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Der Brenner und der liebe Gott: Roman by…
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Der Brenner und der liebe Gott: Roman (edition 2011)

by Wolf Haas

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1311091,855 (3.93)None
Member:Limoncello59
Title:Der Brenner und der liebe Gott: Roman
Authors:Wolf Haas
Info:Deutscher Taschenbuch Verlag (2011), Taschenbuch, 224 pages
Collections:Your library, Favorites, Elle
Rating:****
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Brenner and God by Wolf Haas

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English (7)  German (3)  All languages (10)
Showing 1-5 of 7 (next | show all)
This is a very clever murder mystery, written from an unusual and witty authorial viewpoint. The semi-omniscient narrator never identifies or explains himself, yet seems to know some things, and not know other things, and becomes a character in himself. He informs us early in the book that specific terrible things will happen, and when, and they do. This in no way detracts from the pleasures of walking through the poses and plans of the evil Senator, the rich developer and the scheming thugs. The setting is Vienna. The context is city politics, an abortion clinic, and a former police detective who has fallen in life to the status of a mere chauffeur to a rich family's four year old child. When bad things happen to his young charge he takes it upon himself to descend into the muck, figuratively and literally, and sort it all out. The plot is not unusual, although suitably gruesome and nauseating, but the contemporary Austrian cultural context and the narrative voice make this very much worth a read. ( )
  hereandthere | Apr 8, 2013 |
What fun, what style, made me laugh out loud.
And I liked how the narrator takes the reader by the hand (leading/misleading). Will try to read the series from the beginning in German since the translation indicates a few Austrian jokes/insights worth savouring. ( )
  Des2 | Mar 31, 2013 |
Mein erster Brenner.
Also den Schreibstil fand ich schon sehr gewöhnungsbedürftig, ich habe mich reingelesen und auch einige schöne Stellen gefunden. Die Geschichte ist ganz nett, also nett nett :-)Ehemaliger Polizist als Chauffeur, der Mädchen verliert und als Kettenreaktion fallen Beteiligte und Unbeteiligte tot um. Aber etwas nervig fand ich es schon. ( )
  BauerG | Feb 15, 2013 |
(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted illegally.)

I'm never a good person to listen to when it comes to crime novels, because I'm not really much of a fan of the genre; and then when it comes to Wolf Haas' Brenner and God, the English debut of what is apparently a hugely popular series in Europe, there's an additional problem, which is that the translation by Annie Janusch sounds very, very strange, and I couldn't tell whether this was being done on purpose or not. I mean, the story is serviceable enough, the tale of a stressed-out former detective who takes a job as a chauffeur for the rich and famous, and who gets reluctantly pulled back into crime-fighting when a little girl he was in charge of gets kidnapped right under his nose; but I'm not sure if it's that Haas' original version was written in some hyper-stylized, Denis-Johnson-style German version of noir prose, but the English version calls undue attention to its own sentence structure in nearly every paragraph, and not in the good way either, coming across at many times as if you were at DisneyWorld and listening to a foreign visitor comically attempt to ask directions to Space Mountain. When added to my natural disinterest in crime novels to begin with, the whole thing feels like I can't really do much service to this novel as a critic, so I'm just giving it a middle-of-the-road score today and moving on.

Out of 10: 7.5 ( )
  jasonpettus | Feb 12, 2013 |
Translated from the German by Annie Janusch

“Personally, I prefer to look on the positive side of life these days. Not just Murder He Wrote all the time, and who-got-who with a bullet, a knife, an extension cord, or what else I don’t know. Me, I’m far more interested in the nice people now, the quiet ones, the normals, the ones who you’d say—they lead their regular lives, abide by the law, don’t mistake themselves for the good lord when they get up in the morning, just nice tidy lives.

Look at Kressdor’s chauffeur, for example.”

That chauffeur is Brenner, or Herr Simon, a former police officer now assigned to be the personal driver of a two-year-old little girl whose wealthy and high-profile parents need to make sure she’s safe from being kidnapped. It seems a lowly task, except that right off, Brenner admits that his most interesting converations in life so far have been with Helena, the babbling child, and he’s paid well for what he finds comforting and solid work. His biggest challenge appears to be how to sneak Helena a chocolate bar without her parents finding out. But, it’s this very chocolate bar that gets him in trouble, because in purchasing it, he lowers his guard, just the once, and she is taken.

Brenner is a brooder, and his instinct is to tear himself apart with guilt, and go back to figuring out how to find her. Now, there’s no shortage of brooding, ex-cops turning into vengeful detectives in modern fiction, but Brenner is compelling because he’s brought to light by the omniscient narrator of the novel, who lets us in on Brenner’s inner struggles. He’s suffered recent depression, gets really excited about clean sheets, seems an linguistic expert in dialects, adores Jimi Hendrix, and can’t keep his eye off the clock…counting the moments since she’s gone missing and hoping against the worst. And we learn why he loves to drive:

“…Because that’s one of the many advantages of a car. You can listen to music in private, you can enjoy nature without exertion, and when in despair, you can let out a cry.”

As the reader learns about Brenner, and watches him search, they soon begin to wonder about the narrator as well. Because this isn’t some neutral observer: this narrator is an in-your-face and aggressive voice who tells the reader to “listen up” and “pay attention”. He’s clearly on Brenner’s side even when the kidnapping plot gets messy:

“Between the seventy-fourth and the eighty-eighth hours, Brenner did some first-rate investigative work that was never fully appreciated afterward….a detective can’t be praised for everything he did right. But because everyone glossed right over it, I’d like to at least touch on it briefly. I have to say it was brilliant... […] He achieved peak detective form there, and there’s only one thing to be said: hats off.”

For those who enjoy detective novels, this is no procedural. Much of the actual work of solving the crime is left out in favor of developing the plot: mainly, what is going on with Helena’s parents, an abortion doctor and a mega-developer, that may be related to her disappearance. Brenner’s musings on both of their occupations gets far more time than chasing down forensic evidence, which keeps this from feeling like so many popular crime novels that appear to be repeats of CSI episodes, where the story is lost in the jargon.

My only minor qualm about the story was the curious introduction of one character, a police officer named Peinhaupt. He’s all set up to be a prime character, and drawn with incredible detail. I was surprised to see that his character sort of vanishes in the action of the mystery, only to reappear later in a minor scene. While this is part of a series of books about Brenner, the seventh in fact, it is the first Brenner novel to appear in English. I’m curious if Peinhaupt might have had a role in earlier Brenner novels that might explain his appearance here, or if he may be in line for a series of his own.

Time, in minutes, hours, and days, plays a huge factor in the plot…the narrator and Brenner both dwell on every hour that goes by (pay attention, you’re reminded). And while Brenner searches and the narrator speculates, these time stamps are the real events that make up this fast-paced story:

“Then the worst thing that can happen to a detective happened to Brenner. Fifty-seven hours after the girl’s disappearance, he became innocent.” ( )
  BlackSheepDances | Sep 19, 2012 |
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Wanting out of high-stress detective work, Simon Brenner takes a calming job as a chauffeur, shuttling a two-year-old girl back and forth in a soothing ride along the Autobahn between her father, a construction tycoon in Munich, and her mother, an abortion doctor in Vienna. Except then one day he stops at a gas station to buy the little girl a chocolate bar and comes back to find she's been kidnapped...and suddenly he's out of a job, thoroughly stressed out, and a detective again.… (more)

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