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Sartoris by William Faulkner
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Sartoris (original 1929; edition 1956)

by William Faulkner

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618437,877 (3.73)108
El propio William Faulkner recomendaba esta novela como aquella por la que deb#65533;a empezar quien se acercara por primera vez a su obra. #65533;He concebido la historia entera como un rel#65533;mpago que iluminase de golpe un paisaje#65533;, declar#65533;. En Sartoris, Faulkner disecciona una clase social en decadencia a partir de una familia heredera de las tradiciones aristocr#65533;ticas del Sur. ENGLISH DESCRIPTION The specter of an heroic past is ever present in SARTORIS, casting its ironic light upon the novel's protagonists. Heirs to the aristocratic traditions of the Old South, they have been left with only romantic rhetoric, pride, and self-pity to face a world that no longer mirrors their self-image. Bayard Sartoris seeks refuge in compulsive acts of physical courage; Horace Benbow, in a bloodless aestheticism; and Narcissa Benbow, in a desperate clinging to appearances. But for them there is to be no escape--only ultimate futility, whether in the form of violent self-destruction, or a living death in a fragile world of dreams. A brilliant dissection of a decaying social class, and a vivid evocation of both the physical landscape and psychological climate of the South, SARTORIS introduces many of the key themes, places, and characters of the Faulkner canon. By itself, it stands as his first memorable projection of a vision that, as lawrance Thompson writes, "recognizes the inseparability of human weaknesses and strengths, of positives and negatives, of good and evil...what [Faulkner] later called 'the problems of the human heart in conflict with itself.' "… (more)
Member:MHelm1017
Title:Sartoris
Authors:William Faulkner
Info:Random House (1956), Edition: 1st, Hardcover, 380 pages
Collections:Fiction, Read but unowned
Rating:****
Tags:racial relations, South, early twentieth century, World War I, society, community

Work Information

Sartoris by William Faulkner (1929)

  1. 10
    Flags in the Dust by William Faulkner (Cecrow)
    Cecrow: The 1929 edition of Sartoris is an abridged version of Faulkner's original work. The full text was published in 1973 as Flags in the Dust.
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Showing 2 of 2
This book is full of humor, despair, confusing interpersonal interactions, the casually accepted racism of the early-20th-century South, and really vigorous, gorgeous (if sometimes kind of adjectival and adverby) prose. The Sartoris men are insufferable (and cyclically so), Miss Jenny a hoot, Narcissa and Horace mostly puzzling, and Simon and family caricaturish and problematically delightful. Favorite bits include Old Bayard's trip to the Memphis doctor for his wen, Thanksgiving with Loosh, and the gut-punch of young Bayard's visit to the MacCallums. The Snopes side plot is kind of weird and seems like maybe it should have been cut along with the other stuff that was cut as this book transformed from the unpublishable Flags in the Dust into Sartoris. On the whole a really enjoyable read thanks to some of the memorable characters and the way the words are strung together. ( )
  dllh | Jan 6, 2021 |
Sartoris is the first novel Faulkner located in Yoknapatawpha County where he would go on to set fourteen more novels. In it he introduces the Sartoris family but the Snopes are also present in this early novel. It seems that he began to find his own voice in this novel, improving over his two earlier offerings (Soldiers' Pay and Mosquitoes).
He tells the story of a Southern family of the 'romantic' type, exhibiting chivalry and courage in a haughty and sometimes vain style. Bayard the younger, his grandfather is also a Bayard, comes home after the Great War and succeeds in demonstrating a recklessness that is more in tune with the times than traditional Sartoris family life is comfortable with. Thus there is the tension between tradition and modernity that permeates the novel. Faulkner's inimitable prose style is beginning to emerge and there are paragraphs of pure poetry in prose. Though not so many as would appear in works following. The combination of story and soul, action and intimations of the future provides a satisfying introduction to the South as seen from a porch in Yoknapatawpha County. ( )
  jwhenderson | Apr 22, 2013 |
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» Add other authors (11 possible)

Author nameRoleType of authorWork?Status
William Faulknerprimary authorall editionscalculated
Avati, JamesCover artistsecondary authorsome editionsconfirmed
Cantwell, RobertIntroductionsecondary authorsome editionsconfirmed
Guidall, GeorgeNarratorsecondary authorsome editionsconfirmed
Hill, JamesCover artistsecondary authorsome editionsconfirmed
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To Sherwood Anderson
through whose kindness
I was first published, with the belief
that this book will give him no reason
to regret that fact
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As usual, old man Falls had brought John Sartoris into the room with him, had walked the three miles in from the county Poor Farm, fetching, like an odor, like the clean dusty smell of his faded overalls, the spirit of the dead man into that room where the dead man's son sat..."
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El propio William Faulkner recomendaba esta novela como aquella por la que deb#65533;a empezar quien se acercara por primera vez a su obra. #65533;He concebido la historia entera como un rel#65533;mpago que iluminase de golpe un paisaje#65533;, declar#65533;. En Sartoris, Faulkner disecciona una clase social en decadencia a partir de una familia heredera de las tradiciones aristocr#65533;ticas del Sur. ENGLISH DESCRIPTION The specter of an heroic past is ever present in SARTORIS, casting its ironic light upon the novel's protagonists. Heirs to the aristocratic traditions of the Old South, they have been left with only romantic rhetoric, pride, and self-pity to face a world that no longer mirrors their self-image. Bayard Sartoris seeks refuge in compulsive acts of physical courage; Horace Benbow, in a bloodless aestheticism; and Narcissa Benbow, in a desperate clinging to appearances. But for them there is to be no escape--only ultimate futility, whether in the form of violent self-destruction, or a living death in a fragile world of dreams. A brilliant dissection of a decaying social class, and a vivid evocation of both the physical landscape and psychological climate of the South, SARTORIS introduces many of the key themes, places, and characters of the Faulkner canon. By itself, it stands as his first memorable projection of a vision that, as lawrance Thompson writes, "recognizes the inseparability of human weaknesses and strengths, of positives and negatives, of good and evil...what [Faulkner] later called 'the problems of the human heart in conflict with itself.' "

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