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Loading... WAR (edition 2010)by Sebastian Junger
Work detailsWAR by Sebastian Junger
For a long time, I put off reading Junger's book fearing it was another account of a deployment in Afghanistan or Iraq, but I was wrong. Junger follows a particular squad of infantry through a fifteen-month deployment in a contested area of Afghanistan to explore the meaning of war. This is a must-read book. ( )Stupendously brilliant and enlightening book. I understand the appeal of war much more now. It's nothing to do with altruism and everything to do with an uber-boy's club, guns and adrenaline. I understand men a lot more now too. This book should be required reading for the parents and girlfriends of the young men who have enlisted in the military. It isn't what anyone would actually want to hear - no one much cares about the political reasons for prosecuting the war, everyone likes firing guns at the enemy. It's like watching half a dozen nine year old boys with cap guns dodging around trees, throwing themselves on the ground, pretending to be dead, not capturing anyone, just shooting, and kids shouting out 'no fair' and getting shot anyway (here, all the other boys laugh). Its just like that, only ten years later and with real ammunition. War will never end when it provides thrills like that. The past year, I have read half a dozen books that have woven me through the Iraq war starting in 2003 (Nathaniel Fick's "One Bullet Away"; Evan Wright's "Generation Kill"), moving forward through 2004 and 2005 (Peter Mansoor's "Baghdad at Sunrise"; Donovan Campbell's "Jocker One") and ending with David Finkel's "The Good Soldiers" (the surge in 2007). Robert Baer's "The Devil We Know" provided a glimpse of Iran. Sebastian Junger's "War" has carried me into Afghanistan starting in 2007 and ending in 2008. The authors have either been engaged soldiers like Fick, Campbell and Mansoor or embedded journalists like Wright, Finkel and Junger. Karl Matterhorn in his Vietnam saga, "Matterhorn," describes the soldiers: "From the skipper right on down, they all wore the same filthy tattered camouflage....All of them were too thin, too young, and too exhausted. They all talked the same, too, saying fuck, or some adjective, noun, or adverb with fuck in it, every four words." From Nathaniel Fick though Junger, the same description would seem to survive into Iraq and Afghanistan. Culturally untutored youth serving under constant life-threatening danger from other untutored youth. "The more things change the more they stay the same." Junger's book is not as consistently effective as Finkel's work, but it is well ahead of most of the other war narratives that I've read at this point. Except for Brendan O'Byrne, Junger's soldiers are not as three dimensional as I would have expected from the author. Junger interjects himself far too frequently in the actual chronicle of the Second Platoon's time in the Korengal Valley. But he does deal convincingly with the external and internal forces that keep the young men engaged in the heat of armed conflict. And he captures the tensions of that conflict well, too, adding reconfirming tones to Campbell and Finkel. In that respect, his soldiers echo those in the movie, "The Hurt Locker" with the lead soldiers re-enlisting, narcoticly, for another tour or the earlier "Black Hawk Down" that dramatized the cohesiveness--the love, as Junger's third chapter is entitled-- of the soldiers one for the other. Modern war as it is. A world so wholly alien to us in civilian life, but perhaps now we have a glimpse of what drives these men, and the intense way of life they endure. Sebastian Junger's War is a depiction of the lives of a group of men in the US military, specifically, 2nd Platoon, Battle Company of 173rd Airborne Brigade and their subsequent deployment to the Korengal Valley in eastern Afghanistan. This a sliver of valley at the base of the desolate, rough and unforgiving Hindu Kush mountains. The books focus is mainly on the men of Battle Company and not the larger war effort in greater Afghanistan. It paints a picture that the men don't really care one way or the other in terms of the reasons for the war beyond survival of their platoon. It also focuses on the life, fear and courage of the men; "In some ways twenty minutes of combat is more life than you could scrape together in a lifetime of doing something else. Combat isn't where you might die - though that does happen - it's where you find out whether you get to keep living." Contrary to what Hollywood films would have people believe it also paints a vivid picture of the ups and downs faced by the men where, in the absence of regular life, risk is sought. One such example is a particular summer near the end of Battle Company's deployment it's noted "With summer come the twin afflictions of heat and boredom. A poor wheat harvest creates a temporary food shortage in the valley, which means the enemy has no surplus cash with which to buy ammo. Attacks drop to every week or two - not nearly enough to make up for the general [crappiness] of the place" I would say it fairly shows the motivations and fears of the men, and war in general whilst also addressing that the apparent lack of humanity (cheering at the death of an enemy) is in fact humanity as it's not cheering at the death of an enemy, but cheering that an enemy can no longer cause any further deaths of your comrades.
As with The Perfect Storm, Junger's 1997 best seller about a fishing boat disaster, it blends the specific and general. A sweeping picture emerges from a mosaic of close-ups. ... His account may not convert supporters or opponents of the war, but it should fuel doubts on both sides and anyone in between. At its best, War vividly documents the individual costs, which, he argues, need to be acknowledged ... With his narrative gifts and vivid prose -- as free, thank God, of literary posturing as it is of war-correspondent chest-thumping -- Junger masterfully chronicles the platoon's 15-month tour of duty. But what elevates "War" out of its particular time and place are the author's meditations on the minds and emotions of the soldiers with whom he has shared hardships, dangers and spells of boredom so intense that everyone sits around wishing to hell something would happen (and wishes to God it was over when, inevitably, it does). Sebastian Junger, a contributing editor at Vanity Fair and the author of “The Perfect Storm,” spent months shadowing an American infantry platoon deployed in the valley between 2007 and 2008. The result is “War,” his absorbing and original if sometimes uneven account of his time there. ... He uses the platoon (the second of Battle Company, part of the 173rd Airborne Brigade) as a kind of laboratory to examine the human condition as it evolved under the extraordinary circumstances in which these soldiers fought and lived. And what a laboratory it is. ... ...Junger uses the soldiers' experiences to briefly explore several asides that help illustrate their lives on the front lines of war. We learn about the treatment of wounds by combat medics, the numerous studies done by the Army and others during the past several decades to understand how soldiers function under fire, the glue of brotherhood — and it is nothing less than love — that gives fighting units courage and holds them together, the toll that "the steady adrenaline of heavy combat" takes on some soldiers. These asides broaden a narrative that otherwise is so tightly focused that any larger view of the war in Afghanistan goes unmentioned. Then again, as Junger writes, "The moral basis of the war doesn't seem to interest soldiers much, and its long-term success or failure has a relevance of almost zero u2026 they generally leave the big picture to others."...
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