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Villages by John Updike
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Villages

by John Updike

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254721,960 (3.13)8
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English (6)  German (1)  All languages (7)
Showing 1-5 of 6 (next | show all)
alles schon mal irgendwo gelesen : Lange keinen Updike gelesen und voller guter Erinnerungen war ich beim Kauf des Buches noch gut gestimmt und schmunzelte noch beim Lesen der ersten Seiten. Dann wurde es langweiliger und langweiliger und jetzt, etwa in der Mitte angekommen, habe ich es mit Bedauern zur Seite gelegt. Alles, was Mr. Updike von sich gibt, hat man irgendwo schon einmal gelesen. Erster Sex in jungen Jahren, Gedanken über die Ehefrau in blauen Flipflops etc. - es kommt einfach nicht das Gefühl auf, dass man wissen möchte, was auf der nächsten Seite passieren wird. Und so etwas wie "Spannung" schon sowieso nicht. Die Story ist einfach nur banal und reizt zum Gähnen. Den einen Stern bekommt Mr. Updike für seinen Schreibstil.
  r1hard | Nov 22, 2009 |
Basically, this is one man's life story, from birth to death. The book was a little too dry and rambling for me. I have enjoyed other Updike books, but this was not one of my favorites. ( )
  CatieN | Nov 13, 2009 |
Masterfully written, his powers of observation are excellent. Negatives: Excludes parts of the story I felt were essential, especially why and how he chose his second wife. This seems a crucial omission to me. Tags in with the other negative; I think Updike could have mustered a bit more optimism. ( )
  Godot73 | Jul 6, 2008 |
This novel, read magnificently in its audio version by Edward Herrmann, is vintage Updike. A man in his 70s remembers & celebrates the women in his life--mother, grandmother, girlfriends, 2 wives, lovers--their beauty, their sexuality, their contributions to his developing selfhood. Typically, there's lots of vividly described sex. The central question seems to be: Why do women fuck, when it comes with such tremendous costs for them, costs that men such as the book's subject mostly ignore? He sets the question (less successfully) in the context of the villages with which this fucking (& its consequences) occur. As he concludes, he writes (in a statement probably not adequately set up by the preceding narrative): "Life is madness.Villages exist to moderate that madness." Beautifully, perceptively wrtten, as always, with Updike's usual keen insights into the vicissitudes of the cultural experiences of middle-class American males since WWII, it could have explored more thoroughly & perceptively this moderating role of villages. ( )
  mbergman | Nov 9, 2007 |
Showing 1-5 of 6 (next | show all)
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Epigraph
Ah, love, let us be true

To one another! for the world, which seems

To lie before us like a land of dreams,

So various, so beautiful, so new,

Hath really neither joy, nor love, nor light,

Nor certitude, nor peace, nor help for pain....



--Matthew Arnold, "Dover Beach"
Dedication
First words
For a long time, his wife has awoken early, at five or five-thirty. By the rhythms of her chemistry, sometimes discordant with Owen's, Julia wakes full of affection for him, her companion on the bed's motionless voyage through that night of imperfect sleep. She hugs him and, above his protests that he is still sleeping, declares in a soft but relentless voice how much she loves him, how pleased she is by their marriage. "I'm just so happy with you."
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Amazon.com Product Description (ISBN 0345477316, Paperback)

John Updike’s twenty-first novel, a bildungsroman, follows its hero, Owen Mackenzie, from his birth in the semi-rural Pennsylvania town of Willow to his retirement in the rather geriatric community of Haskells Crossing, Massachusetts. In between these two settlements comes Middle Falls, Connecticut, where Owen, an early computer programmer, founds with a partner, Ed Mervine, the successful firm of E-O Data, which is housed in an old gun factory on the Chunkaunkabaug River. Owen’s education (Bildung) is not merely technical but liberal, as the humanity of his three villages, especially that of their female citizens, works to disengage him from his youthful innocence. As a child he early felt an abyss of calamity beneath the sunny surface quotidian, yet also had a dreamlike sense of leading a charmed existence. The women of his life, including his wives, Phyllis and Julia, shed what light they can. At one juncture he reflects, “How lovely she is, naked in the dark! How little men deserve the beauty and mercy of women!” His life as a sexual being merges with the communal shelter of villages: “A village is woven of secrets, of truths better left unstated, of houses with less window than opaque wall.”

This delightful, witty, passionate novel runs from the Depression era to the early twenty-first century.


From the Hardcover edition.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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