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The Man in the Picture by Susan Hill
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The Man in the Picture

by Susan Hill

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1431437,166 (3.66)26
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Overlook Hardcover (2008), Hardcover, 160 pages

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A short ghost story novel. It is quite disappointing and predictable. ( )
alalba | May 9, 2009 |  
Subtle ( )
MargaSE | Mar 6, 2009 |  
Oliver is in town to visit his former tutor and mentor, Theo Parmitter, to catch up and reminisce about old times when Theo suddenly announces after dinner that he has a story he must tell Oliver in order to regain his peace of mind. Having been an art trader when he was younger, Theo has picked up a mysterious Venetian painting of Carnevale from ancient times. Even though he is begged by the agent of an unknown buyer to name his price- and sell the painting, the painting has already taken a hold of Theo, he feels under its strange power and refuses to part with it for any amount of money, even when he learns it's deadly history and suspects that he will pay the ultimate price.

I have another book on my shelf by Susan Hill entitled The Various Haunts of Men, though I didn't realize it when I picked up this book to read. A cross between The Picture of Dorian Gray and an Edgar Allan Poe short, this tale started out creepy but left too many unanswered questions in my mind for me to really appreciate it. The atmosphere and the suspense were there right from the beginning. Set in a creepy and deserted-for-the-term college campus, it's filled with mysterious figures lingering in the shadows and curiously unexplained mishaps. A delightfully chilling tale within a tale, within a tale, within a tale, I was a little apprehensive about starting to read it late at night, and more jumpy than usual at bedtime, peering into shadows around my room and half wondering whether I would see a face lurking in the dark. And then, all of that promise fell flat, which was disappointing because it could have been easily remedied had the book been longer.

I can't go into too much detail without giving the story away completely, but character motivations and development were sparse, and I just didn't feel there were any valid explanations into why this curse was being passed along to the people. Was the painting haunted? After its initial reasons for revenge was it just content to continue wreaking havoc on the lives of those who came to possess it? What happened to the people who were affected by the painting? What happened to cause the painting to come to exist and begin its deadly work? I was very disappointed not to find these answers. Not knowing made the whole thing less creepy, and I was more inclined to concentrate on the holes within the plot.

That being said I am really looking forward to reading The Various Haunts of Men. I suspect that the problems I encountered due to the lack of length won't be as much of a problem since it is a full length novel. I really enjoyed Susan Hill's writing. It was suspenseful and atmospheric and I thought she did an excellent job capturing the spirit of a different time through the dialogue and scene descriptions. I can't wait to see what she does when in a full length novel she answers at least some of the questions that her story asks.
daniellnic | Feb 2, 2009 | 2 vote
A nice, light read. Elegant but over-explained in some parts. Pretty predictable and not creepy or scary. ( )
Nnikita | Jan 28, 2009 |  
Victorian Ghost Story. Good read. ( )
remikit | Jan 4, 2009 |  
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Important events
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Epigraph
Dedication
Stephen Mallatratt

Remembered in love in gratitude
First words
The story was told to me by my old tutor, Theo Parmitter, as we sat beside the fire in his college rooms one bitterly cold January night.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
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Book description
An extraordinary ghost story from a modern master, published just in time for Halloween. In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty. By the renowned storyteller Susan Hill -- whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End -- here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

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