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The Birth of Tragedy & The Genealogy of Morals (1872)

by Friedrich Nietzsche

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Nietzsche seems to have two major themes in this book-- that Greek tragedy was a result of the conflict between opposing ideologies, and that its decline began with the ascendance of one over the other. I think there are several connections/parallels between his description of Greek tragedy and the rise of the novel.

Nietzsche tells of the Dionysian ritual, with its use of music, and makes the claim that tragedy began with this. The music was provided by the chorus, which sang the story. The rituals of Dionysis, we are told, brought about a state like intoxication, in which the sense of individual was lost in the larger community of being; the chorus was the whole audience, and acting out the play provided an intuitive glimpse of the metaphysical belief system. Plays, at this level, were probably no more than current responsive reading rituals.

This changed with the Apollonian influence, which was the power of dream, not intoxication; the power to see clearly, as embodied in the epic, and in sculpture, and to notice, rather than lose, the individual particulars, described, rather than participated in, reality. Dionysis symbolized process, Apollo, the ideal as manifested in forms.

The blending of these two cultures brought mythology to the stage. Instead of just having a drunken camp-fire songfest, as Dionysis would, Apollo told the stories of great beings, who had lived up to the ideal despite great consequences. These stories, however, only held the stage for two generations before losing contact with the orgiastic Dionysian spirit of music which had spawned them. Apollo took over when Socrates denied that Dionysis could provide true wisdom, but suggested that, through the knowledge of particulars, Apollo could. I agree with Nietzsche and Blake, that Socrates was mistaken, as does an entire sect of Hinduism.
  EverettWiggins | Apr 9, 2013 |
Eccentric? Yes. Overrated? No way. I think the key to read Nietzsche is not to take him too seriously. He provides excellent conversation starters. My copy is full of underlines, highlights, margin notes, and exclamations. ( )
  sapphirewire | Mar 17, 2010 |
Nietzsche is overrated and eccentric. ( )
  Anagarika | Nov 3, 2009 |
analysis of what tragedy provides for humans and also a model for appolonian and dyonisus critcal approach--reason and irrational. ( )
  Rosinbow | Aug 16, 2009 |
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Much will have been gained for esthetics once we have succeeded in apprehending directly - rather than merely ascertaining - that art owes its continuous evolution to the Apollonian-Dionysiac duality, even as the propagation of the species depends on the duality of the sexes, their constant conflicts and periodic acts of reconciliation.
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"An artist worth his salt is permanently separated from ordinary reality."
The person who is responsive to the stimuli of art behaves toward the reality of dream much the way the philosopher behaves toward the reality of existence: he observes exactly and enjoys his observations, for it is by these images that he interprets life, by these processes that he rehearses it.
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Amazon.com Product Description (ISBN 0385092105, Paperback)

Skillful, sophisticated translations of two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.

(retrieved from Amazon Thu, 14 Apr 2011 07:05:10 -0400)

(see all 2 descriptions)

Two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.--From publisher description.… (more)

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Penguin Australia

An edition of this book was published by Penguin Australia.

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