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Loading... On Beautyby Zadie Smith
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will love Sign up for LibraryThing to find out whether you'll like this book. A searing academic satire, as well as a wholly 21st century racial/political comedy of manners. Like in White Teeth, Zadie Smith again proves her pitch-perfect ear for dialogue across all cultures. Not quite as laugh-out-loud funny as White Teeth, but very clever. Overall, it's a far more sedate book and has less spark than her first novel. And yet it still gets 5 stars, so what does that say about White Teeth? (  ) RachelWeaver | Nov 20, 2009 |  A well-written and nicely structured glimpse into two academic families. Entertaining and intelligent. ( ) checkadawson | Nov 3, 2009 | Whenever I review a book, I feel a need to at least briefly sum up the plot. It's hard to decide if one might want to read something without even knowing vaguely what it's about. Unfortunately, I'm having a bit of a tough time with this one. See, this book is about family and infidelity and race relations and Haiti and Britain and New England and intellectualism and hip hop and poetry and more. The main characters are the Belseys: white British art history professor Howard, his black American wife Kiki, and his three very different children. Jerome is experimenting with Christianity and conservatism, Zora is an insatiable intellectual, and Levi is struggling to discover what it means to be black. My favorite character by far was Kiki. She was warm and friendly without being a doormat for her idiot husband. (Yeah, I didn't have a whole lot of sympathy for Howard.) The story itself was interesting, more or less covering one turbulent year in the lives of the Belseys. Unfortunately, once it reached the (rather predictable) climax, there was a big time skip, followed by a sort of lackluster coda, like the author ran out of steam. I don't need tidy endings with everything all neatly tied up, but I would have liked a little more detail on what happened between the Big Drama and the fizzle of a conclusion. If you're the sort of person who likes reading page by page, enjoying the sensation of being in someone else's life, you'll probably enjoy this one. The characters are realistic and recognizable. Personally, I like books that go somewhere, where at the end I can tell why the author felt a desire to tell that particular story. This one left me a little disappointed. (  ) melydia | Oct 28, 2009 | I keep thinking about this book, long after I've finished it. (  ) alissamarie | Oct 25, 2009 | I keep thinking about this book, long after I've finished it. ( ) alissamarie | Oct 25, 2009 |  no reviews | add a review
Amazon.com (ISBN 0143037749, Paperback)In an author's note at the end of On Beauty, Zadie Smith writes: "My largest structural debt should be obvious to any E.M. Forster fan; suffice it to say he gave me a classy old frame, which I covered with new material as best I could." If it is true that imitation is the sincerest form of flattery, Forster, perched on a cloud somewhere, should be all puffed up with pride. His disciple has taken Howards End, that marvelous tale of class difference, and upped the ante by adding race, politics, and gender. The end result is a story for the 21st century, told with a perfect ear for everything: gangsta street talk; academic posturing, both British and American; down-home black Floridian straight talk; and sassy, profane kids, both black and white.Howard Belsey is a middle-class white liberal Englishman teaching abroad at Wellington, a thinly disguised version of one of the Ivies. He is a Rembrandt scholar who can't finish his book and a recent adulterer whose marriage is now on the slippery slope to disaster. His wife, Kiki, a black Floridian, is a warm, generous, competent wife, mother, and medical worker. Their children are Jerome, disgusted by his father's behavior, Zora, Wellington sophomore firebrand feminist and Levi, eager to be taken for a "homey," complete with baggy pants, hoodies and the ever-present iPod. This family has no secrets--at least not for long. They talk about everything, appropriate to the occasion or not. And, there is plenty to talk about. The other half of the story is that of the Kipps family: Monty, stiff, wealthy ultra-conservative vocal Christian and Rembrandt scholar, whose book has been published. His wife Carlene is always slightly out of focus, and that's the way she wants it. She wafts over all proceedings, never really connecting with anyone. That seems to be endemic in the Kipps household. Son Michael is a bit of a Monty clone and daughter Victoria is not at all what Daddy thinks she is. Indeed, Forster's advice, "Only connect," is lost on this group. The two academics have long been rivals, detesting each other's politics and disagreeing about Rembrandt. They are thrown into further conflict when Jerome leaves Wellington to get away from the discovery of his father's affair, lands on the Kipps' doorstep, falls for Victoria and mistakes what he has going with her for love. Howard makes it worse by trying to fix it. Then, Kipps is granted a visiting professorship at Wellington and the whole family arrives in Massachusetts. From this raw material, Smith has fashioned a superb book, her best to date. She has interwoven class, race, and gender and taken everyone prisoner. Her even-handed renditions of liberal and/or conservative mouthings are insightful, often hilarious, and damning to all. She has a great time exposing everyone's clay feet. This author is a young woman cynical beyond her years, and we are all richer for it. --Valerie Ryan (retrieved from Amazon Fri, 24 Apr 2009 07:58:08 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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