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Julius Caesar by William Shakespeare
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Julius Caesar (1623)

by William Shakespeare

Other authors: See the other authors section.

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I read this in high school. I know I liked it but the details are fuzzy. ( )
  godmotherx5 | Apr 5, 2018 |
One begins to understand cultural references the more one reads Shakespeare, and Julius Caesar is no exception to this rule (this is perhaps especially true for Star Trek fans). The fault being not in our stars but in ourselves is a great bit of poetry that everyone should heed. ( )
  Michael_Rose | Mar 15, 2018 |
An L.A. Theatre Works full cast performance featuring:

Bonnie Bedelia as Calpurnia
Jack Coleman as Casca
John de Lancie as Cassius
Richard Dreyfuss as Marc Antony
Harold Gould as Caesar
Kelsey Grammer as Murellus
Arye Gross as Octavius
Stacy Keach as Marcus Brutus
John Randolph as Flavius/Artemidorus
JoBeth Williams as Portia

With Lee Arenberg, David Birney, Josh Fardon, Arthur Hanket, Rudy Hornish, Basil Langton, Jon Matthews, Paul Mercier, James Morrison, Marnie Mosiman, George Murdock, John Vickery, Andrew White, and Paul Winfield.

This full cast recording was excellent. I am always surprised by how many famous lines there are in this play; this time it was the "Cry havoc! and let slip the dogs of war". For some reason, I thought that this line was one of the Henry's... ( )
  leslie.98 | Dec 1, 2017 |
“The fault, dear Brutus, is not in our stars, but in ourselves.”

A story about how flattery, suspicions, jealousy and pride can get you killed.

Gathering romans celebrate Caesar's war victory by public games in an arena. Caesar is stopped by warning from a stranger "beware the ides of march".
A few jealous senators team up and plan Caesar's death. The 15th of march Caesar's wife has a dream of his death and pleads him not to go to the senate. Flattery takes the reigns and Caesar is stabbed to death, Brutus giving the final blow.
A riot ensues from the funeral as the conspirators are forced to flee from the city. The conspirators gather an army in Greece. Brutus receives news that his wife has committed suicide and sees Caesar's ghost, unable to find sleep before the war.
The republicans seem to have the upper hand when a messengers horse is overtaken by the enemy. Cassius gets a servant to help him die. Brutus finds his body and commits suicide as there is nothing left. ( )
  Jychelle88 | Oct 16, 2017 |
"I seek not to disprove what Brutus spoke." (Mark Antony, pg. 76)

Shakespeare is the master of the laden phrase. Take, for example, the famous utterance by Cassius after Caesar's murder: "How many ages hence Shall this our lofty scene be acted over, In states unborn and accents yet unknown?" (pg. 68). Not only is this often quoted by those eulogizing Shakespeare's enduring popularity, it also has multiple meanings within the context of the play: referring not only to the impact of Caesar's murder on the course of history but to the sad role such assassinations play again and again in human affairs (Lincoln, JFK, etc.) whilst also breaking the fourth wall between actor and audience. And it sounds good, too. Shakespeare is at his eloquent and bursting best here.

In fact, my preconceptions of Julius Caesar were wide of the mark: I expected it to be a rather black-and-white historical epic with ringing rhetoric and lots of blood – more Henry V than Hamlet. Whilst the latter part is true, with fine speeches ('lend me your ears') and one particularly prominent murder, it is rather grey in its morality. Henry V was by no means simplistic (and scholars continue to expend ink on Shakespeare's nuanced portrayal of the King) but it was rather cut-and-dry in terms of who you were to root for. Julius Caesar is more like the later Hamlet or Macbeth in that every character is nuanced (when Brutus reports to Caesar about the Ides of March soothsayer (pg. 36), it reminded me a lot of Macbeth pledging fealty to Duncan, in how he is unwittingly manipulated and unaware of his future course). Caesar is dictatorial but benevolent; Brutus is honourable but easily-led. Cassius is malicious but not wrong in his conscientious mistrust of Caesar's growing power. Mark Antony wins the sympathy of the audience for his loyalty to Caesar, but he is ruthlessly duplicitous to the plebs.

This is the reason I opened my review with a quote from Mark Antony (coming during the 'lend me your ears' speech) as it emphasizes this grey morality and Shakespeare's laden phrases. Whilst deftly turning the crowd against Brutus and his co-conspirators, Antony is couching it in language that would seem harmless to Brutus' ears. He wins the plebs over to sympathy of the murdered Caesar and condemnation of his killers by referencing Caesar's will, in which he divested sums of money to each citizen of Rome and his property to the public good. Yet, in his next scene, in conference with Octavius (later Augustus), he is trying to determine "how to cut off some charge in legacies" (pg. 83) – that is, how to avoid paying up. It is a brazenly Machiavellian masterclass, and the difference to the similarly-famous 'band of brothers' speech from Henry V – with its compassionate but clear-cut jingoism – is marked.

There is much more to Julius Caesar than this, of course, but every time I read one of Shakespeare's plays I am surprised at just how much depth there is in under 100 pages. Individual scenes carry more weight than the entire oeuvre of other writers. There are commentaries on the nature of power, political violence, the course of history and the need to seize one's opportune moment – all written in some of the finest English prose ever laid down. Shakespeare's enduring vitality continues to provide answers to Cassius' rhetorical question. ( )
2 vote MikeFutcher | Jun 3, 2017 |
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» Add other authors (153 possible)

Author nameRoleType of authorWork?Status
Shakespeare, Williamprimary authorall editionsconfirmed
Andrews, John F.Editorsecondary authorsome editionsconfirmed
Atwan, RobertEditorsecondary authorsome editionsconfirmed
Baldini, GabrieleEditorsecondary authorsome editionsconfirmed
Barnett, SlyvanEditorsecondary authorsome editionsconfirmed
Bevington, David M.Editorsecondary authorsome editionsconfirmed
Bloom, HaroldContributorsecondary authorsome editionsconfirmed
Books, PennyEditorsecondary authorsome editionsconfirmed
Braunmuller, Albert R.Editorsecondary authorsome editionsconfirmed
Brooke, TuckerEditorsecondary authorsome editionsconfirmed
Burton, Raffelsecondary authorsome editionsconfirmed
Daniell, DavidEditorsecondary authorsome editionsconfirmed
Decker, ThomasTranslatorsecondary authorsome editionsconfirmed
Dorsch, T.S.Editorsecondary authorsome editionsconfirmed
Dreyfuss, RichardNarratorsecondary authorsome editionsconfirmed
Elloway, David ReginaldEditorsecondary authorsome editionsconfirmed
Furness, Horace Howard, JrEditorsecondary authorsome editionsconfirmed
Gill, RomaEditorsecondary authorsome editionsconfirmed
Grammer, KelseyNarratorsecondary authorsome editionsconfirmed
Hadfield, Andrew DavidEditorsecondary authorsome editionsconfirmed
Hampden, PhilipEditorsecondary authorsome editionsconfirmed
Harrison, George B.Editorsecondary authorsome editionsconfirmed
Hawinkels, PéTranslatorsecondary authorsome editionsconfirmed
Horsley, E. F.Editorsecondary authorsome editionsconfirmed
Hulme, H. M.Editorsecondary authorsome editionsconfirmed
Innes, Arthur D.Editorsecondary authorsome editionsconfirmed
Jones, Pei te HurinuiTranslatorsecondary authorsome editionsconfirmed
Kastan, David ScottEditorsecondary authorsome editionsconfirmed
Keach, StacyNarratorsecondary authorsome editionsconfirmed
Kellogg, BrainerdEditorsecondary authorsome editionsconfirmed
Kittredge, George LymanEditorsecondary authorsome editionsconfirmed
LaMar, Virginia A.Editorsecondary authorsome editionsconfirmed
Lambert, Daniel HenryTranslatorsecondary authorsome editionsconfirmed
Macmillan, MichaelEditorsecondary authorsome editionsconfirmed
Mason, LawrenceEditorsecondary authorsome editionsconfirmed
Mowat, Barbara A.Editorsecondary authorsome editionsconfirmed
Orgel, StephenEditorsecondary authorsome editionsconfirmed
Quiller-Couch, ArthurEditorsecondary authorsome editionsconfirmed
Raffel, BurtonEditorsecondary authorsome editionsconfirmed
Rolfe, William J.Editorsecondary authorsome editionsconfirmed
Rosen, BarbaraEditorsecondary authorsome editionsconfirmed
Rosen, WilliamEditorsecondary authorsome editionsconfirmed
Seward, TimothyEditorsecondary authorsome editionsconfirmed
Taylor, George CoffinEditorsecondary authorsome editionsconfirmed
Thurber, SamuelEditorsecondary authorsome editionsconfirmed
Westine, PaulEditorsecondary authorsome editionsconfirmed
White, Richard GrantEditorsecondary authorsome editionsconfirmed
Williams, JoBethNarratorsecondary authorsome editionsconfirmed
Wilson, John DoverEditorsecondary authorsome editionsconfirmed
Wright, Louis B.Editorsecondary authorsome editionsconfirmed
Young, C. B.Contributorsecondary authorsome editionsconfirmed

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Epigraph
Dedication
First words
FLAVIUS
Hence! Home, you idle creatures get you home!
Quotations
Beware the ides of March.
Cowards die many times before their deaths;

The valiant never taste of death but once.

Of all the wonders that I yet have heard,

It seems to me most strange that men should fear;

Seeing that death, a necessary end,

Will come when it will come.
Et tu, Brute!
For Brutus is an honourable man;

So are they all, all honourable men.
Friends, Romans, countrymen, lend me your ears;

I come to bury Caesar, not to praise him.

The evil that men do lives after them;

The good is oft interred with their bones.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This work is for the complete Julius Caesar only. Do not combine this work with abridgements, adaptations or simplifications (such as "Shakespeare Made Easy"), Cliffs Notes or similar study guides, or anything else that does not contain the full text. Do not include any video recordings. Additionally, do not combine this with other plays.
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Wikipedia in English (4)

Book description
"BEWARE THE IDES OF MARCH." Julius Caesar is one of Shakespeare's most popular plays. It is about how Caesar is plotted against and eventually murdered and overthrown by some of his closest friends. Brutus, the closest friend and main plotter of the murder, ends up murdering himself and his conscious gets the better of him. This book is the epitome of betrayal and is referred to and alluded to all throughout literature.
Haiku summary
Men plot a murder
against a would-be tyrant.
Then they start a war.
(marcusbrutus)

Amazon.com Product Description (ISBN 0743482743, Mass Market Paperback)

Folger Shakespeare Library

The world's leading center for Shakespeare studies

Each edition includes:

• Freshly edited text based on the best early printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare books

Essay by Coppélia Kahn

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.

(retrieved from Amazon Thu, 12 Mar 2015 18:13:03 -0400)

(see all 9 descriptions)

Brutus, best friend of the Roman ruler Caesar, reluctantly joins a successful plot to murder Caesar and subsequently destroys himself. Includes notes and an introduction.

» see all 43 descriptions

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Penguin Australia

2 editions of this book were published by Penguin Australia.

Editions: 0140714685, 0141012390

Yale University Press

An edition of this book was published by Yale University Press.

» Publisher information page

Recorded Books

2 editions of this book were published by Recorded Books.

Editions: 1456109464, 144988234X

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