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Neverwhere (French Edition) by Neil Gaiman
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Neverwhere (French Edition) (original 1996; edition 2011)

by Neil Gaiman

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18,42439493 (4.1)1 / 952
Member:blaznyoght
Title:Neverwhere (French Edition)
Authors:Neil Gaiman
Info:J'AI LU (2011), Edition: J'AI LU, Mass Market Paperback
Collections:Your library
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Work details

Neverwhere by Neil Gaiman (1996)

  1. 192
    American Gods by Neil Gaiman (WilliamPascoe)
    WilliamPascoe: Phenominally brilliant fantasy .
  2. 269
    The Hitchhiker's Guide to the Galaxy by Douglas Adams (souloftherose)
    souloftherose: Although Neverwhere and The Hitchhiker's Guide (THHG) are different genres (the first is urban fantasy, the second comic science-fiction) I felt there was a lot of similarity between the characters of Richard Mayhew (in Neverwhere) and Arthur Dent (in THHG). Both are a kind of everyman with whom the reader can identify and both embody a certain 'Britishness'. And they're both stonkingly good books by British authors.… (more)
  3. 140
    Anansi Boys by Neil Gaiman (elbakerone)
  4. 111
    Un Lun Dun by China Miéville (elbakerone, ahstrick)
  5. 90
    The Ocean at the End of the Lane by Neil Gaiman (riverwillow)
  6. 101
    Kraken: An Anatomy by China Miéville (fugitive)
    fugitive: Another urban fantasy vision of London.
  7. 80
    Rivers of London by Ben Aaronovitch (riverwillow)
    riverwillow: Both 'Neverwhere' and 'Rivers of London' (US title 'Midnight Riot') evoke a magical fairy tale London which sometimes feels more authentic then any real life guide to the city.
  8. 113
    Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett (Pigletto)
  9. 70
    Alice's Adventures in Wonderland, Through the Looking-Glass and Alice's Adventures Under Ground by Lewis Carroll (sturlington)
    sturlington: Neverwhere is a lot like a grown-up's Wonderland, and the two stories have a similar, surrealistic feel.
  10. 40
    Gloriana by Michael Moorcock (ed.pendragon)
    ed.pendragon: Both fantasy titles explore the seedy underbelly of London, one in Tudor times, the other more recently in London Below.
  11. 117
    The Colour of Magic by Terry Pratchett (derelicious)
  12. 51
    Something From The Nightside by Simon R. Green (Phantasma)
    Phantasma: The nightside novels are a little darker, but if you like the ideas presented in Neverwhere, you'll most likely enjoy the Nightside (actually, I prefer the Nightside and it's gritty dark humor).
  13. 74
    Storm Front by Jim Butcher (Polenth)
  14. 30
    Whispers Under Ground by Ben Aaronovitch (Jannes)
    Jannes: For all your "supernatural secrets in the London underground"-needs.
  15. 30
    The Secret History of Moscow by Ekaterina Sedia (elbakerone, parasolofdoom)
  16. 20
    The Bone Clocks by David Mitchell (mmedeiros)
  17. 20
    Gog by Andrew Sinclair (ed.pendragon)
    ed.pendragon: Fantasy mixing late 20th century London with fairytale, myth and menace.
  18. 20
    Metro 2033 by Dmitry Glukhovsky (Navarone)
  19. 20
    The Mysteries by Lisa Tuttle (ehines)
    ehines: Regular guy stumbles into the secret realm. In Neverwhere this secret realm is very much a London one; in the Mysteries it is decidedly an old Celtic one. Also Never where turns into a full-blown fantasy adventure, while the Mysteries stays mostly realistic.
  20. 42
    The Good Fairies of New York by Martin Millar (themephi)

(see all 42 recommendations)

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English (378)  German (5)  Dutch (2)  Finnish (2)  French (2)  Danish (1)  Portuguese (1)  Swedish (1)  Catalan (1)  Italian (1)  Portuguese (Brazil) (1)  All languages (395)
Showing 1-5 of 378 (next | show all)
A tremendously original book about an underground London; going there and losing your ability to return to London above. Ultimately asking the question of whether a job, place to live and the ordinary events of life is all that there is to a life. ( )
1 vote skraft001 | Aug 8, 2015 |
For mild-mannered office drone Richard Mayhew, stopping to help an injured stranger has a multitude of consequences- some good, some bad, but all undeniably bizarre. The stranger in question is Door (yes, that’s actually her name,) a waif of many talents who resides in the underground wonderland of London Below, and is on the run from the duo of thugs who killed her family. Door’s special ability is that of ‘opening,’ i.e. the ability to open any door or simply conjure one into being just by concentrating.

Richard has a big heart but is a bit of a pushover and is totally out of his element while scurrying after Door, who feels obliged to protect him, through the cavernous kingdom of the Underside, a realm that exists beneath London. Together they meet a plethora of odd characters- the beautiful and icy Hunter, the smooth-talking Marquis de Carabas, and the predatory but lovely ‘Velvets,’ to name a few. On the run, from sinister antagonists. Richard must find his inner strength if he is to survive.

This is my first book by Neil Gaiman (shame!) and I found it to be a quite captivating work. With a mind-blowing fantasy world full of shady characters and a pair of uproariously weird villains such as Mr. Vandemar and Mr. Croup, how can a novel fail to be supremely entertaining? I liked Richard as a protagonist, but I often found him to be a bit of a burden to the group, such as when he blindly allows himself to be bested by a seductive female creature and falls to pieces when his fear of heights is tested.

“Neverwhere” is witty and fun and has a weird and wonderful mythology behind it. I found the writing to sometimes be alternately repetitive and vague (so that I had trouble picturing the characters and situations) and the author tended to use extremely strange similes that didn’t really work in the context. The last chapter went on too long as well, compared to the fast paced majority of the book.

Apparently the television series “Neverwhere” (1996) came first- Neil Gaiman wrote the book in order to add the extra substance that couldn’t be featured in the series. I’m torn about watching the series- on one hand it’s tempting to see the origins of the book, on the other hand I have read it was an extremely cheap (and some say badly-acted) production, and part of me wants to imagine the story rather than see it played out on screen.

I love how ambiguous and odd the beings who inhabit the Underside are- if they agree to help Richard and his friends it will be entirely for their own reasons, not out of loyalty or nobility or any moral-based traits. With the odd exception, the creatures of London below are not really good, nor very bad for that matter. The just are. They want to be left alone, and they’ll provide help when it’s in their best interest. But do the people of London above, our world, really support Richard and his moral center either?

When you look at mankind’s reaction to discord (Richard’s fickle girlfriend, Jessica, futilely tries to coerce him to leave the bloodied Door in the middle of the sidewalk to get to an important dinner,) the unwashed underground wackos don’t seem so otherworldly after all. “Neverwhere” might in part be a commentary on London’s less privileged classes, but it doesn’t feel like a lecture. It’s unabashedly imaginative, vibrantly alive, and just as wildly original as a modern fantasy novel should be. ( )
  filmbuff1994 | Jun 11, 2015 |
Kindred's Reading Challenge: #18 A novel by Stephen King, George R.R. Martin or Neil Gaiman
  LaMala | Jun 7, 2015 |
Gaiman is truly a storytelling master with remarkable imaginative powers. I've not read any of his other work, graphic or otherwise, but he expertly builds his worlds without over indulging himself in superfluous detail. In this fantastical adventure in the London underground, he creates just the right amount of tension and dips the reader just far enough into the darkness to make it exciting without terrorizing. Neverwhere was an amazing trip and I look forward to reading more of this author! ( )
  traumleben | Mar 25, 2015 |
Fantastic. ( )
  akcurrent | Mar 14, 2015 |
Showing 1-5 of 378 (next | show all)
Gaiman blends history and legend to fashion a traditional tale of good versus evil, replete with tarnished nobility, violence, wizardry, heroism, betrayal, monsters and even a fallen angel. The result is uneven. His conception of London Below is intriguing, but his characters are too obviously symbolic (Door, for example, possesses the ability to open anything). Also, the plot seems a patchwork quilt of stock fantasy images. Adapted from Gaiman's screenplay for a BBC series, this tale would work better with fewer words and more pictures.
added by Shortride | editPublishers Weekly (May 19, 1997)
 
The novel is consistently witty, suspenseful, and hair-raisingly imaginative in its contemporary transpositions of familiar folk and mythic materials (one can read Neverwhere as a postmodernist punk Faerie Queene). Readers who've enjoyed the fantasy work of Tim Powers and William Browning Spencer won't want to miss this one. And, yes, Virginia, there really are alligators in those sewers--and Gaiman makes you believe it.
added by Shortride | editKirkus Reviews
 
The millions who know The Sandman, the spectacularly successful graphic novel series Gaiman writes, will have a jump start over other fantasy fans at conjuring the ambience of his London Below, but by no means should those others fail to make the setting's acquaintance. It is an Oz overrun by maniacs and monsters, and it becomes a Shangri-La for Richard. Excellent escapist fare.
added by Shortride | editBooklist, Ray Olson
 
Gaiman's gift for mixing the absurd with the frightful give this novel the feeling of a bedtime story with adult sophistication. Readers will find themselves as unable to escape this tale as the characters themselves.
added by Shortride | editLibrary Journal
 

» Add other authors

Author nameRoleType of authorWork?Status
Gaiman, Neilprimary authorall editionsconfirmed
Althoff, Gerlindesecondary authorsome editionsconfirmed
Berggren, Hanssecondary authorsome editionsconfirmed
Braiter, PaulinaTł.secondary authorsome editionsconfirmed
Fabry, GlennIllustratorsecondary authorsome editionsconfirmed
Hohl, Tinasecondary authorsome editionsconfirmed
Kivimäki, MikaTranslatorsecondary authorsome editionsconfirmed
Marcel, Patricksecondary authorsome editionsconfirmed
McKean, DaveIllustratorsecondary authorsome editionsconfirmed
Pék, ZoltánTranslatorsecondary authorsome editionsconfirmed
Rijsewijk, Erica vansecondary authorsome editionsconfirmed
Villa, ElisaTranslatorsecondary authorsome editionsconfirmed
Vojtková, LadislavaTranslatorsecondary authorsome editionsconfirmed
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Epigraph
I have never been to St. John's Wood. I dare not. I should be afraid of the innumerable night of fir trees, afraid to come upon a blood red cup and the beating of the wings of the Eagle.
--The Napoleon of Notting Hill, G. K. Chesterton
If ever though gavest hosen or shoon
Then every night and all
Sit thou down and put them on
And Christ receive thy soul

This aye night, this aye night
Every night and all
Fire and fleet and candlelight
And Christ receive thy soul

If ever thou gavest meat or drink
Then every night and all
The fire shall never make thee shrink
And Christ receive thy soul

--The Lyke Wake Dirge (traditional)
Dedication
For Lenny Henry, friend and colleague, who made it happen all the way; and Merrilee Heifetz, friend and agent, who makes everything good.
First words
The night before he went to London, Richard Mayhew was not enjoying himself.
She had been running for four days now, a harum-scarum tumbling flight through passages and tunnels.
Quotations
"It starts with doors."
"You've a good heart," she told him. "Sometimes that's enough to see you safe wherever you go." Then she shook her head. "But mostly, it's not."
There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; secnod, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelry; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.
He continued, slowly, by a process of osmosis and white knowledge (which is like white noise, only more useful)...
It was a good place, and a fine city, but there is a price to be paid for all good places, and a price that all good places have to pay.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is main work for the book Neverwhere. It should not be combined with the TV series on which it is based.
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Wikipedia in English (3)

Book description
Neverwhere is the story of Richard Mayhew and his adventures through London. At the start of the story, he is a young businessman, with a normal life. All this changes, however, when he stops to help a mysterious young girl who appears before him, bleeding and weakened, as he walks with his fiancée to dinner to meet her influential boss.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0060557818, Paperback)

Neverwhere's protagonist, Richard Mayhew, learns the hard way that no good deed goes unpunished. He ceases to exist in the ordinary world of London Above, and joins a quest through the dark and dangerous London Below, a shadow city of lost and forgotten people, places, and times. His companions are Door, who is trying to find out who hired the assassins who murdered her family and why; the Marquis of Carabas, a trickster who trades services for very big favors; and Hunter, a mysterious lady who guards bodies and hunts only the biggest game. London Below is a wonderfully realized shadow world, and the story plunges through it like an express passing local stations, with plenty of action and a satisfying conclusion. The story is reminiscent of Douglas Adams's The Hitchhiker's Guide to the Galaxy, but Neil Gaiman's humor is much darker and his images sometimes truly horrific. Puns and allusions to everything from Paradise Lost to The Wonderful Wizard of Oz abound, but you can enjoy the book without getting all of them. Gaiman is definitely not just for graphic-novel fans anymore. --Nona Vero

(retrieved from Amazon Thu, 12 Mar 2015 18:18:19 -0400)

(see all 7 descriptions)

After he helps a stranger on a London sidewalk, Richard Mayhew discovers an alternate city beneath London, and must fight to survive if he is to return to the London he knew.

(summary from another edition)

» see all 8 descriptions

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