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The Beginning of Spring by Penelope Fitzgerald
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The Beginning of Spring (Flamingo)

by Penelope Fitzgerald

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199225,370 (3.62)5
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Flamingo (2003), Edition: New Ed, Paperback, 256 pages

Member:innominate
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Tags:novel, russia, england
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Penelope Fitzgerald has influential family connections, although from the book, she can certainly stand on her own. The Beginning of Spring is set in Moscow, 1913, just before the Russian Revolution. It tells of the family and work troubles of a British printer who is born and raised in Russia.

I like how Fitzgerald incorporates the literal into the metaphorical (or is it the other way round?): everything extraneous and illicit is dumped into the river; in Russia, there are only white birch trees. I also like how the characters are never in sync with one another as if we, the readers, are missing parts of the conversation.

But don't ask me what the metaphors mean, and don't ask me what the philosophy of the book is because I really don't know. ( )
hansel714 | Oct 25, 2007 |  
I enjoyed Fitzgerald's The Bookshop very much so started to look for other of her books and was pleasantly surprised to find this on my shelves: no memory of when or why I picked it up. But I'm glad that I did. A novel set in Moscow in 1913 that opens with Nellie, the wife of Frank Reid, suddenly leaving him and their three children. The novel then follows Frank's life as he adjusts to the new situation, involving Lisa, a new young Russian nanny whom he hires to help with the children, Selwyn, the other-worldly follower of Tolstoy and poet who works for Frank, a visit from Nellie's brother from England, and the three precocious children. Some nice descriptions of life in Moscow including the physical hardships of winter, the superstitious earthy life of Russians, the incompetence and crookedness of just about everyone in an official position, and Frank's brush with the secret police concerned with incipient unrest or rebellion among students.

There is no real spark to the book, except perhaps Frank's infatuation with Lisa which reawakens passions he hadn't had or shown for some time. It's here that one can be sympathetic to Nellie who must have felt cocooned with Frank who is a decent, honest man making a good living for his family in often trying circumstance, but who is the sort of person to whom life happens, rather than really living it. Frank seems to float through life until Lisa provides a jolt. And maybe that's the point. Life is not often grand moments and momentous turning points; it is a complicated, multifarious existence and most people move through it like a pinball, bouncing gently off one incident or circumstance after another. The end of the book describes the grand ceremonies involved in re-opening the house in the spring; unsealing windows and cleaning. In the front door walks Nellie as the last line in the book and somehow it feels right.
John | Nov 30, 2005 |  
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Amazon.com (ISBN 0006543707, Paperback)

In March 1913, Frank Reid's wife abruptly leaves him and Moscow for her native England. Naturally, she takes their daughters and son with her. The children, however, only make it as far as the train station--and even after returning home remain unaffected by their brief exile. "They ought either to be quieter or more noisy than before," their father thinks, "and it was disconcerting that they seemed to be exactly the same." Frank's routines, however, drift into disorder as he tries desperately to take charge of life at home and work. Even his printing plant is suddenly confronted by the specters of modernization and utter instability.

In Penelope Fitzgerald's fiction, affection and remorse are all too often allied, and desire and design seem never to meet. Frank wants little more than a quiet, confident life--something for which he is deeply unsuited, and which Russia certainly will not go out of her way to provide. The Beginning of Spring is filled with echoes of past wrongs and whispers of the revolution to come, even if the author evokes these with abrupt comic brio. (In one disturbance, "A great many shots had hit people for whom they were not intended.") As ever, Fitzgerald makes us care for--and want to know ever more about--her characters, even the minor players. Her two-page description of Frank's chief type compositor, for instance, is a miracle of precision and humor, sympathy and mystery. And the accountant Selwyn Crane--a Tolstoy devotée, self-published poet, and expert at making others feel guilty--is a sublime creation. His appetite for do-gooding is insatiable. After one fit of apparent altriusm, "Selwyn subsided. Now that he saw everything was going well, his mind was turning to his next charitable enterprise. With the terrible aimlessness of the benevolent, he was casting round for a new misfortune." As she evokes her household of tears and laughter, Fitzgerald's prose is as witty as ever, rendering the past present and the modern timeless. --Kerry Fried

(retrieved from Amazon Fri, 24 Apr 2009 07:58:08 -0400)

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