HomeGroupsTalkZeitgeist
Happy Holidays! The 12 Days of LT scavenger hunt is going on. Can you solve the clues?
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

On Beauty by Zadie Smith
Loading...

On Beauty (2005)

by Zadie Smith

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
7,934193642 (3.64)1 / 512
  1. 51
    Howards End by E. M. Forster (GCPLreader)
    GCPLreader: Read the novel that On Beauty pays homage to.
  2. 00
    Foreign Affairs by Alison Lurie (withwill)
  3. 01
    Dear Committee Members by Julie Schumacher (charl08)
    charl08: One a more 'traditional' campus novel, perhaps, but similar themes re English literature as taught at US colleges.
  4. 02
    The Marriage Plot: A Novel by Jeffrey Eugenides (BookshelfMonstrosity)
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

English (184)  Dutch (4)  Hebrew (2)  French (1)  Swedish (1)  Norwegian (1)  All languages (193)
Showing 1-5 of 184 (next | show all)
I really enjoyed this book. At first, there are far too many characters to get to know but it settles down into a tale of two families and how their lives are intertwined. ( )
  CharlotteBurt | Nov 24, 2018 |
Recommended by someone who lived WhiteTeeth.
  ioplibrarian | Aug 26, 2018 |
Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering professor at Wellington, a liberal New England arts college. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.

Then Jerome, Howard's older son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps, and the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register. An infidelity, a death, and a legacy set in motion a chain of events that sees all parties forced to examine the unarticulated assumptions which underpin their lives. How do you choose the work on which to spend your life? Why do you love the people you love? Do you really believe what you claim to? And what is the beautiful thing, and how far will you go to get it?

Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.
  JESGalway | May 2, 2018 |
This was my first novel by Zadie Smith and I found it very enjoyable and really easy to get into. I will be grabbing White Teeth as soon as possible. ( )
  ChelleBearss | Mar 10, 2018 |
This novel is illuminated throughout with glorious, deep, sparkling prose, but I didn't "like the tomato." Most of the characters were unlikable and the plot somewhat unbelievable. What was supposed to be a satire of academia just seemed ridiculous in places; it's a stretch of the imagination to believe that a professor could get an archivist's position created just to placate an unqualified undergraduate who might make trouble, and that the university would both approve such a thing and let an undergrad fill it without doing a search for, oh, I don't know, somebody with at least a master's in library and information science. For all of the focus on race and social justice in the book, I found it disappointing that a plus-size character, one of the only sympathetic ones in the story, was so often reduced to her size. The rambling details of the plot also took far too long to relate to each other. This is the kind of work you read if you want to study writing, but not necessarily if you want to enjoy it. ( )
  quaintlittlehead | Sep 9, 2017 |
Showing 1-5 of 184 (next | show all)
On Beauty" is that rare comic novel about the divisive cultural politics of the new century likely to amuse readers on the right as much as those on the left. (Not that they'll necessarily be laughing in the same places.) Yet Smith is up to more as well: she wants to rise above the fray even as she wallows in it, to hit a high note of idealism rather than sink into the general despair. How radical can you be? Blame it on her youth.
 
Beautifully observed details of clothing, weather, cityscapes and the bustling human background of drivers, shoppers and passers-by are constantly being folded into the central flow of thought, feeling and action, giving even the most mundane moments - Levi riding a bus into Boston, Howard setting up a projector - a dense, pulsing life.
 
On Beauty is quieter. There is a complicated story making up by richness of implication what it lacks in exuberance. The culture of the Boston campus is set among the other cultures such a city harbours. Carl, the outsider who enters the story because of the muddle at the concert, is far from being a replica of Leonard Bast. He’s an exponent of rap culture – and it is a culture, unlike Bast’s pathetic aspirations. The power of his rap has to be explained, and indeed the author intervenes personally to endorse it: ‘the present-day American poets, the rappers’. The mufflered pink-cheeked charm of a New England campus in winter is very agreeably rendered. The row between Professor Belsey and Kiki when she finds out he’s been cheating is as deft as anybody could make it, he with his stumbling, evasive academic dialect and she with her ‘personal’ language and naturally inflexible notions of fidelity and honour.

In a late scene Kiki is sorting out her children’s accumulated belongings. As she is carrying two bags of her elder son’s ‘pre-growth-spurt clothes’, we are told:

Last year, she had not thought she would still be in this house, in this marriage, come spring. But here she was, here she was. A tear in the garbage bag freed three pairs of pants and a sweater. Kiki crouched to pick these up and, as she did so, the second bag split too. She had packed them too heavy. The greatest lie ever told about love is that it sets you free.

What makes this passage brilliant is that the sententia at the end, though it may be true, is somehow made ironical because it is Kiki, there among all the random evidence of her love, who is uttering it, and not some cheat, some intellectual, some person of recognised authority. She is the measure of Zadie Smith’s powers at 30, Forster’s age when he published Howards End.
 

» Add other authors (13 possible)

Author nameRoleType of authorWork?Status
Zadie Smithprimary authorall editionscalculated
Eggermont, MoniqueTranslatorsecondary authorsome editionsconfirmed
Pouwels, KittyTranslatorsecondary authorsome editionsconfirmed

Is a retelling of

You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
We refuse to b each other. H.J.Blackham
Dedication
For my dear Laird.
First words
One may as well begin with Jerome's e-mails to his father.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Publisher series
Original language
Information from the Dutch Common Knowledge. Edit to localize it to your language.
Canonical DDC/MDS

References to this work on external resources.

Wikipedia in English (1)

Book description
En grotesk og morsom beretning om fjendskabet mellem to kunsthistorikere. Om universitetsliv, om kærlighed og sex og om at blive voksen.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0143037749, Paperback)

In an author's note at the end of On Beauty, Zadie Smith writes: "My largest structural debt should be obvious to any E.M. Forster fan; suffice it to say he gave me a classy old frame, which I covered with new material as best I could." If it is true that imitation is the sincerest form of flattery, Forster, perched on a cloud somewhere, should be all puffed up with pride. His disciple has taken Howards End, that marvelous tale of class difference, and upped the ante by adding race, politics, and gender. The end result is a story for the 21st century, told with a perfect ear for everything: gangsta street talk; academic posturing, both British and American; down-home black Floridian straight talk; and sassy, profane kids, both black and white.

Howard Belsey is a middle-class white liberal Englishman teaching abroad at Wellington, a thinly disguised version of one of the Ivies. He is a Rembrandt scholar who can't finish his book and a recent adulterer whose marriage is now on the slippery slope to disaster. His wife, Kiki, a black Floridian, is a warm, generous, competent wife, mother, and medical worker. Their children are Jerome, disgusted by his father's behavior, Zora, Wellington sophomore firebrand feminist and Levi, eager to be taken for a "homey," complete with baggy pants, hoodies and the ever-present iPod. This family has no secrets--at least not for long. They talk about everything, appropriate to the occasion or not. And, there is plenty to talk about.

The other half of the story is that of the Kipps family: Monty, stiff, wealthy ultra-conservative vocal Christian and Rembrandt scholar, whose book has been published. His wife Carlene is always slightly out of focus, and that's the way she wants it. She wafts over all proceedings, never really connecting with anyone. That seems to be endemic in the Kipps household. Son Michael is a bit of a Monty clone and daughter Victoria is not at all what Daddy thinks she is. Indeed, Forster's advice, "Only connect," is lost on this group.

The two academics have long been rivals, detesting each other's politics and disagreeing about Rembrandt. They are thrown into further conflict when Jerome leaves Wellington to get away from the discovery of his father's affair, lands on the Kipps' doorstep, falls for Victoria and mistakes what he has going with her for love. Howard makes it worse by trying to fix it. Then, Kipps is granted a visiting professorship at Wellington and the whole family arrives in Massachusetts.

From this raw material, Smith has fashioned a superb book, her best to date. She has interwoven class, race, and gender and taken everyone prisoner. Her even-handed renditions of liberal and/or conservative mouthings are insightful, often hilarious, and damning to all. She has a great time exposing everyone's clay feet. This author is a young woman cynical beyond her years, and we are all richer for it. --Valerie Ryan

(retrieved from Amazon Thu, 12 Mar 2015 18:21:49 -0400)

(see all 6 descriptions)

Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long-suffering Professor at Wellington College in New England. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths, and faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Then Jerome, Howard's oldest son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps. Increasingly, the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register...… (more)

» see all 5 descriptions

Quick Links

Popular covers

Rating

Average: (3.64)
0.5 9
1 44
1.5 12
2 138
2.5 34
3 504
3.5 159
4 701
4.5 85
5 332

Penguin Australia

An edition of this book was published by Penguin Australia.

» Publisher information page

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 130,803,217 books! | Top bar: Always visible