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Dracula by Bram Stoker: Original 1897…

Dracula by Bram Stoker: Original 1897 Edition [Illustrated] (original 1897; edition 2011)

by Bram Stoker

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21,12144367 (3.95)3 / 1426
Title:Dracula by Bram Stoker: Original 1897 Edition [Illustrated]
Authors:Bram Stoker
Collections:Your library, Read but unowned
Tags:Classics, 2012 Books, 1001 Books to Read Before You Die, Librarything's Most Read 100

Work details

Dracula by Bram Stoker (1897)

  1. 230
    Carmilla: a Vampyre Tale by Joseph Sheridan Le Fanu (chrisharpe)
  2. 190
    Frankenstein by Mary Shelley (MarcusBrutus)
  3. 212
    Salem's Lot by Stephen King (JGKC, sturlington)
    sturlington: Stephen King's homage to Dracula.
  4. 228
    Interview with the Vampire by Anne Rice (becca58203, Morteana)
  5. 131
    In a Glass Darkly by Sheridan Le Fanu (daisycat)
    daisycat: 'Carmilla' is meant to be the inspiration for Bram Stoker's story.
  6. 120
    The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (Hollerama, Hollerama)
  7. 100
    The Vampyre by John William Polidori (Andibook)
    Andibook: Polidori's The Vampyre is one of, if not the, oldest vampire novel. His ‘gentleman vampire,’ diverging from the more zombie-like vampire of folklore, influenced the entire genre – including the famous vampire Dracula.
  8. 100
    Renfield: Slave of Dracula by Barbara Hambly (Ape)
    Ape: Renfield's point of view.
  9. 102
    The Turn of the Screw by Henry James (cammykitty)
  10. 80
    Dracula's Guest and Other Weird Tales by Bram Stoker (Sylak)
    Sylak: Contains the deleted first chapter removed before publication.
  11. 70
    Dracula; A Biography of Vlad the Impaler 1431-1476) by Radu Florescu (myshelves)
  12. 83
    The Historian by Elizabeth Kostova (SandSing7)
  13. 50
    The Beetle by Richard Marsh (jonathankws)
    jonathankws: So much better than Dracula, this Gothic horror novel was published in the same year and was initially far more successful.
  14. 40
    Varney the Vampyre or The Feast of Blood by James Malcolm Rymer (Sylak)
  15. 40
    In Search of Dracula: The History of Dracula and Vampires by Raymond T. McNally (Booksloth)
  16. 40
    Anno Dracula by Kim Newman (wertygol)
  17. 41
    The Insidious Doctor Fu-Manchu by Sax Rohmer (leigonj)
    leigonj: Both are adventure/ detective stories in which the heroes must battle to stop mysterious, evil, foreign antagonists striking at the heart of the British Empire.
  18. 63
    Let The Right One In by John Ajvide Lindqvist (mcenroeucsb)
  19. 31
    The Dracula Tape by Fred Saberhagen (myshelves)
  20. 31
    Winterwood by Patrick McCabe (edwinbcn)

(see all 24 recommendations)

1890s (35)

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English (420)  Spanish (6)  German (5)  French (5)  Catalan (1)  Polish (1)  Portuguese (Portugal) (1)  Swedish (1)  Finnish (1)  Hungarian (1)  Slovak (1)  All languages (443)
Showing 1-5 of 420 (next | show all)
billed as 'original' version
  drbrendan | Jul 21, 2016 |
historical novel slightly based on Vlad III of Wallachia
  drbrendan | Jul 21, 2016 |
What a beautifully written and scary book. Wonderful as an audiobook. The reader does a great job with accents and emotions. Glad I listened to it. ( )
  MHanover10 | Jul 10, 2016 |
I read this book years ago, but decided to read again. It is one of the great classics
and for good reason. Jonathan and Mina are great heroes. And of course, who can forget
Dr. Van Helsing. ( )
1 vote pamkaye | Jul 4, 2016 |
4.5 stars

It's easy to see why this book made such an eternal impression. From the gothic ambience of the fog, castle, wolves, the Victorian language and repressed times melding with the twisted foreign dangers, the courageous men surrounding their "protected" and somewhat sheltered women, Dracula wasn't the first vampire book but it was the more influential and memorable.

The first half left me riveted. There were genuinely eerie moments, which is surprising to me since it's 18th century literature. This could show as a good argument that while films age and can lose their touches of fright as their audience ages, that literature doesn't age the same entirely. The imaginative wanderings that come when you read something make it scary even now, while what could be shown on screen back then wouldn't create the same effect to visually-jaded, twentieth century movie-goers.

The most memorable scenes in the beginning was the eerie realization as Jonathan Harker looks out his window, seeing Dracula in the castle looking down, then quickly crawling along the castle walls like a lizard. Dracula seems to be taking Harker's identity, never intending for the man to escape the castle ever, appearing behind him when Harker is looking at a glass shard, where only Harker's reflection is shown and Dracula is there but not. The crucifix keeps Dracula at bay from feeding on him, but he dresses in Harker's clothes to steal into the village, kidnap a child to bring back to the castle, and when the mother runs to the castle in the night, thinking of Harker as the monster, Harker hears Dracula to command the wolves to come and finish the woman and get rid of her. The other scene that really stands out is when Harker finds Dracula in his coffin in the first part, daring to kill him not knowing how, and Dracula is looking upward with glassy, dead-seeming eyes until suddenly his head turns on his neck with a small smile. Eerie!

Once we shift to London, where the foreign horrors of Dracula have transferred to London's polite society, we are greeted by Lucy and Mina and that they are both about to be married. Lucy has three suitors to choose from, two breaking her heart as she must turn them down in wait for the third man, Arthur, whom she loves. The downfall of Lucy is long and almost winded, as Van Helsing is brought into the picture by Dr. Seward for advice and out of desperation. They are not able to save the beautiful, cherished Lucy, and this urges them even further when they find Mina to help and transfer their protectiveness to.

Renfield is one of the more fascinating pieces of the book, shifting from bizarre fancies where he traps flies to eat them, then traps flies to spiders, then spiders to birds, consuming all as the "blood is the life." His sometimes raving, maniacal actions take turn to a decent, sane man, as he is a pawn in the bizarre game of Dracula. He goes from a revolting character to a sympathetic one, as do all the Vampire victims, including Dracula himself.

The center half toward the end starts sadly faltering. It's long-winded and repetitive amongst the group of conspirators. There is literally at least a hundred pages without Dracula where the doctors and guardians talk and plot amongst themselves about what must be done to end this danger. The dialogue is completely Victorian and grows grating as it continues without enough of the sinister, more fascinating elements of the book present in the form of the vampire or any other dangers.

The very end is a redemption, though, as staking Dracula himself and his legion of women is also a redemption. The ending battle is quick and to the point, ending sadly for one of the main characters, who gave his life to the battle. It's ironic that when Lucy is staked after taken to feeding on children, Van Helsing and the rest insist on her beloved, Arthur, to be the one to do it. Mina insists in the book that one of them should kill her if she turns, too, but that she prefers for it to be her husband, Jonathan. At the end, when Dracula is killed, it is Jonathan who wants the most revenge since the diabolical count has taken his revenge on Mina, his wife, but it is Quincy who lands the killing blow through the heart. Strange since he was never in love with Mina like he was with Lucy, and was a suitor that, while Lucy cried over turning down his proposal, saw in him a good man as he vowed to her that she forever turned him into a true friend and admirer by her honest and compassionate refusal.

I read the intro to this book and also the afterword, which I skip a lot of the times. The intro was especially interesting as it chronicles the journeys of Dracula in book form and even movies through the ages. The ending afterword focuses on the subtle commentaries of the book. Honestly I think too much is read into some of it. Reminds me of when someone even said Jaws was so popular because of the vaginal life mouth *eye roll* Sometimes a shark is just a shark!

It is true that blood is a central focus of the book, as it was a big fear of the times anyway. Blood is donated a lot to Lucy to save her life from different men, where transfusions were very dangerous for the times, not to mention they had no idea then of the dangers of blood types! Psychological analysis has read into Lucy as the men able to put their blood into her in a sexual terms way, but perhaps they were just trying to save her life and this is far reaching! I do have to admit that the strange scene with Dracula over the bed with Mina, forcing her to feed on his chest, was bizarrely erotic.

Religious overtones are highly present with the communion wafer, the "Holy Circle", the freeing of the souls to their actual resting places rather in the damned vampire bodies, the crucifixes worn and held out for Holy protection, and the references to blood being the life and communion.

Dracula keeps some of his lines that were famous in the movie "The children of the night, what sweet music they make!" and "I bid you welcome." Sadly I didn't find such great lines as "Ah, to be truly dead, that must be marvelous!" as invented for the film. In the book he still wins as a more impressive figure though, as when shown he's more realistically mysterious, evil, twisted, and vindictive.

Overall an excellent book any classic fan should read. The Victorian dialogue can grow a bit stale and some of the middle is too stagnant, but the beginning and the end and the build-up journey are fantastic, memorable, and powerfully impressive.
( )
  ErinPaperbackstash | Jun 14, 2016 |
Showing 1-5 of 420 (next | show all)
The Illustrated Dracula: This book fails the flip test. If something’s title includes the word “Illustrated”, you ought to see pictures when you flip through it. I didn’t.

» Add other authors (625 possible)

Author nameRoleType of authorWork?Status
Bram Stokerprimary authorall editionsconfirmed
Adams, SusanNarratorsecondary authorsome editionsconfirmed
Allen, BrookeIntroductionsecondary authorsome editionsconfirmed
Ó Cuirrín, SeánTranslatorsecondary authorsome editionsconfirmed
Banville, JohnIntroductionsecondary authorsome editionsconfirmed
Bickford-Smith, CoralieCover artistsecondary authorsome editionsconfirmed
Bing, JonAfterwordsecondary authorsome editionsconfirmed
Carling, BjørnTranslatorsecondary authorsome editionsconfirmed
Cloonan, BeckyIllustratorsecondary authorsome editionsconfirmed
Corbett, ClareNarratorsecondary authorsome editionsconfirmed
Ellmann, MaudEditorsecondary authorsome editionsconfirmed
Foley, JohnNarratorsecondary authorsome editionsconfirmed
Frayling, ChristopherPrefacesecondary authorsome editionsconfirmed
Glassman, PeterAfterwordsecondary authorsome editionsconfirmed
Gorey, EdwardIllustratorsecondary authorsome editionsconfirmed
Hildebrandt, GregIllustratorsecondary authorsome editionsconfirmed
Hindle, MauriceEditorsecondary authorsome editionsconfirmed
Horovitch, DavidNarratorsecondary authorsome editionsconfirmed
Kloska, JosephNarratorsecondary authorsome editionsconfirmed
Laine, JarkkoTranslatorsecondary authorsome editionsconfirmed
Lee, JaeIllustratorsecondary authorsome editionsconfirmed
Luckhurst, RogerEditorsecondary authorsome editionsconfirmed
Moser, BarryIllustratorsecondary authorsome editionsconfirmed
Myers, Walter DeanIntroductionsecondary authorsome editionsconfirmed
Oliver, Francisco TorresTranslatorsecondary authorsome editionsconfirmed
Parker, JamieNarratorsecondary authorsome editionsconfirmed
Pettitt, AlisonNarratorsecondary authorsome editionsconfirmed
Rorer, AbigailIllustratorsecondary authorsome editionsconfirmed
Spencer, AlexanderNarratorsecondary authorsome editionsconfirmed
Stade, GeorgeIntroductionsecondary authorsome editionsconfirmed
Straub, PeterIntroductionsecondary authorsome editionsconfirmed
Thorpe, DavidNarratorsecondary authorsome editionsconfirmed
Valente, JosephIntroductionsecondary authorsome editionsconfirmed
Whitfield, RobertNarratorsecondary authorsome editionsconfirmed
Wolf, LeonardIntroductionsecondary authorsome editionsconfirmed

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How these papers have been placed in sequence will be made manifest in the reading of them. All needless matters have been eliminated, so that a history almost at variance with the possibilities of latter-day belief may stand forth as simple fact. There is throughout no statement of past things wherein memory may err, for all the records chosen are exactly contemporary, given from the standpoints and within the range of knowledge of those who made them.
To my dear friend Hommy-Beg
First words
3 May. Bistritz.—Left Munich at 8:35 P.M., on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late.
I have learned not to think little of any one's belief, no matter how strange it may be. I have tried to keep an open mind, and it is not the ordinary things of life that could close it, but the strange things, the extraordinary things, the things that make one doubt if they be mad or sane.
No man knows till he has suffered from the night how sweet and dear to his heart and eye the morning can be.
Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.
I heard once of an American who so defined faith: ‘that faculty which enables us to believe things which we know to be untrue.
Denin die Todtem reiten schnell. For the dead travel fast.
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(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is the main work for Dracula. It should not be combined with any adaptation, children's version, abridgement, etc. If this is your book but you have an abridged or adapted version, please update your title and/or ISBN, so that your copy can be combined with the correct abridgement or adaptation.
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Haiku summary
Estate agent gets
It in the neck. Should avoid
Dinner at the Count's.
Should be fun. No, don't bother
to bring any wine.


Amazon.com Product Description (ISBN 0743477367, Mass Market Paperback)

A true masterwork of storytelling, Dracula has transcended generation, language, and culture to become one of the most popular novels ever written. It is a quintessential tale of suspense and horror, boasting one of the most terrifying characters ever born in literature: Count Dracula, a tragic, night-dwelling specter who feeds upon the blood of the living, and whose diabolical passions prey upon the innocent, the helpless, and the beautiful. But Dracula also stands as a bleak allegorical saga of an eternally cursed being whose nocturnal atrocities reflect the dark underside of the supremely moralistic age in which it was originally written -- and the corrupt desires that continue to plague the modern human condition.

Pocket Books Enriched Classics present the great works of world literature enhanced for the contemporary reader. This edition of Dracula was prepared by Joseph Valente, Professor of English at the University of Illinois and the author of Dracula's Crypt: Bram Stoker, Irishness, and the Question of Blood, who provides insight into the racial connotations of this enduring masterpiece.

(retrieved from Amazon Thu, 12 Mar 2015 18:13:27 -0400)

(see all 10 descriptions)

An evil count in Transylvania leads an army of human vampires that prey on people.

(summary from another edition)

» see all 58 descriptions

Legacy Library: Bram Stoker

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51 editions of this book were published by Audible.com.

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Penguin Australia

8 editions of this book were published by Penguin Australia.

Editions: 014143984X, 0141024976, 0451530667, 0141325666, 0141045221, 0451228685, 0143106163, 0141199334


An edition of this book was published by Dundurn.

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Tantor Media

An edition of this book was published by Tantor Media.

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Recorded Books

An edition of this book was published by Recorded Books.

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