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Neverwhere (French Edition) by Neil Gaiman
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Neverwhere (French Edition) (original 1996; edition 2011)

by Neil Gaiman

MembersReviewsPopularityAverage ratingConversations / Mentions
19,13242084 (4.1)1 / 985
Member:blaznyoght
Title:Neverwhere (French Edition)
Authors:Neil Gaiman
Info:J'AI LU (2011), Edition: J'AI LU, Mass Market Paperback
Collections:Your library
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Work details

Neverwhere by Neil Gaiman (1996)

  1. 269
    The Hitchhiker's Guide to the Galaxy by Douglas Adams (souloftherose)
    souloftherose: Although Neverwhere and The Hitchhiker's Guide (THHG) are different genres (the first is urban fantasy, the second comic science-fiction) I felt there was a lot of similarity between the characters of Richard Mayhew (in Neverwhere) and Arthur Dent (in THHG). Both are a kind of everyman with whom the reader can identify and both embody a certain 'Britishness'. And they're both stonkingly good books by British authors.… (more)
  2. 192
    American Gods by Neil Gaiman (WilliamPascoe)
    WilliamPascoe: Phenominally brilliant fantasy .
  3. 140
    Anansi Boys by Neil Gaiman (elbakerone)
  4. 121
    Un Lun Dun by China Miéville (elbakerone, ahstrick)
  5. 101
    Kraken: An Anatomy by China Miéville (fugitive)
    fugitive: Another urban fantasy vision of London.
  6. 90
    The Ocean at the End of the Lane by Neil Gaiman (riverwillow)
  7. 80
    Rivers of London by Ben Aaronovitch (riverwillow)
    riverwillow: Both 'Neverwhere' and 'Rivers of London' (US title 'Midnight Riot') evoke a magical fairy tale London which sometimes feels more authentic then any real life guide to the city.
  8. 113
    Good Omens by Terry Pratchett (Pigletto)
  9. 70
    Alice's Adventures in Wonderland, Through the Looking-Glass and Alice's Adventures Under Ground by Lewis Carroll (sturlington)
    sturlington: Neverwhere is a lot like a grown-up's Wonderland, and the two stories have a similar, surrealistic feel.
  10. 40
    Gloriana by Michael Moorcock (ed.pendragon)
    ed.pendragon: Both fantasy titles explore the seedy underbelly of London, one in Tudor times, the other more recently in London Below.
  11. 117
    The Colour of Magic by Terry Pratchett (derelicious)
  12. 51
    Something from the Nightside by Simon R. Green (Phantasma)
    Phantasma: The nightside novels are a little darker, but if you like the ideas presented in Neverwhere, you'll most likely enjoy the Nightside (actually, I prefer the Nightside and it's gritty dark humor).
  13. 30
    The Secret History of Moscow by Ekaterina Sedia (elbakerone, parasolofdoom)
  14. 74
    Storm Front by Jim Butcher (Polenth)
  15. 30
    Whispers Under Ground by Ben Aaronovitch (Jannes)
    Jannes: For all your "supernatural secrets in the London underground"-needs.
  16. 20
    The Water Room by Christopher Fowler (benfulton)
    benfulton: Explorations of the hidden parts of London.
  17. 20
    The Bone Clocks by David Mitchell (MsMaryAnn)
  18. 20
    Gog by Andrew Sinclair (ed.pendragon)
    ed.pendragon: Fantasy mixing late 20th century London with fairytale, myth and menace.
  19. 20
    Metro 2033 by Dmitry Glukhovsky (Navarone)
  20. 31
    The Amulet of Samarkand by Jonathan Stroud (Steveh15)

(see all 43 recommendations)

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English (405)  German (5)  Dutch (2)  Finnish (2)  French (2)  Danish (1)  Portuguese (1)  Swedish (1)  Catalan (1)  Italian (1)  Portuguese (Brazil) (1)  All languages (422)
Showing 1-5 of 405 (next | show all)
Neverwhere – Gaiman

Audio performance by Neil Gaiman
4 stars

I like Neil Gaiman reading Neil Gaiman.
In this rendition the bizarre setting seemed perfectly natural, the evil characters were delightfully evil, the marquis de Carrabas oozed with condescending superiority. Richard Mayhew bumbled about London Above and London Below, completely clueless, but always on the side of the light. In the end, I was relieved that even Richard could figure out that life ‘above’ with a Jessica was definitely not the best of all possible worlds.
This story has a good share of graphic violence and detailed descriptions of ugliness and suffering. I’m generally put off by such things in a story. I don’t need a Disney interpretation, but with fantasy, I’m usually looking for something comfortable. Gaiman takes me to the edge of squeamish discomfort before he injects just the right touch of satiric humor or the unexpected relief of a positive plot twist. I didn’t like this one quite as much as The Graveyard Book, but it was still very entertaining.

( )
  msjudy | May 30, 2016 |
Love Gaiman books! Great read! ( )
  BethanyMoore | May 13, 2016 |
Like others, I took a while to really get to grips with this novel and want to finish it rather than it just being a book to endure and constantly having to skip the sections when someone very messily and noisily eats a live animal. There was a point for me when the novel started to have a confident and certain narrative and I was away and in the world of London Below and it all made sense. Richard, who has found himself in London Below after helping a young woman, starts to accept where he is at about the same time. There are some fantastic and entertaining characters in the novel and it is very clever and inventive. Had it been a bit tighter from the start I would have liked it more. ( )
  Tifi | May 2, 2016 |
I would say a nice story, quite inventive and light; and plenty of english humour! ( )
  Gerardlionel | Apr 2, 2016 |
Richard Mayhew stops one day to help a young woman lying injured on a London street. After getting her aid and dealing with some odd people the next day Richard finds that no one in his daily life recognizes him and he has lost his job and apartment. to figure out what is going on Richard must enter the world of London Below. This book was wonderfully inventive. I got sucked into the world Gaiman created. I didn't want the book to end and still want to know what happens next. ( )
  RachelNF | Mar 24, 2016 |
Showing 1-5 of 405 (next | show all)
Gaiman blends history and legend to fashion a traditional tale of good versus evil, replete with tarnished nobility, violence, wizardry, heroism, betrayal, monsters and even a fallen angel. The result is uneven. His conception of London Below is intriguing, but his characters are too obviously symbolic (Door, for example, possesses the ability to open anything). Also, the plot seems a patchwork quilt of stock fantasy images. Adapted from Gaiman's screenplay for a BBC series, this tale would work better with fewer words and more pictures.
added by Shortride | editPublishers Weekly (May 19, 1997)
 
The novel is consistently witty, suspenseful, and hair-raisingly imaginative in its contemporary transpositions of familiar folk and mythic materials (one can read Neverwhere as a postmodernist punk Faerie Queene). Readers who've enjoyed the fantasy work of Tim Powers and William Browning Spencer won't want to miss this one. And, yes, Virginia, there really are alligators in those sewers--and Gaiman makes you believe it.
added by Shortride | editKirkus Reviews
 
The millions who know The Sandman, the spectacularly successful graphic novel series Gaiman writes, will have a jump start over other fantasy fans at conjuring the ambience of his London Below, but by no means should those others fail to make the setting's acquaintance. It is an Oz overrun by maniacs and monsters, and it becomes a Shangri-La for Richard. Excellent escapist fare.
added by Shortride | editBooklist, Ray Olson
 
Gaiman's gift for mixing the absurd with the frightful give this novel the feeling of a bedtime story with adult sophistication. Readers will find themselves as unable to escape this tale as the characters themselves.
added by Shortride | editLibrary Journal
 

» Add other authors (46 possible)

Author nameRoleType of authorWork?Status
Gaiman, Neilprimary authorall editionsconfirmed
Althoff, Gerlindesecondary authorsome editionsconfirmed
Berggren, Hanssecondary authorsome editionsconfirmed
Bickman, KelliAuthor photosecondary authorsome editionsconfirmed
Braiter, PaulinaTł.secondary authorsome editionsconfirmed
Fabry, GlennIllustratorsecondary authorsome editionsconfirmed
Gaiman, NeilNarratorsecondary authorsome editionsconfirmed
Halperin, AmyCover designersecondary authorsome editionsconfirmed
Hohl, Tinasecondary authorsome editionsconfirmed
Kivimäki, MikaTranslatorsecondary authorsome editionsconfirmed
Marcel, Patricksecondary authorsome editionsconfirmed
McKean, DaveIllustratorsecondary authorsome editionsconfirmed
Osyczka, DanEndpaper mapsecondary authorsome editionsconfirmed
Pék, ZoltánTranslatorsecondary authorsome editionsconfirmed
Rijsewijk, Erica vansecondary authorsome editionsconfirmed
Villa, ElisaTranslatorsecondary authorsome editionsconfirmed
Vojtková, LadislavaTranslatorsecondary authorsome editionsconfirmed
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Epigraph
I have never been to St. John's Wood. I dare not. I should be afraid of the innumerable night of fir trees, afraid to come upon a blood red cup and the beating of the wings of the Eagle.
--The Napoleon of Notting Hill, G. K. Chesterton
If ever though gavest hosen or shoon
Then every night and all
Sit thou down and put them on
And Christ receive thy soul

This aye night, this aye night
Every night and all
Fire and fleet and candlelight
And Christ receive thy soul

If ever thou gavest meat or drink
Then every night and all
The fire shall never make thee shrink
And Christ receive thy soul

--The Lyke Wake Dirge (traditional)
Dedication
For Lenny Henry, friend and colleague, who made it happen all the way; and Merrilee Heifetz, friend and agent, who makes everything good.
First words
The night before he went to London, Richard Mayhew was not enjoying himself.
She had been running for four days now, a harum-scarum tumbling flight through passages and tunnels.
Quotations
"It starts with doors."
"You've a good heart," she told him. "Sometimes that's enough to see you safe wherever you go." Then she shook her head. "But mostly, it's not."
There are four simple ways for the observant to tell Mr. Croup and Mr. Vandemar apart: first, Mr. Vandemar is two and a half heads taller than Mr. Croup; secnod, Mr. Croup has eyes of a faded china blue, while Mr. Vandemar's eyes are brown; third, while Mr. Vandemar fashioned the rings he wears on his right hand out of the skulls of four ravens, Mr. Croup has no obvious jewelry; fourth, Mr. Croup likes words, while Mr. Vandemar is always hungry. Also, they look nothing at all alike.
He continued, slowly, by a process of osmosis and white knowledge (which is like white noise, only more useful)...
It was a good place, and a fine city, but there is a price to be paid for all good places, and a price that all good places have to pay.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is main work for the book Neverwhere. It should not be combined with the TV series on which it is based.
Publisher's editors
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References to this work on external resources.

Wikipedia in English (3)

Book description
Neverwhere is the story of Richard Mayhew and his adventures through London. At the start of the story, he is a young businessman, with a normal life. All this changes, however, when he stops to help a mysterious young girl who appears before him, bleeding and weakened, as he walks with his fiancée to dinner to meet her influential boss.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0060557818, Paperback)

Neverwhere's protagonist, Richard Mayhew, learns the hard way that no good deed goes unpunished. He ceases to exist in the ordinary world of London Above, and joins a quest through the dark and dangerous London Below, a shadow city of lost and forgotten people, places, and times. His companions are Door, who is trying to find out who hired the assassins who murdered her family and why; the Marquis of Carabas, a trickster who trades services for very big favors; and Hunter, a mysterious lady who guards bodies and hunts only the biggest game. London Below is a wonderfully realized shadow world, and the story plunges through it like an express passing local stations, with plenty of action and a satisfying conclusion. The story is reminiscent of Douglas Adams's The Hitchhiker's Guide to the Galaxy, but Neil Gaiman's humor is much darker and his images sometimes truly horrific. Puns and allusions to everything from Paradise Lost to The Wonderful Wizard of Oz abound, but you can enjoy the book without getting all of them. Gaiman is definitely not just for graphic-novel fans anymore. --Nona Vero

(retrieved from Amazon Thu, 12 Mar 2015 18:18:19 -0400)

(see all 7 descriptions)

After he helps a stranger on a London sidewalk, Richard Mayhew discovers an alternate city beneath London, and must fight to survive if he is to return to the London he knew.

(summary from another edition)

» see all 8 descriptions

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