Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

The Girl Who Circumnavigated Fairyland in a…

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (original 2009; edition 2011)

by Catherynne M. Valente, Ana Juan (Illustrator)

MembersReviewsPopularityAverage ratingMentions
1,7831563,936 (4.18)261
Title:The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
Authors:Catherynne M. Valente (Author)
Other authors:Ana Juan (Illustrator)
Info:Feiwel & Friends (2011), Hardcover, 256 Seiten
Collections:Hardcovergröße, Your library

Work details

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente (2009)

  1. 140
    The Phantom Tollbooth by Norton Juster (aarti, calmclam)
  2. 120
    Stardust by Neil Gaiman (aarti, Jannes, rakerman)
    Jannes: Gaiman might be inspired by Dunsany and Mirrlees while Valente leans slightly more toward Carroll and Baum, but both of them are modern authors tackling the classic fairytale, both are great stylists, and both books are highly enjoyable.
    rakerman: Stardust is also a modern fairy tale, but I found it to be a much stronger book. The flow of chapter by chapter standalone encounters in The Girl was light and entertaining but for me had a weaker narrative flow than in Stardust.
  3. 120
    Alice's Adventures in Wonderland by Lewis Carroll (kaledrina, Crumble_Tumble)
    Crumble_Tumble: Both of these fantasy tales are a bit out there, a little crazy, a little hard to undestand. But once you get it, it's amazing. I LOVE these kinds of books
  4. 82
    Un Lun Dun by China Miéville (foggidawn)
  5. 61
    Coraline by Neil Gaiman (foggidawn)
  6. 30
    The Wizard of Oz by L. Frank Baum (ErisofDiscord)
  7. 30
    Palimpsest by Catherynne Valente (Jannes)
    Jannes: The Girl Who Circumnavigated Fairyland was first concieved in Palimpsest as one of the protaginists' favourite book. Then it sort got a life of it's own, so to speak. Palimpsest is probably not for children, though.
  8. 42
    Haroun and the Sea of Stories by Salman Rushdie (lorax)
    lorax: Both are beautifully written fairy tales about young people traveling to another world, readable by kids but with much for adults to enjoy.
  9. 20
    The Graveyard Book by Neil Gaiman (clfisha)
    clfisha: Its not a fairytale but if your looking for more inventive, rich and dark YA try this.
  10. 20
    The Wee Free Men by Terry Pratchett (MyriadBooks)
  11. 20
    At the Back of the North Wind by George MacDonald (rakerman)
    rakerman: Wind spirits play an important role in both The Girl and At the Back of the North Wind. The books both have aspects of wonder and sorrow, with a similar idea of a child taken away into a magical land.
  12. 10
    Rose Daughter by Robin McKinley (baseballbabe)
  13. 10
    Flora Segunda by Ysabeau S. Wilce (macsbrains)
  14. 10
    The Nex by Tim Pratt (TomWaitsTables)
  15. 00
    The Hotel Under the Sand by Kage Baker (PhoenixFalls)
  16. 00
    The Boy with the Cuckoo-Clock Heart by Mathias Malzieu (AlexDraven)
  17. 11
    Peter Pan by J. M. Barrie (MickyFine)
  18. 00
    Dragonfly by Frederic S. Durbin (jessinfl)
  19. 00
    The Habitation of the Blessed by Catherynne M. Valente (LBV123)
  20. 00
    The Order of Odd-Fish by James Kennedy (kaledrina)

(see all 24 recommendations)


Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

» See also 261 mentions

English (154)  German (1)  Hungarian (1)  All languages (156)
Showing 1-5 of 154 (next | show all)
I'm really conflicted about this book.

On the one hand, it has so many things I like - a mash-up of fairy tale tropes, lovely prose, an examination of what makes a story, a self-consciousness reminiscent of "The Last Unicorn" - really, this should join the ranks of my favorite books of all time.

On the other hand, I was bored through most of the book. Or confused. Mostly, I was just impatient for it to be over, and I'm still not quite sure why. Perhaps it's because a lot of the book felt more like a series of events than an actual storyline with a plot. But even once the book started to have some profound moments about what it means to participate in a story, and what it means to long for home, and how love is a strong force that can overcome anything, I inexplicably wasn't interested. Maybe it's because the book still fails to do anything tremendously original with these tropes.

It has actually taken me several weeks to write this review, because I just can't conjure up an opinion about this book. But I think it says something that several weeks later, I don't look back wistfully on the book, nor do I have any interest in its sequels. The only reason the book is still on my mind is that it is bugging me that I can't book my finger on why this was such a failure for me.

Perhaps the fact that I listened to the audiobook doesn't help. It is read by the author, and there are very few authors who are also good readers (Neil Gaiman is the only one I can think of). Valente isn't bad, but she's definitely not an actress, and I think another narrator could have conveyed the book's sense of wide-eyed magic better. ( )
  Gwendydd | Jun 13, 2015 |
This C21st Alice/Oz series is so well-loved that anything less than five full stars feels as if it requires an apology. I'm sorry. I think I'm too cynical to like this as much as some do. I don't often read new children's books, and this reminds me why that's a good thing. I get on better with something darker and more morally complicated, or maybe just more drily phrased. It's not as if people I know who love this book are devoid of a sense of twee: their and my parameters for what separates 'sweet' from 'twee' must simply be in slightly different places.

The descriptive language is as if the florid gardens of Dorian Gray are being reconstructed in pastel-coloured sugar-icing, embedded with mini cupcakes and marshmallows and non-alcoholic cocktails in cute china teacups, by people who are very nice, possibly too nice, and exhaustingly chatty. (We are told at the beginning that September dislikes pastel teacups, but the book itself has the tone of one thoroughly at home with them.) Though I can appreciate why some people might like this sort of thing - I do like camp after all.

Nevertheless, some favourite things here include: the sentient smoking jacket (many fans want a Wyverary; I'd plump for one of these instead); the gorgeous-sounding food; the soap-golem and her baths which act as a particularly efficient psychotherapy; and (preachy to some - identification here) September having little choice but to kill the fish and needing to be forgiven for it. It was surprising that September seemed to be from the 1940s [dad at war, mum working in munitions factory... but OTOH then why would a mum with mechanical skills be so rare?] I really liked the not-a-big-deal unconventional relationships among many of the characters, but as I was reading in the light of a recent blog post by the author, I did find a few other points overly preachy and goody-goody.

Hearing other people delight in this series turns out to be more enjoyable than reading it myself. Though I won't rule out vol.2 seeing as I've already got it, thanks to the 2013 Kindle sale binge which keeps on giving.


Oh dear. This C21st Alice/Oz series is so very well liked that anything less than five full stars requires an apology. I'm sorry. I'm a little too cynical and disappointed and angry inside to love this as much as some do. I don't often read new children's books: since the first couple of Harry Potters, I've known full well that the enjoyment some of you get from them is an ability I don't have; somewhere I'm still the kid who lacked a deep love for soft toys when small, and tried to hide that, and who unilaterally decided to stopped watching children's TV before starting secondary school and never regretted it.

I like the general shapes of Fairyland's plot and characters - including the not-a-big-deal unconventional relationships among plenty of them* - but the telling is sometimes on the wrong side of the twee / sweet divide, and it can be a bit uncomplicatedly goody-goody. (A hero/ine who wrestled with themselves about whether to fight the traumatised Marid for some wishes - probably concluding in asking for some for the greater good and for the benefit of the Marid - would have been more interesting. And a recent blog post by the author had put me on the lookout for preachiness, so naturally I found it in a few places; though I can see how one might not without being primed. )

The descriptive language is as if the proliferating, out-of-season nature of Dorian Gray is being reconstructed in pastel-coloured sugar-icing, embedded with mini cupcakes and non-alcoholic cocktails in cutesy china teacups, by people who are very nice, possibly too nice, and exhaustingly chatty. (We are told at the beginning that September dislikes pastel teacups, but the book itself has the tone of one thoroughly at home with them.) I can appreciate that people might like this, although it's not exactly my kind of thing.

It has its moments: particular favourites include the sentient green smoking jacket (many people want a Wyverary; I'd prefer one of these); the delicious-sounding food; the soap-golem and her baths which act as psychotherapy; and (preachy to some - identification here) September needing to kill the fish and be forgiven for it. It was surprising that September seemed to be from the 1940s [dad at war, mum working in munitions factory], not now as expected.

Hearing other people delight in this book turns out to be more enjoyable than reading it myself. Though I won't rule out vol.2 seeing as I've already got it. (Thanks to the 2013 Kindle sale binge which keeps on giving.)

* Saw this recently via a review in my feed. Think it's a bit premature and naive, c.f. 'hang on, most of the country isn't post-racial yet'. Some of the commenters have sense (I'm guessing most of those are older than the writer and/or have lived and worked outside big city academia and the arts).

done with questioning things ( )
1 vote antonomasia | May 7, 2015 |
I picked this book up from the public library on the strength of a review read here on LibraryThing. I invited my 10-year-old daughter to read it with me, with the hope that we could read it aloud at a chapter per day, alternating reader duties. It turned out her stamina was not really enough to read an entire chapter aloud at a sitting, but she would at least start the even-numbered chapters in our reading.

The story is full of homages to Oz, Narnia, Wonderland, and other elseworlds of children's fantasy, the book is clearly marketed to children (or at most "young adult" readers), and the children's section of the public library is where I found it. But the narrator addresses the reader as a grownup peer, and there is a lot for adults to enjoy in this story.

The protagonist September is twelve years old, and she is "ravished" from Omaha, Nebraska to Fairyland by a fellow named the Green Wind. Once there, she accumulates some loyal companions as she finds herself pitted against the Marquess, the despot currently ruling the realm.

There is a very explicit opening for sequels at the end of the tale, along with some rather surprising teases regarding unfinished business. We may take a breather, but I hope my daughter will be up for another of these later.
3 vote paradoxosalpha | May 4, 2015 |
This story was at times dark and all over wonderful. I am glad I took the time to read it and am eagerly anticipating the next chapter of the story. I must say I fell in love with all the characters, except maybe the Marquess, though after the revelations at the end I do feel for here. Fairyland is an exciting and sometimes scary world and I can't wait to go back.

Read With Me: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making ( )
  bookjunkie57 | Apr 17, 2015 |
This book is a delight, but some stage-setting before getting to specifics:

Like Lev Grossman’s The Magicians, this is a fantasy that is also a commentary on fantasy, a fairy tale that is also a commentary on fairy tales. Such works are more common now because the fantasy genre has a long enough history that, inevitably, current work is read to a significant extent in light of previous work. Cliche avoidance has become a major concern. Indeed, we are now in the second generation, at least, of cliches, in which the reactions against first-generation cliches have themselves become cliches. One example is the “sand-blasted with grit” approach, as one commentator put it, in which everyone says the F word a lot, rape and incest abound, elves become terminally depressed and drink themselves to death, etc. Another second-generation cliche, closely associated with the first, is the dark, conflicted anti-hero or sort-of-hero who has significant flaws. (Reviews of such works inevitably use the phrase “shades of gray.”) Another is the princess who feels stifled as a princess and wants to be a warrior or scholar. Typically the irony is leavened with a large measure of affection for the classics. I don’t think I’ve ever read such fantasy-commenting-on-fantasy that seemed spiteful in its intent.

One more prefatory point: Certain things are “cliches” because either they’re artistically sound (e.g., the protagonist’s achievement comes only after a struggle, otherwise there’s no dramatic tension) or because people like them (the good guys win in the end). People like the classic coming-of-age story because it involves struggle and because it’s everyone’s story (excepting people who are still living in their parents’ basement when they’re 35, I guess). People like to see a person confronted with a hard choice and, in the end, make the right choice. Also, there are only X basic plots, as we are often told, where X is typically a single-digit number. This unavoidably biases things in the direction of “cliches” (many of which might equally aptly be termed “eternal truths of the human soul”).

In this context comes Catherynne Valente’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (2009), a pleasurable and occasionally profound mezcla of classic fairy tale elements. At the start September, a 12-year-old girl, is whisked off to Fairyland by the Green Wind, the embodiment of a Harsh Air. He tells her, before bringing her to Fairyland, “Obviously, the eating or drinking of Fairy foodstuffs constitutes a binding contract to return at least once a year in accordance with seasonal myth cycles.” They pause at a border town where he explains, “Fairyland is an old place, and old things have strange hungers.” Accordingly, some of the requirements for entrance into Fairyland: Give something up. There must be blood. Tell a lie. Right here at the start, it is plain that Valente is pulling this stuff straight from some sort of fairy tale Well.

The book’s ancestors are both the ancient oral fairy tales and the written ones of relatively recent provenance like the Narnia books. In Fairyland September encounters dragons, witches, and marids. She frees someone from an evil queen’s prison. She learns that True Names contain great magical power; you must guard yours closely. In several cute little meta moments the author directly addresses the reader, a common occurrence in the written tales in Fairyland’s bloodline. She also occasionally addresses the reader indirectly, as when a dragon tells September, “[T]he geographical capital of Fairyland is fickle and has a rather short temper. I’m afraid the whole thing moves around according to the needs of narrative.”

A human can enter Fairyland as one of the Stumbled or one of the Ravished. For the Stumbled, think of Alice plummeting down the rabbit hole into Wonderland and Lucy wandering through the wardrobe into Narnia. The Ravished, in contrast, are taken to Fairyland by magical beings (e.g., the Wild Hunt, people made prisoner of faeries because they’ve eaten faery food, the abductions carried out by Susanna Clarke’s Gentleman in Green and Raven King). Brought to Fairyland by the Green Wind, September is technically one of the Ravished. This turns out to be important later.

Soon after arriving September learns that Fairyland is in the thrall of a powerful evil queen. Cliche? No. Yes, but… no. This is where things get thick, and events both do, and don’t, develop in ways you expect. September agrees to help some witches get their magical spoon back from the queen, who stole it. At that point her adventures become less meandering and more purposeful.

Valente creates some gorgeous moments. E.g., just arrived in Fairyland, September sees a signpost shaped as a four-armed woman. The arm pointing east says, To lose your way. The arm pointing north, To lose your life. The arm pointing south, To lose your mind. The arm pointing west, To lose your heart. September goes west. The narrator remarks,

You and I, being grown-up and having lost our hearts at least twice or thrice along the way, might shut our eyes and cry out, Not that way, child! But as we have said, September was Somewhat Heartless, and felt herself reasonably safe on that road. Children always do. … Behind her, the beautiful four-armed woman who pointed the way closed her eyes and shook her birch-wood head, rueful and knowing.

I won’t give away the ending, but Holy Crap it’s not what you expect. You will not see it coming.

Mostly this is a paean to fairy tales. If it were an academic monograph, the back of the book would say that it “Summarizes and extends the crucial research in the field.” What’s the fiction-ish equivalent of that? That’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.

(Review from my blog http://blog.thomasfleet.com.) ( )
5 vote TFleet | Mar 29, 2015 |
Showing 1-5 of 154 (next | show all)
I won’t lie. Some folks do NOT like this book, and I can understand why that is. For me, though, this is just one of the smarter juxtapositions of the fantastical with the tongue-twisted. Here you have an author who clearly enjoys writing. And if that enjoyment seeps through the page and into the reader’s perceptions, then here is a book that they’ll clearly enjoy reading. A true original and like nothing you’ve really ever seen before.
added by PhoenixFalls | editSchool Library Journal (Jun 1, 2011)
Told by an omniscient narrator who directly engages readers, the densely textured text deftly mixes and matches familiar fairytale elements, creating a world as bizarre and enchanting as any Wonderland or Oz and a heroine as curious, resourceful and brave as any Alice or Dorothy. Complex, rich and memorable.
added by melonbrawl | editKirkus Reviews (Apr 1, 2011)
The book's appeal is crystal clear from the outset: this is a kind of The Wonderful Wizard of Oz by way of Alice's Adventures in Wonderland, made vivid by Juan's Tenniel-inflected illustrations.
added by PhoenixFalls | editPublisher's Weekly (Mar 14, 2011)

» Add other authors

Author nameRoleType of authorWork?Status
Valente, Catherynne M.primary authorall editionsconfirmed
Juan, AnaIllustratorsecondary authorsome editionsconfirmed

Was inspired by

You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
Important places
Important events
Related movies
Awards and honors
For all those who walked this strange road with me,
and held out their hands when I faltered.
This is a ship of our own making.
First words
Chapter 1

Exeunt on a Leopard
In Which a Girl Named September Is Spirited Off by Means of a Leopard, Learns the Rules of Fairyland, and Solves a Puzzle

Once upon a time, a girl named September grew very tired indeed of her parents' house, where she washed the same pink-and-yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog.

One ought not judge: All children are heartless. They have not grown up yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one.

Hats have power. They can change you into someone else.

When one is traveling, everything looks brighter and lovelier. That does not mean it is brighter and lovelier; it just means that sweet, kindly home suffers in comparison to tarted-up foreign places with all their jewels on.

Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.
In September's world, many things began with pan. Pandemic, Pangaea, Panacea, Panoply. These were all big words, to be sure, but as has been said, September read often, and liked it best when words did not pretend to be simple, but put on their full armor and rode out with colors flying.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Publisher series
Original language

References to this work on external resources.

Wikipedia in English (1)

Book description
Twelve-year-old September lives in Omaha, and used to have an ordinary life, until her father went to war and her mother went to work. One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can retrieve a talisman the Marquess wants from the enchanted woods, and if she doesn’t . . . then the Marquess will make life impossible for the inhabitants of Fairyland. September is already making new friends, including a book-loving Wyvern and a mysterious boy named Saturday.

With exquisite illustrations by acclaimed artist Ana Juan, Fairyland lives up to the sensation it created when the author first posted it online. For readers of all ages who love the charm of Alice in Wonderland and the soul of The Golden Compass, here is a reading experience unto itself: unforgettable, and so very beautiful.

[retrieved from Amazon, 8/2/2012]
Haiku summary
Fairyland has rules.
Magical, but uncaring.
Like laws of physics.


No descriptions found.

(see all 2 descriptions)

Twelve-year-old September's ordinary life in Omaha turns to adventure when a Green Wind takes her to Fairyland to retrieve a talisman the new and fickle Marquess wants from the enchanted woods.

(summary from another edition)

» see all 7 descriptions

Quick Links

Swap Ebooks Audio
1 avail.
471 wanted
3 pay10 pay

Popular covers


Average: (4.18)
1 11
1.5 2
2 8
2.5 2
3 46
3.5 37
4 161
4.5 46
5 186


2 editions of this book were published by Audible.com.

See editions

Is this you?

Become a LibraryThing Author.


Help/FAQs | About | Privacy/Terms | Blog | Store | Contact | LibraryThing.com | APIs | WikiThing | Common Knowledge | Legacy Libraries | Early Reviewers | 97,892,178 books! | Top bar: Always visible