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The Postmistress by Sarah Blake
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The Postmistress

by Sarah Blake

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2,1251842,819 (3.52)164
2010 (34) 2011 (28) ARC (17) audio (11) audiobook (18) Blitz (17) book club (12) Cape Cod (74) ebook (19) England (19) Europe (12) fiction (219) historical (17) historical fiction (149) Holocaust (13) journalism (16) Kindle (15) London (59) London Blitz (16) Massachusetts (18) novel (14) own (13) read (28) read in 2010 (16) read in 2011 (17) to-read (48) war (26) war correspondents (23) WWII (240) WWII fiction (13)
  1. 161
    The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer (Anonymous user)
    Anonymous user: Both novels reflect on World War II from small, seaside towns, one an island in Europe, the other a small town in Cape Cod. The female leads are unique and interesting and are surrounded by great small town people.
  2. 30
    The Night Watch by Sarah Waters (kiwiflowa)
    kiwiflowa: both have female protagonists and are about the London Blitz during WWII
  3. 00
    Every Man Dies Alone by Hans Fallada (generalkala)
  4. 03
    Skeletons at the Feast by Chris Bohjalian (starfishian)
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Showing 1-5 of 183 (next | show all)
I started this one quite awhile ago, followed my bad habit of skipping to the end to find out how things are resolved and decided I didn't want to read it through. But upon retrying it I quite liked it. This one would be interesting to journalists I would think and to those in the health professions-- how do you maintain your emotional distance in order to do your job, and what happens when you can't? Horrible stories of the second world war, but a lot of insight into how people deal with difficult situations, find their true calling, interact and make decisions. Good characters. ( )
  ehousewright | May 10, 2013 |
Interlocking story of 3 female characters: a journalist reporting from the London Blitz & on Jewish refugees in Europe, a postmistress & a doctor's wife. All their stories eventually come together although this feels forced. However some excellent writing & excellent description of the Blitz & the horror of Nazi occupation in Europe. A bit too syrupy in places when it comes to relationships but still worth a read. ( )
  sianpr | May 7, 2013 |
A good read; not too heavy but with enough substance to hold its own.
I think it should be called The Journalist, however, because it's really Frankie's story, not Iris' story that is told. Or maybe it's Emma's story. Either way, I think it is misdirection to pose this book as a look at what might happen if a letter is not delivered. That implies a different sort of interference than choosing how or why or what news to deliver, which is really what the book is about. When you see a horror but know no one can really do anything, even if they are able to understand what they see, what does that mean?

That most of the book takes place in a quaint New England town contrasts well to the bombing in London, and does a good job of juxtaposing the Here and There faces of war.

A good book for book clubs or high school ISUs. (Also a good section on what makes a story). ( )
  LDVoorberg | Apr 7, 2013 |
I was not as excited about this book as I had hoped from the hype. I was more engaged with the story of Frankie the female war correspondent than I was with either Iris the postmistress or Emma the mousey wife of the local doctor. I liked the second half of the book better and found much thought-provoking/book discussion matter there. ( )
  lindap69 | Apr 5, 2013 |
The Postmistress is a novel of if. "If I tell this story in exactly the right way, people will hear it and act on it," thinks the reporter. "If I don't make mistakes, the system will be perfect and chaos and random chance will be kept at bay," thinks the postmistress. "If I think hard enough about my husband being safe, he will be," thinks the woman left at home as her husband goes off to London during the Blitz. But if is a double-edged word and sometimes it falls the other way, and we're left thinking, "If only I had done this or hadn't done that, then this other thing would never have happened."

Beautiful. I opened this novel, already in love with the cover, and fell in love with the writing contained within. It's not a beauty that keeps you at arm's distance. It's a beauty that seductively whispers, "Come closer. Read what I have to say. See what I'm showing you." And then it shows you the chaos of war, and how helpless we are before it. It shows you how it's human nature to avoid seeing what we don't want to see, or to avoid acting when it's easier to stay safely at home with our heads in the sand.

Haunting. I am going to be haunted by Frankie's story for a long time. I should perhaps relate more to the wife than the reporter, but Frankie's stories have left a mark on my soul. She's in London, and then she's in Europe in the refugee trains, and all the time she is beating against the world's indifference, shouting, "This is happening, and it's happening in numbers you can't imagine. And it's getting worse every day. Pay attention! Please, just pay attention." And the world doesn't pay attention, and the horror worsens.

Read it. It's not always easy; war stories never are. But we still have a duty to pay attention, even--or perhaps especially--to the past. ( )
1 vote JG_IntrovertedReader | Apr 3, 2013 |
Showing 1-5 of 183 (next | show all)
Sarah Blake has coaxed forth a book that hits hard and pushes buttons expertly. Not for nothing does its publisher emphasize the resemblance between “The Postmistress” and “The Help,” Kathryn Stockett’s socially conscious pulp best seller. Each of these novels appropriates galvanizing social issues in the service of a well-wrought tear-jerker.
 
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Epigraph
War happens to people, one by one. That is really all I have to say, and it seems to me I have been saying it forever.
--Martha Gellhorn, The Face of War
Dedication
For Josh, always
First words
There were years after it happened, after I'd returned from the town and come back here to the busy blank of the city, when some comment would be tossed off about the Second World War and how it had gone - some idiotic remark about clarity and purpose - and I'd resist the urge to stub out my cigarette and bring the dinner party to a satisfying halt.
Quotations
Murrow's three questions, which formed the basis for every broadcast – What is happening? How does it affect Americans? What does the Common Man say – didn't cohere in the face of this one. The scraps added up to a terrible time for the Jews, any man at home could see.
48.(husband who escaped,
Must be tough not to know what happened, not to know whether he's all right.” … “It gets you thinking about all the parts in a story we never see … the parts around the edges. You bring someone like that boy so alive before us and there he is set loose in our world so that we can't stop thinking of him. But then the report is over, the boy disappears. He was just a boy in a story and we never know the ending, we never get to close the book. It makes you wonder what happens to the people in them after the story stops – all the stories you've reported, for instance. Where are they all now?
And what had Frankie thought? That she'd get over here and find the single story that would make the world sit up and listen? These are the Jews of Europe. Here is what is happening. Pay attention. But there was no story. Or rather, she turned from the window and considered the portable recorder. There was no story over here that she could tell from beginning until the end. The story of the Jews lay in the edges around what could be told. She sucked in her breath, the doctor's words ghosting her thoughts. The parts that whisper off into the dark, the boy and the girl listening, the woman in the corner, the mother's distracted face looking up into the moonlight, her hand in her boy's curls as he slept. The sound of that little boy's laughter caught for one impossible second, caught and held. There in the wisps, was the truth of what was happening.
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Book description
1940. De Amerikaanse radiojournaliste Frankie Bard verslaat vanuit Londen als een van de eerste vrouwen de oorlog. Terwijl er elke nacht bommen vallen en joodse vluchtelingen in paniek door Europa vluchten, probeert Frankie het juiste verhaal te vinden dat Amerika tot actie zal bewegen. Aan de andere kant van de oceaan, in Franklin, Massachusetts, luistert Iris James naar Frankies uitzendingen. Ze weet dat het een kwestie van tijd is voor de oorlog ook haar dorp bereikt en als hoofd van het postkantoor ziet ze het als haar taak om andermans geheimen te bezorgen en te bewaren. Ook het doktersechtpaar Will en Emma Fitch luistert elke avond naar Frankie. Wanneer Will besluit haar woorden ter harte te nemen en naar het front te gaan, botsen de levens van de drie vrouwen op onverwachte wijze. De laatste brief is een verhaal over sterke vrouwen, de impact van oorlog en het belang van nieuws. Zelfs nieuws dat de geadresseerde nooit bereikt... 'Geweldige boeken zorgen ervoor dat je ze mist, tot het moment dat je weer het verhaal in kunt kruipen. De laatste brief is zo'n zeldzaam boek. Als ik het niet aan het lezen was, dacht ik er wel aan. Een prachtig geschreven, ontroerende roman die ik iedereen aanraad.' Kathryn Stockett, auteur van Een keukenmeidenroman 'Sarah Blake heeft een zeer aangrijpend boek geschreven, waarmee ze op vakkundige wijze tot haar lezers doordringt. De ware kracht van De laatste brief ligt in het feit dat het de lezer niet toestaat blasé te zijn over verhalen uit oorlogstijd. Sarah Blake schrijft krachtig over hoe fragiel het leven is en over de manier waarop Frankie probeert over te brengen aan het thuisfront hoe iemand er het ene moment nog kan zijn en het volgende voorgoed verdwenen is.' The New York Times 'Door de verhalen van drie zeer verschillende vrouwen die losjes in elkaar haken te verweven, neemt debutant Blake haar lezers mee naar beurtelings het dorpsleven in Amerika en het door oorlog geteisterde Europa van 1940. Blake weet deze verschillende werelden precies te grijpen: een naïef land dat de realiteit niet onder ogen wil zien en, aan de andere kant van de oceaan, een continent dat wordt verscheurd door angst. Ze doet dat met een uitstekend gevoel voor personages en plot, en met de volledige bereidheid zich te storten op grote, complexe kwesties, zoals de waarde van het vertellen van de waarheid in oorlogstijd.' Publishers Weekly 'Een schitterend boek over de kracht van woorden en hoe deze mensen en de wereld om hen heen kunnen beïnvloeden.' USA Today Sarah Blake is geboren in New York waar ze Engels gaf op een middelbare school en aan de universiteit. Tegenwoordig woont ze in Washington met haar man en twee kinderen.

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In London covering the Blitz with Edward R. Murrow, Frankie Bard meets a Cape Cod doctor in a shelter and promises that she'll deliver a letter for him when she finally returns to the United States. Filled with stunning parallels to today's world, "The Postmistress" is a sweeping novel about the loss of innocence of two extraordinary women--and of two countries torn apart by war.… (more)

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