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Loading... Kim (original 1901; edition 1922)| Recently added by | cjyurkanin, dragonfly_child, ljhliesl, mateusdesmith, sarjah, karamazow, joyseeker22, maxmartibo, fnordland, gennyt | | Legacy Libraries | Sterling E. Lanier, Hannah Arendt, Evelyn Waugh , Robert Gordon Menzies, USS California (Armored Cruiser No. 6), T. E. Lawrence, Carl Sandburg, Ernest Hemingway |
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 Sign up for LibraryThing to find out whether you'll like this book. » Add other authors (78 possible) | Author name | Role | Type of author | Work? | Status | | Rudyard Kipling | — | primary author | all editions | confirmed | | Cohen, Morton | Introduction | secondary author | some editions | confirmed | | Cooper, Susan | Introduction | secondary author | some editions | confirmed | | Cosham, Ralph | Narrator | secondary author | some editions | confirmed | | Dastor, Sam | Narrator | secondary author | some editions | confirmed | | Hilton, Margaret | Narrator | secondary author | some editions | confirmed | | Jacques, Robin | Illustrator | secondary author | some editions | confirmed | | Kipling, John Lockwood | Illustrator | secondary author | some editions | confirmed | | Said, Edward W. | Introduction | secondary author | some editions | confirmed | | Sandison, Alan | Editor | secondary author | some editions | confirmed | | Sharma, Madhav | Narrator | secondary author | some editions | confirmed | | Vance, Simon | Narrator | secondary author | some editions | confirmed | | Weeks, Edwin Lord | Cover artist | secondary author | some editions | confirmed |
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| Epigraph |
Oh ye who tread the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when the heathen pray
To Buddha at Kamakura!
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He sat, in defiance of municipal orders, astride the gun Zam-Zammah on her brick platform opposite the old Ajaib-Gher - the Wonder House, as the natives call the Lahore Museum.  | |
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▾References References to this work on external resources. Wikipedia in English (4)
▾LibraryThing members' description ▾Book descriptions Amazon.com Amazon.com Review (ISBN 0140183523, Paperback)
One of the particular pleasures of reading Kim is the full range of emotion, knowledge, and experience that Rudyard Kipling gives his complex hero. Kim O'Hara, the orphaned son of an Irish soldier stationed in India, is neither innocent nor victimized. Raised by an opium-addicted half-caste woman since his equally dissolute father's death, the boy has grown up in the streets of Lahore: Though he was burned black as any native; though he spoke the vernacular by preference, and his mother-tongue in a clipped uncertain sing-song; though he consorted on terms of perfect equality with the small boys of the bazar; Kim was white--a poor white of the very poorest. From his father and the woman who raised him, Kim has come to believe that a great destiny awaits him. The details, however, are a bit fuzzy, consisting as they do of the woman's addled prophecies of "'a great Red Bull on a green field, and the Colonel riding on his tall horse, yes, and'--dropping into English--'nine hundred devils.'" In the meantime, Kim amuses himself with intrigues, executing "commissions by night on the crowded housetops for sleek and shiny young men of fashion." His peculiar heritage as a white child gone native, combined with his "love of the game for its own sake," makes him uniquely suited for a bigger game. And when, at last, the long-awaited colonel comes along, Kim is recruited as a spy in Britain's struggle to maintain its colonial grip on India. Kipling was, first and foremost, a man of his time; born and raised in India in the 19th century, he was a fervid supporter of the Raj. Nevertheless, his portrait of India and its people is remarkably sympathetic. Yes, there is the stereotypical Westernized Indian Babu Huree Chander with his atrocious English, but there is also Kim's friend and mentor, the Afghani horse trader Mahub Ali, and the gentle Tibetan lama with whom Kim travels along the Grand Trunk Road. The humanity of his characters consistently belies Kipling's private prejudices, and raises Kim above the mere ripping good yarn to the level of a timeless classic. --Alix Wilber
(retrieved from Amazon Wed, 02 Jan 2013 16:20:08 -0500) (see all 8 descriptions) ▾Library descriptions A British orphan disguised as a Hindu combines forces with the dashing horsetrader Red Beard to thwart enemy forces rising against England in 19th century India. (summary from another edition) » see all 10 descriptions
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This was a fun little romp that very much reminded me of the many adventures of Tom Sawyer and Huckleberry Finn, except on the roads of India instead of the riverside of the South.
I don't know nearly enough about the intricate nature of India's many cultures to know where Kipling got it right and where he screwed it. Since Kipling grew up in India himself, it makes sense that he drew on his own experiences while writing. I'm sure there's a certain amount of Orientalizing and stereotyping going on, but not how much.
In his favor though, Kipling seems to present most of the characters in multiple layers and to treat much of the events as entirely normal, while most Westerners would consider them strange. In some cases, he also flips to show how Indians and the lama are perceived through the white man's lens. For example, the lama, who is seen as a holy man to all the native peoples around him, is seen as just another dirty beggar to the white men.
However, the fact remains that the British are clearly the good guys and colonialism is presented as, if not a good thing, then at least not a problem. Also, whenever "magic" came into play within the story, I kind of cringed a bit as it seemed to be the greatest indication of stereotyping the "mysterious and magical East".
There are also some spiritual aspects to the book, as presented through the lama and his peaceful quest. He teaches Kim about the wheel of life and how everyone is tied to the wheel, how the body is illusion and he wishes to escape from illusion. This is mixed with the assemblage of Hindu and Muslim people and customs they meet along the road, all of which is very interesting (though again, I can't properly judge how much is accurate).
On the whole, I enjoyed it quite a bit from an adventure standpoint with some reservations in regards to other aspects. (