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will love Sign up for LibraryThing to find out whether you'll like this book. I loved the film version of this book, and I very much like the graphic novel which was the source of the film. There are modifications between the print and the screen versions, including some names and plot lines, but I found both to be entertaining, thoughtful, and just great midwestern crime (ala Capone and company). ( )I haven't seen the movie, but it's possible that the ridiculously dynamic art in this book is actually more cinematical than the film based on it. I watched the movie on a whim, and was impressed by it. Then I found out it was a graphic novel, and picked up that up. The inking is spectacular, very particular to detail and effective on the strokes for effect. Any book which is adapted from a film based on a graphic novel is bound to be quite poor. This was no exception. The characters were rather one dimentional, the plot poor, and the dialogue cringingly bad at times. Great story, nice art work, quick read no reviews | add a review
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| Book description |
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Rock Island, Illinois -- 1929. Michael O'Sullivan is a good father and a family man -- and also the chief enforcer for John Looney, the town's Irish Godfather of crime. As Looney's "Angel of Death," O'Sullivan has done the bidding of Chicago gangsters Al Capone and Frank Nitti as well -- but when a gangland execution spells tragedy for the O'Sullivan family, a grieving father and his adolescent son find themselves on a winding road fo treachery, revenge, and revelation.
Writer Max Allan Collins is a two-time winner of the Private Eye Writers of America's Shamus Award for his Nathan Keller historical thrillers True Detective and Stolen Away. Award-winning artist Richard Piers Raynner spent four years working on the artwork for Road to Perdition, a labor of love that has resulted in some of the most stunningly realistic drawings of 1930s Chicago ever seen on printed page.
(retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400)
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