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Loading... A Game of Thrones (A Song of Ice and Fire, Book 1)by George R.R. Martin
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will love Sign up for LibraryThing to find out whether you'll like this book. An excellent fantasy. I like the characters and the intricacy of the politics and plot. Good pacing. Low magic and supernatural which I like too. The world is a little bit cliched and lacking detail for my taste. The beginning of a true modern epic fantasy. The story may not seem ground breaking, and epic, multi-character perspective fantasy is kind of the norm these days, but there is just something that instantly hooks you and draws you into this series. Remember, no-one is safe!! I was astounded by this series of books. My initial fears after having seen the huge list of characters at the back of the book were soon quelled once I had started reading. Many of the characters listed are just background figures but Martin's skill in interweaving them all is fantastic. The violence is very bloody, there is sex and incest galore and Martin is not scared of killing off characters you thought would make it until the very end. They are dense books and after reading three I took a break for about 12 months before going back to them. Highly recommended though - One of my top reads ever. To say that this reading experience was incredible is like saying I enjoyed my first bungee-jump last year. I was bloody breathless after reading this! Read the rest of my review here: http://davebrendon.wordpress.com/2009... 0.041 seconds to build listing
Amazon.com (ISBN 0553573403, Mass Market Paperback)Readers of epic fantasy series are: (1) patient--they are left in suspense between each volume, (2) persistent--they reread or at least review the previous book(s) when a new installment comes out, (3) strong--these 700-page doorstoppers are heavy, and (4) mentally agile--they follow a host of characters through a myriad of subplots. In A Game of Thrones, the first book of a projected six, George R.R. Martin rewards readers with a vividly real world, well-drawn characters, complex but coherent plotting, and beautifully constructed prose, which Locus called "well above the norms of the genre."Martin's Seven Kingdoms resemble England during the Wars of the Roses, with the Stark and Lannister families standing in for the Yorks and Lancasters. The story of these two families and their struggle to control the Iron Throne dominates the foreground; in the background is a huge, ancient wall marking the northern border, beyond which barbarians, ice vampires, and direwolves menace the south as years-long winter advances. Abroad, a dragon princess lives among horse nomads and dreams of fiery reconquest. There is much bloodshed, cruelty, and death, but A Game of Thrones is nevertheless compelling; it garnered a Nebula nomination and won the 1996 Locus Award for Best Fantasy Novel. So, on to A Clash of Kings! --Nona Vero (retrieved from Amazon Fri, 24 Apr 2009 07:58:18 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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Martin’s gift is in creating an endless supply of complex protagonists to populate his world, as the geographic (and demographic) range of the story develops. Indeed, he makes work for himself here by his – much commented upon – tendency to kill characters off, often without provocation. With so many characters, the reliable fantasy archetypes are out in force but there’s a whole range of greys and browns between the traditional black and white, sometimes all within the same character. Perhaps the best example of this is Tyrion Lannister, a hunch-backed dwarf with mismatched eyes and a predilection for drinking and whoring, whose family are among the most loathsome of the series. Yet Tyrion is one of the more sympathetic characters; only too aware of his own failings, and those of his family, with a profound understanding of the dark arts of power politics, yet often making the most equitable call, standing up for the weak and confounding the scheming strong. In short, he acts like a good King, while singly failing to live up to the time-worn image of one.
Meanwhile darker forces amass at the edges of the map, here be dragons indeed, waiting patiently until their time comes (again), in future books. There’s a lot going on here and Martin controls the strands by telling each chapter through the eyes of one of several key characters, who we return to every few chapters. Through this mechanism we learn much about the details and characters specific to the current location but we only learn of events on a larger scale as the characters themselves do, sometimes long after the events themselves have taken place. The reader feels drawn into the local action but is constantly aware that larger events are taking place elsewhere and we don’t know what they are yet. It is a continual source of joy to return to a character and discover how events have moved on in their part of the world and to predict the ripple effects for everyone else.
Small complaints, I have a personal bias towards high fantasy, while this is more knights and kings; though the myth and magic quotient will no doubt increase in later instalments. I also found the children’s characters and story arcs less nuanced and satisfying than the adults. Perhaps that’s the way it should be? It remains to be seen whether Martin can keep all the plates spinning as the story expands in later instalments. A Game of Thrones is a fine start though, recommended. (