. In a red one she records her political life, her disillusionment with communism. In a yellow one she writes a novel in which the heroine relives part of her own experience. And in a blue one she keeps a personal diary. Finally, in love with an American writer and threatened with insanity, Anna resolves to bring the threads of all four books together in a golden notebook.… (more)

(summary from another edition)

» see all 5 descriptions

Quick Links

Popular covers

Rating

Average: (3.64)
0.5 9
1 22
1.5 5
2 39
2.5 15
3 85
3.5 35
4 141
4.5 19
5 127

Audible.com

Two editions of this book were published by Audible.com.

See editions

Is this you?

Become a LibraryThing Author.

 

Help/FAQs | About | Privacy/Terms | Blog | Contact | LibraryThing.com | APIs | WikiThing | Common Knowledge | Legacy Libraries | Early Reviewers | 93,330,092 books! | Top bar: Always visible