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A Game of Thrones by George R. R. Martin
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A Game of Thrones (A Song of Ice and Fire, Book 1)

by George R.R. Martin

MembersReviewsPopularityAverage ratingConversations
7,212139178 (4.48)139
Info:

Spectra (2002), Paperback, 704 pages

Member:OSUMike
Collections:Your libraryRating:***
Tags:Epic Fantasy

Member recommendations

  1. sampe recommends Svavelvinter : första delen i krönikan om den femte konfluxen by Erik Granström
  2. ImLittleJon recommends Spirit Gate by Kate Elliott, "There are some similarities between Martin's and Elliott's series. Their epic scale is similar, with multiple interweaving plotlines, characters noble (see more) and humble, interacting cultures, and so forth. Both begin in a world where magic is a matter of legend, but slowly creeps back into usage. Spirit Gate might not be A Dance with Dragons, but it will help make the time pass until that book gets published."
  3. jpers36 recommends The Hedge Knight II: Sworn Sword [graphic novel] by George R. R. Martin
  4. saturnine13 recommends Shogun by James Clavell, "If you like gritty, faux historical fiction, how about another with an asian flavor? Shogun, like A Game of Thrones, concerns the byzantine political intrigues (see more) of a multitude of different characters painted in moral shades of grey, generously heaped with gruesome action and heart-breaking romance. While Shogun lacks dragons, it does have the added interest of being mostly based upon real events and people."
  5. nessreader recommends The Dragon Waiting: A Masque of History by John M. Ford
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English (134)  German (2)  Spanish (1)  Polish (1)  Italian (1)  All languages (139)
Showing 1-5 of 134 (next | show all)
This is the first book in the ‘Song of Ice and Fire’ series and is, perhaps inevitably, a slow-burner at first. The scope is undeniably vast, if not quite epic, with a multitude of characters bringing real depth to Martin’s convincingly realised world. Seeds of story lines are planted in this series opener, which won’t pay-off until much later, though this instalment doesn’t lack for narrative drive. A Game of Thrones centres on the extended family of House Stark of Winterfell: Lord Eddard, his Lady Catelyn, their children, wards and courtiers. Their ordered, family life is thrown into upheaval by Eddard’s appointment as the King’s Hand and subsequent relocation, with his daughters, to the royal court at King’s Landing. Eddard accepts the honour reluctantly, knowing it will drag his family into the great game of power and politics; and so it proves, as his family are scattered throughout the land and events begin to spiral beyond his control.

Martin’s gift is in creating an endless supply of complex protagonists to populate his world, as the geographic (and demographic) range of the story develops. Indeed, he makes work for himself here by his – much commented upon – tendency to kill characters off, often without provocation. With so many characters, the reliable fantasy archetypes are out in force but there’s a whole range of greys and browns between the traditional black and white, sometimes all within the same character. Perhaps the best example of this is Tyrion Lannister, a hunch-backed dwarf with mismatched eyes and a predilection for drinking and whoring, whose family are among the most loathsome of the series. Yet Tyrion is one of the more sympathetic characters; only too aware of his own failings, and those of his family, with a profound understanding of the dark arts of power politics, yet often making the most equitable call, standing up for the weak and confounding the scheming strong. In short, he acts like a good King, while singly failing to live up to the time-worn image of one.

Meanwhile darker forces amass at the edges of the map, here be dragons indeed, waiting patiently until their time comes (again), in future books. There’s a lot going on here and Martin controls the strands by telling each chapter through the eyes of one of several key characters, who we return to every few chapters. Through this mechanism we learn much about the details and characters specific to the current location but we only learn of events on a larger scale as the characters themselves do, sometimes long after the events themselves have taken place. The reader feels drawn into the local action but is constantly aware that larger events are taking place elsewhere and we don’t know what they are yet. It is a continual source of joy to return to a character and discover how events have moved on in their part of the world and to predict the ripple effects for everyone else.

Small complaints, I have a personal bias towards high fantasy, while this is more knights and kings; though the myth and magic quotient will no doubt increase in later instalments. I also found the children’s characters and story arcs less nuanced and satisfying than the adults. Perhaps that’s the way it should be? It remains to be seen whether Martin can keep all the plates spinning as the story expands in later instalments. A Game of Thrones is a fine start though, recommended. ( )
Burge | Jun 23, 2009 | 2 vote
An excellent fantasy. I like the characters and the intricacy of the politics and plot. Good pacing. Low magic and supernatural which I like too. The world is a little bit cliched and lacking detail for my taste. ( )
questbird | Jun 9, 2009 |  
The beginning of a true modern epic fantasy. The story may not seem ground breaking, and epic, multi-character perspective fantasy is kind of the norm these days, but there is just something that instantly hooks you and draws you into this series. Remember, no-one is safe!! ( )
nicholassunley | May 10, 2009 |  
I was astounded by this series of books. My initial fears after having seen the huge list of characters at the back of the book were soon quelled once I had started reading. Many of the characters listed are just background figures but Martin's skill in interweaving them all is fantastic. The violence is very bloody, there is sex and incest galore and Martin is not scared of killing off characters you thought would make it until the very end.
They are dense books and after reading three I took a break for about 12 months before going back to them. Highly recommended though - One of my top reads ever. ( )
Supperstone | May 7, 2009 |  
To say that this reading experience was incredible is like saying I enjoyed my first bungee-jump last year. I was bloody breathless after reading this! Read the rest of my review here: http://davebrendon.wordpress.com/2009... ( )
Dave-Brendon | May 6, 2009 |  
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Epigraph
Dedication
this one is for Melinda
First words
-Deberíamos volver ya -instó Gared mientras los bosques se tornaban más y más oscuros a su alrededor-. Los salvajes están muertos.
"We should start back," Gared urged as the woods began to grow dark around them. "The wildlings are dead."
Quotations
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Disambiguation notice
If you are combining a translated copy please check carefully as in some languages this book was split into two volumes. In some languages there is a single volume edition and a split edition - you should only combine the single volume edition with the English edition.

Languages known to have multiple-volumes - French, German*, Italian*, Portugese, Romanian and Swedish*.

Languages marked by an asterisk also have a single volume edition.
Publisher's editors
Blurbers
Book description
In una terra fuori dal mondo, dove le estati e gli inverni possono durare intere generazioni, sta per esplodere un immane conflitto. Sul Trono di Spade, nel Sud caldo e opulento, siede Robert Baratheon. L'ha conquistato dopo una guerra sanguinosa, togliendolo all'ultimo, folle re della dinastia Targaryen, i signori dei draghi. Ma il suo potere è ora minacciato: all'estremo Nord, la barriera - una muraglia erettta per difendere il regno da animali primordiali, e soprattutto, dagli Estranei - sembra vacillare. Si dice che gli Estranei siano scomparsi da secoli. Ma se è vero, chi sono allora quegli esseri con gli occhi così innaturalmente azzurri e gelidi, nascosti tra le ombre delle foreste, che rubano la vita, o il senno, a chi ha la mala sorte di incontrarli?

Amazon.com (ISBN 0553573403, Mass Market Paperback)

Readers of epic fantasy series are: (1) patient--they are left in suspense between each volume, (2) persistent--they reread or at least review the previous book(s) when a new installment comes out, (3) strong--these 700-page doorstoppers are heavy, and (4) mentally agile--they follow a host of characters through a myriad of subplots. In A Game of Thrones, the first book of a projected six, George R.R. Martin rewards readers with a vividly real world, well-drawn characters, complex but coherent plotting, and beautifully constructed prose, which Locus called "well above the norms of the genre."

Martin's Seven Kingdoms resemble England during the Wars of the Roses, with the Stark and Lannister families standing in for the Yorks and Lancasters. The story of these two families and their struggle to control the Iron Throne dominates the foreground; in the background is a huge, ancient wall marking the northern border, beyond which barbarians, ice vampires, and direwolves menace the south as years-long winter advances. Abroad, a dragon princess lives among horse nomads and dreams of fiery reconquest.

There is much bloodshed, cruelty, and death, but A Game of Thrones is nevertheless compelling; it garnered a Nebula nomination and won the 1996 Locus Award for Best Fantasy Novel. So, on to A Clash of Kings! --Nona Vero

(retrieved from Amazon Fri, 24 Apr 2009 07:58:18 -0400)

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