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The Thousand Autumns of Jacob de Zoet: A…
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The Thousand Autumns of Jacob de Zoet: A Novel (original 2010; edition 2010)

by David Mitchell

MembersReviewsPopularityAverage ratingConversations / Mentions
4,0052391,279 (4.08)3 / 625
Member:hemlokgang
Title:The Thousand Autumns of Jacob de Zoet: A Novel
Authors:David Mitchell
Info:Random House (2010), Hardcover, 496 pages
Collections:Your library
Rating:
Tags:TBR, England

Work details

The Thousand Autumns of Jacob De Zoet by David Mitchell (2010)

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English (236)  Dutch (7)  French (1)  German (1)  Czech (1)  All languages (246)
Showing 1-5 of 236 (next | show all)
Didn't like this, got only 50 pages or so into it. ( )
  KathyGilbert | Jan 29, 2016 |
Mitchell succeeds in this historical novel much in the way that he has in each of the other genres he has tackled. A good (if slow at the beginning) story and finely wrought characters combine for a satisfying read. A tale of how fate can seem to rob us of certain types of decisions. Full of gritty detail, it is romantic without being sentimental. ( )
  dbsovereign | Jan 26, 2016 |
David Mitchell is a master. I can't wait to read his newest. ( )
  joyhclark | Jan 20, 2016 |
The first part of the book was my favorite. I thought Jacob was a great charachter. The ending was kind of disappointing to me, a little too true to life in its sadness (what could have been vs. what was to be). My favorite scene was when Orito visited and talked to Jacob in Marinus' garden. Overall a very well written book and a beautiful story. ( )
  Charlie-Ravioli | Jan 18, 2016 |
A quiet epic story with quietly surprising heroic figures. Both the story and characters are unusual and compelling, but not immediately.

The book on CD is well read (and for those who don't know Japanese, it's a nice way to hear and learn the sounds of the Japanese names). ( )
  Connie-D | Jan 17, 2016 |
Showing 1-5 of 236 (next | show all)
There are no easy answers or facile connections in “The Thousand Autumns of Jacob de Zoet.” In fact, it’s not an easy book, period. Its pacing can be challenging, and its idiosyncrasies are many. But it offers innumerable rewards for the patient reader and confirms Mitchell as one of the more fascinating and fearless­writers alive.
added by LiteraryFiction | edithttp://www.nytimes.com/2010/07/04/books/review/Eggers-t.html?ref=bookreviews, Dave Eggers (Jul 1, 2010)
 
Another Booker Prize nomination is likely to greet this ambitious and fascinating fifth novel—a full-dress historical, and then some—from the prodigally gifted British author
added by sturlington | editKirkus Reviews (May 1, 2010)
 
For his many and enthusiastic admirers — critics, prize juries, readers — the fecundity of Mitchell’s imagination marks him as one of the most exciting literary writers of our age. Indeed, in 2007, he was the lone novelist on Time’ s annual list of the world’s 100 most influential people. Through five novels, most impressively with his 2004 novel, Cloud Atlas, Mitchell has demonstrated flat-out ambition with respect to testing — sometimes past their breaking points — the conventions of storytelling structure, perspective, voice, language and range. The result, according to Mitchell’s rare detractors, is an oeuvre marked by imaginative wizardry and stylistic showmanship put on offer for their own sake. For most everyone else, however, Mitchell’s writing is notable because its wizardry and showmanship are in the service of compulsively readable stories and, at its best moments, are his means of revealing, in strange places and stranger still ways, nothing less than the universals of human experience.
 
Though direct in its storytelling, Jacob de Zoet marks a return to full amplitude. That means occasionally over-long scenes and one or two rambling monologues. But it also guarantees fiction of exceptional intelligence, richness and vitality.
 
With “The Thousand Autumns of Jacob de Zoet,” David Mitchell has traded in the experimental, puzzlelike pyrotechnics of “Ghostwritten” and “Number9Dream” for a fairly straight-ahead story line and a historical setting.

He’s meticulously reconstructed the lost world of Edo-era Japan, and in doing so he’s created his most conventional but most emotionally engaging novel yet: it’s as if an acrobatic but show-offy performance artist, adept at mimicry, ventriloquism and cerebral literary gymnastics, had decided to do an old-fashioned play and, in the process, proved his chops as an actor.
 

» Add other authors (11 possible)

Author nameRoleType of authorWork?Status
David Mitchellprimary authorall editionsconfirmed
Aris, JonathanNarratorsecondary authorsome editionsconfirmed
Wilcox, PaulaNarratorsecondary authorsome editionsconfirmed
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Epigraph
Dedication
For K, H & N with love
First words
'Miss Kawasemi?' Orito kneels on a stale and sticky futon. 'Can you hear me?'
Quotations
‘If only,’ Shiroyama dreams, ‘human beings were not masks behind masks behind masks. If only this world was a clean board of lines and intersections. If only time was a sequence of considered moves and not a chaos of slippages and blunders.”
Creation never ceased on the sixth evening, it occurs to the young man. Creation unfolds around us, despite us and through us at the speed of days and nights. And we call it love.
“The soul is a verb." He impales a lit candle on a spike. "Not a noun.”
For white men, to live is to own, or to try to own more, or to die trying to own more. Their appetites are astonishing! They own wardrobes, slaves, carriages, houses, warehouses, and ships. They own ports, cities, plantations, valleys, mountains, chains of islands. They own this world, its jungles, its skies, and its seas. Yet they complain that Dejima is a prison. They complain they are not free.
Killing depends on circumstances, as you'd expect, whether it's a cold, planned murder, or a hot death in a fight, or inspired by honor or a more shameful motive. However many times you kill, though, it's the first that matters. It's a man's first blood that banishes him from the world of the ordinary.
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(Click to show. Warning: May contain spoilers.)
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Information from the Dutch Common Knowledge. Edit to localize it to your language.

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Wikipedia in English (2)

Book description
The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.

But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”

A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.
Haiku summary
Sorry, we don't trade
With foreigners. Oh, you're Dutch?
Of course, that's different!
(passion4reading)

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1799, Dejima in Nagasaki Harbor. Jacob de Zoet, a devout and resourceful young clerk, has a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city's powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken--the consequences of which will extend beyond Jacob's worst imaginings.… (more)

(summary from another edition)

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