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Little Star: A Novel by John Ajvide…
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Little Star: A Novel (original 2010; edition 2012)

by John Ajvide Lindqvist

MembersReviewsPopularityAverage ratingMentions
5362945,140 (3.51)15
Rescuing and raising an abandoned baby girl in the woods, a man enters the child in a singing competition when she develops an astonishingly beautiful voice, a performance that leads to the girl's encounter with another youngster with whom she triggers a horrifying force.
Member:BeckyWalton
Title:Little Star: A Novel
Authors:John Ajvide Lindqvist
Info:Thomas Dunne Books (2012), Hardcover, 544 pages
Collections:Your library
Rating:***
Tags:horror fiction, foundling, music, girls, teenagers, fans, revenge

Work Information

Little Star by John Ajvide Lindqvist (2010)

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» See also 15 mentions

English (26)  Swedish (2)  Danish (1)  All languages (29)
Showing 1-5 of 26 (next | show all)
Yikes. A descent into madness for the entire family! ( )
  rabbit-stew | Dec 31, 2023 |
I can’t believe it took me two weeks to finish this book, I gotta get back on top of my reading. And it wasn’t because it was bad, I just didn’t have the time or energy to read for some reason. Though had the book been amazing maybe that would’ve helped.

I mean, I enjoyed it, but … now that I’m finished with it I don’t know what it was trying to say to me. There were some supernatural elements in it but they were not explored at all and in a way maybe the book would’ve been better without them? Or maybe they weren’t there at all? I don’t know, honestly.

Since the characters were born just a few years after me I enjoyed reading about their online life, because it made me nostalgic for when I was growing up. I also really liked the friendship between the two girls for the same reason.

However the parts at Skansen (both the first page and the ending) just seemed over-the-top to me and there was a bit too much from the perspective of a pedophile for me to really praise this. ( )
  upontheforemostship | Feb 22, 2023 |
Absolute buckets of blood and creepiness. ( )
  jollyavis | Dec 14, 2021 |
Um.

The reviewers on the jacket would have you believe that John Ajvide Lindqvist is Sweden's Stephen King, and that may be so -- if King's Swedish editions are translated so poorly that large chunks of the book go by with nothing happening. (It is certainly true that they both could benefit from an undaunted editor.)

In a brutally small nutshell: Angst-y and mentally disturbed 14-year-old girls love music, feel alienated, want to kill people, and do. With drills and without the benefit of reader empathy. The End.

The only place this reader (who read this for work, or else would have abandoned it) truly felt cheered was on the final page, when it is strongly hinted that the girls are devoured by wolves.

Sorry. I thought it sucked. ( )
  FinallyJones | Nov 17, 2021 |
I am going to keep this short and sweet. I am honestly baffled how this made the top 20 list of scariest books out there. I was torn between boredom for a good 1/3 of this book and then just straight up baffled by the time I got to the end.

This story starts out with a man who finds a baby that is left for dead in a hole in plastic in the woods (did you follow that whole thing). Now don't think that you are going to find out why the baby was put there. Or even the backstory to the baby. Instead the book goes into the past of the man who finds the baby (Lennart) and his anger at his wife (Laila) and the disappointment with his son (Jerry). We find out Lennart and Laila were a rising singing duo in Sweden before they failed to make the charts on their newest song.

Lennart is just..I don't even know. I got the sense he felt his whole life was him being wronged and he lashed out at everyone around him. So for him to find a baby and think that keeping it in the basement where he would let no one around it and he would only teach her music that was "pure" because he realized that the baby had a special ability to sing perfectly (also how the hell do newborns or thereabouts sing?) was his ticket to something. I don't know.

I actually did like Laila a bit better than Lennart. I guess I was more confused about what made her stay. She went from one extreme to the other in the book.

Jerry I felt indifferent towards until things picked up after the halfway point.

We also have the baby which is called Little One, Theres and then Tesla as she grows. Don't think reading this book is going to give you any insights into her. I really don't get what she is supposed to be (some type of vampire, ghoul, etc.?)

The book then shifts other to following the family of a newborn girl named Theresa. We have Theresa who does not fit in with her family, who is okay with that after she meets a boy named Johannes. Theresa and Johannes are able to fill each other up in a way there home life does not allow. Until one day Theresa finds she is left behind and feels more apart, until she sees a girl singing on the show "Idol".

There is just so much going on here that I can't really unpack. I think that breaking up the book into so many different sections that had us following Theres, then Theresa, then Jerry, then Theresa, etc didn't help matters any.

We also have so many other characters in this book it was hard to track them all. I ended up really hating Theresa more than Theres though by the end of this book. At least you could excuse Theres for having a really messed up mindset towards big people (adults), but Theresa did not have that excuse. Her final act before going along with a plan thought up by Theres actually ticked me off.

The writing just turned me off halfway through, it was just gruesome after a while and reading how other people were murdering/hurting others just made me a bit sick.

The flow was off. I think it's because there was so much time spent on setting up the backstories to these girls and we stay focused on people who in the end didn't matter to the main story at all (or at least I didn't think they mattered) I found myself bored.

I would have just DNFed it, if it wasn't on one of my must read lists. ( )
  ObsidianBlue | Jul 1, 2020 |
Showing 1-5 of 26 (next | show all)
John Ajvide Lindqvist har för tillfället lämnat hembygdshorror och förortsvampyrer bakom sig. Han har denna gång skrivit en mörkare bok.
 
Ajvide Lindqvist är djävulskt skicklig på att låta det förfärliga liksom explodera innanför det normala. Han gör ondskan så oladdad och konkret.
added by andejons | editAftonbladet, Pia Bergström (May 18, 2010)
 
I den bloddrypande och förtvivlade slutscenen framstår romanen därför till slut som en både mer uppgiven, uppriktig och dovare variation av föregångarens grundackord. Men också som nyktrare i sin gestaltning av utanförskap, mindre romantisk.
added by andejons | editExpressen, Johan Hilton (May 18, 2010)
 
Romanens styrka är skildringen av flickornas ensamhet och utsatthet. Men som helhet har romanen flera allvarliga brister.
 
John Ajvide Lindqvist parar ihop två tonårstjejer och låter på typiskt sätt det vardagliga svenska möta det oförklarligt aparta.
added by andejons | editDagens Nyheter, Jonas Thente (May 18, 2010)
 

» Add other authors (2 possible)

Author nameRoleType of authorWork?Status
John Ajvide Lindqvistprimary authorall editionscalculated
Delargy, MarlaineTranslatorsecondary authorsome editionsconfirmed
Henning J. GundersenTranslatorsecondary authorsome editionsconfirmed
Sybesma, EdithTranslatorsecondary authorsome editionsconfirmed
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Alla människor heter egentligen något annat
Dedication
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Solliden, Skansen.
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(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (1)

Rescuing and raising an abandoned baby girl in the woods, a man enters the child in a singing competition when she develops an astonishingly beautiful voice, a performance that leads to the girl's encounter with another youngster with whom she triggers a horrifying force.

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Book description
Lennart Cederström was walking in the forest when he saw it. A baby girl lying in a plastic bag.

Horrified, he rushed to give her the kiss of life. But what happened next changed his life forever. Her first breath was something astonishing — a perfect musical note. For an aging singer, this incredible chile was irresistible, and Lennart could only hurry her home and take her into his care.

Fearing the watchful eyes of the authorities, Lennart decided to hide his foundling daughter from view. So he and his wife kept her in their basement.

Was what she became Lennart's fault for choosing to hide her? Did the person who abandoned her in the woods know something terrible lay in her future? Or was it just a trick of fate to turn the little star into the most terrifying thing imaginable?

In this, John Ajvide Lindqvist's fourth masterpiece, he effortlessly ratchets up the tension until the story reaches its terrible conclusion. In so doing, he confirms his place as the undisputed new king of horror.

-----------------------------------

One autumn day in 1992, former pop singer Lennart Cederström finds something unexpected in the forest — a baby girl in a plastic bag, partially buried. He gives her the kiss of life, and her first cry astounds him; it is a clear, pure musical note. He takes her to his wife and persuades her that they should keep this remarkable child.

But the baby becomes a strange girl, made more unusual by their decision to hide her in their basement to keep her from the prying eyes of government departments. When she reaches puberty, a terrifying scene sees her kill both her parents.

When her scheming adopted brother returns to find her over their bodies, he seizes the opportunity and enters her into an X Factor-style talent competition. She quickly becomes famous. In spite of this, she remains very lonely, until she befriends another damaged girl on the internet. They form a powerful bond and soon create a growing gang of other disgruntled girls and, calling themselves the Wolves, they set out to take revenge for all they've ever suffered.

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