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Loading... Mapping the Edge: A Novelby Sarah Dunant
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will love Sign up for LibraryThing to find out whether you'll like this book. Erotically wandering Englishwoman kidnapped in Italy by forlorn Italian man. Her child left in the hands of her gay roommate and Amsterdam female attorney. Some very good writing and the novel's lack of focus is its gift. ( )Reading Sarah Dunant's historical novels, The Birth of Venus and In the Company of the Courtesan, made me a fan of hers (my husband liked them too). So I had high expectations for this book, and was also wanting to read a novel set in Europe. The premise was compelling -- but I found the "home" chapters grew tiresome and ended up skimming them. I'm not really thrilled with the literary conceit of providing two story lines in one novel, as interesting as these two were. So I'd say this is a better than fair novel, and others might like it better than I did. On the positive side, the suspense did mount! Already forgot it. When Anna doesn't return to England from a weekend trip to Italy, alternate realities explain the possible reasons why. A bizarre, yet compelling, read. I couldn't put it down. Dual story lines in alternate chapters--one "home" and one "away." Darkly psychological with an original plot. Probably didn´t do the book justice, read it in too many sittings over too long time, didn´t get the alternative versions thing and ended up throwing it away. At least I can´t find it. It was a signed copy:-( no reviews | add a review
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When Anna decides to take an impromptu trip to Italy, she packs her bag, leaves her 6-year-old daughter, Lily, at home with close friends, and steps onto the plane. She's always been a woman of action, and her personal and professional lives have been filled to overflowing recently. So her friends Paul and Estella think nothing of the jaunt--it's a well-deserved break, a weekend for psychic refreshment, a brief step outside reality.
But a disappearance? When Anna fails to return, Paul and Estella make excuses, to themselves and to Lily. When the weekend stretches toward a week, the possibility of her permanent absence becomes hauntingly real. Dunant takes that absence and weaves together a pair of possible "explanations," playing out alternating scenarios of seduction (Anna in the throes of a disturbingly passionate, illicit affair) and abduction (Anna in the grasp of a stranger whose cordiality turns gradually to madness).
The narratives are both twinned and twinning, less separate alternative accounts than a dialogue, with moments, objects, and phrases that serve as uncanny mirrors between the two. Dunant is indeed a skilled mapmaker--her novel maps the edge of the self, its boundaries that so often go unquestioned. Anna's sojourn in Italy is an excavation of the threat of being defined by one's relationship to others and the temptation to redefine oneself beyond the restrictions of conventional expectation, no matter how seductive, how forceful, that convention. --Kelly Flynn
(retrieved from Amazon Mon, 24 Aug 2009 18:58:04 -0400)
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