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Loading... About Writing: Seven Essays, Four Letters, & Five Interviews (2005)by Samuel R. Delany
None. Junot Diaz recommended in an interview. It's a strange and obnoxious book about the craft of writing. What you need to know is that Delany is very smart His intelligence however is right out of Bronx Scientific. He is extremely well read and he doesn't have a whole lot of patience for mediocre writing or people who aren't prepared to work very hard as writers. The whole book is suffused with a kind of asbergers brittle impatience and - its not arrogance - but elitism. He has some astonishingly smart things to say about writing but unfortunately these are buried in the text and are never elaborated on in any meaningful fashion. He has for instance this extraordinary insight into characterization (page 77-79) and on flashbacks page 42 but he doesn't seem to have the patience to unpack what he means. He is in fact to the extent to which communication is part of the job, a bad writer. His description of the difference between structure and plot was so bewildering that I still never understood what he meant. All this is very odd because he teaches this stuff. You feel that Sam is one of those guys with tremendous insight who can't be bothered coming down to our level to explain what he means. The appendix seems to be the place where he talks cogently about some of the boilerplate concerns but that is 390 pages in. Now in fairness some of these are lectures, that is they have been re-purposed and whoever thought that was sufficient was mistaken. Ditto the letters and ditto the interviews. It might have been helpful to have had this project over seen by a stronger editor who would force Delany to focus on clarifying his ideas at greater length. Too bad. The other aspect of writing which Delany never touches - and I'm glad of that - is the role of emotions in helping one chose how to tell a story. Whether he misunderstands the role or doesn't feel it warrants his attention but given the personality here - and there is a lot of attitude - that's not a bad thing. ( )
The book is full of insights and startling arguments, but it's probably not a book you'll read in one go. I've found myself picking it up, reading one essay, and putting it down again for a day or two. It might actually be that rarest of creatures — academic bathroom reading. This isn't, by any means, a criticism. It's a very dense, ruminative book full of ideas that will pop into your head a few days after you read them. But it also feels a bit, at times, like Delany is sitting in an overstuffed armchair lecturing the reader, which goes over better in smaller doses. Luckily, the book comes packaged with the dosages already divided up.
Amazon.com Product Description (ISBN 0819567167, Paperback)Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.(retrieved from Amazon Fri, 11 Jan 2013 16:52:54 -0500) No library descriptions found. |
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