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Loading... Le Pingouin (original 1996; edition 2004)by Andreï Kourkov, Andreï Kourkov (Auteur), Nathalie Amargier (Traduction)
Work detailsDeath and the Penguin by Andrey Kurkov (1996)
Amusing little book, but I'm not quite sure what to make of it. According to other reviews, it is a very accurate picture of contemporary life in the Ukraine. Interesting. I can't imagine calling the local PD to come around and care for my pets whenever I am out of town...while there is a spot of mystery, there is not much (satisfactory) resolution. Perhaps the second installment will shed more light...all that said, I still thoroughly enjoyed it and will definitely pick up the next in the series at some point. ( )An intriguing and weird story set in a bleak post communist Ukraine in which everyone appears to have lost their moral compass. The sparse style sucks you in- a modern classic with a twist in the tale A down-and-out writer living with his pet penguin in 1999 Kiev lands a job writing obituaries of "notables" who haven't died yet. It seems a strange commission, but he enjoys his new job until his co-workers are found taking sudden unplanned "hiatuses" in panic-stricken circumstances, and he is forced to take unplanned holiday "for his own safety" without any deeper explanation. Sensing that his job is linked to a larger cause, and because of his editor's comments that they are "fighting the good fight", he asks his editor, "what is the point of my work?" The reply he gets is chilling. "Bear in mind this: the moment you are told what the point of your work is, you're dead. This isn't a film; this is for real." This black comedy asks some hard questions about the belief in "good" and the evils that are done in its name. A perfectly-crafted, intricate book which I would recommend to anyone who likes black comedies and books that make them think. Great. Read it; you'll like it. You'll especially like it if you like short chapters. Not really clear on just what it was about, but is was so "me". Have given up the idea of learning Russian, wintering in Minsk (Minsk has nothing to do with the novel, but "wintering" there sounds so attractive.) and drinking tea until dawn. Guess I'm too practical to meet people as easily as the characters meet and to get along as pleasantly. A very strange, yet strangely compelling, story. Viktor is an aspiring writer living alone with a penguin he rescued from a closing zoo. A newspaper hires him to write obituaries for people who aren't dead yet. He slowly comes to realize that he is actually writing death-warrants. Through the whole book, Victor doesn't have much choice but to go with the flow. He suspects that he is involved in organized crime, yet he isn't allowed to know much about what's going on. He finds himself raising a child and living with a woman in a strange fake family. He contemplates trying to change things, but change could be dangerous to him or those around him, and besides, he's being paid well. Just like Viktor, the reader is drawn along by events, never certain about where they're going or why they're happening, but the story is compelling and interesting, so you want to know what's going to happen next.
What they might approximate for the curious reader, however, is what it’s like to sit for a long late evening with a genial and gifted storyteller as he leads you through the most ancient and, in many ways, still most pleasurable functions of literature — making us wonder what on earth is going to happen next. The novel's hero, Viktor Zolotaryov, is a frustrated writer whose short stories are too short and too sensation-free to be published. When a newspaper editor offers him a new job as star obituarist, paying $300 a month to write 'snappy, pithy, way-out' pieces, he agrees. His brief is to select powerful figures from Ukrainian high society and prepare mournful articles in readiness for the possibility that they might suddenly die. But then the unexpected death of a senior politician after falling from a sixth-floor window triggers a clan war of killings and Viktor's obituaries are suddenly in demand. It is only later, when he discovers that his pieces are neatly filed in the editor's office - marked with dates for imminent publication although their subjects remain alive - that he becomes uncomfortable about his role in the eruption of violence unsettling the city. The obituarist assumes a pragmatic approach to the uneasy morality of his work - accepting the money and getting on with it. This approach is one which Kurkov believes many Ukrainians have been forced to adopt, and his book is free of any censure for the way characters behave. 'People have got used to the corruption. People here are flexible and they accept the new rules and don't dwell on moral questions. They just watch what everyone else is doing and try to find their own ways of deceiving others to make money for themselves to survive,' he says. Viktor's blossoming career is watched with melancholic disapproval by the gloomy figure of his pet penguin, Misha, adopted a few months earlier from the impoverished city zoo. In the cynical atmosphere of post-communist Kiev, the penguin is the only being which inspires in Viktor real affection. The silent, sad penguin is the key to understanding the novel as a portrayal of post-Soviet chaos, says Kurkov. 'The penguin is a collective animal who is at a loss when he is alone. In the Antarctic, they live in huge groups and all their movements are programmed in their brains so that they follow one another. When you take one away from the others he is lost. 'This is what happened to the Soviet people who were collective animals - used to being helped by one another. With the collapse of the Soviet Union suddenly they found themselves alone, no longer felt protected by their neighbours, in a completely unfamiliar situation where they couldn't understand the new rules of life.' Viktor, an impoverished writer and penguin-owner in modern-day Kiev, gets lucky when a local newspaper editor hires him to compose a series of obituaries of still living Ukrainian notables. But when his subjects start dying and acquaintances disappearing, it becomes clear that Viktor is involved in something sinister and he's better off not asking questions.
References to this work on external resources.
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In the prequel to Penguin Lost, aspiring writer Viktor Zolotaryov leads a down-and-out life in poverty-and-violence-wracked Kiev--he's out of work and his only friend is a penguin, Misha, that he rescued when the local zoo started getting rid of animals. Even more nerve-wracking: a local mobster has taken a shine to Misha and wants to keep borrowing him for events. But Viktor thinks he's finally caught a break when he lands a well-paying job at the Kiev newspaper writing "living obituaries" of local dignitaries--articles to be filed for use when the time comes. The only thing is, it seems the time always comes as soon as Viktor writes the article. Slowly understanding that his own life may be in jeopardy, Viktor also realizes that the only thing that might be keeping him alive is his penguin.… (more)
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