Carolyn Keene
Author of The Secret of the Old Clock
About the Author
Do NOT combine this page with that of "C. Keene", as there are other authors on LT who share that surname and intial. Thank you.
This author is a nom de plume of the several authors of the Nancy Drew and The Dana Girls series. It is a pseudonym owned originally by the Stratemeyer Syndicate (now a name used by Simon and Schuster). Authors of books in the former series include Mildred Wirt Benson, Harriet Adams, James Duncan Lawrence, Walter Karig, Nancy Axelrad, Priscilla Doll, Charles Strong, Alma Sasse, Wilhelmina Rankin, George Waller, Jr., Margaret Scherf, and Susan Wittig Albert. Authors of books in the latter series include Leslie McFarlane, Mildred Wirt Benson, and Harriet Adams.
Note that Caroline Quine is the Dutch and French name of this author.
Please do not combine the individual authors with Carolyn Keene; They may have written under the name Carolyn Keene, but many of them also wrote other books under their own name.
As "Carolyn Keene" is an artificial corporate entity, it has no gender, which should be designated "n/a".
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Works by Carolyn Keene
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- Other names
- Keene, Carolyn (publisher's house name, English)
Quine, Caroline (publishers house name, francophone) - Gender
- n/a
- Occupations
- publisher's house name
- Nationality
- USA
- Disambiguation notice
- Do NOT combine this page with that of "C. Keene", as there are other authors on LT who share that surname and intial. Thank you.
This author is a nom de plume of the several authors of the Nancy Drew and The Dana Girls series. It is a pseudonym owned originally by the Stratemeyer Syndicate (now a name used by Simon and Schuster). Authors of books in the former series include Mildred Wirt Benson, Harriet Adams, James Duncan Lawrence, Walter Karig, Nancy Axelrad, Priscilla Doll, Charles Strong, Alma Sasse, Wilhelmina Rankin, George Waller, Jr., Margaret Scherf, and Susan Wittig Albert. Authors of books in the latter series include Leslie McFarlane, Mildred Wirt Benson, and Harriet Adams.
Note that Caroline Quine is the Dutch and French name of this author.
Please do not combine the individual authors with Carolyn Keene; They may have written under the name Carolyn Keene, but many of them also wrote other books under their own name.
As "Carolyn Keene" is an artificial corporate entity, it has no gender, which should be designated "n/a". - Associated Place (for map)
- USA
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The racial, ethnic and class prejudices often found in the original Nancy Drew books are on full display here, in The Mystery at Lilac Inn. The succession of maids that Nancy interviews, to fill Hannah's post, include a "dirty and slovenly" looking "Negress" who shuffles, an unreasonable Irish woman, an inexperienced Scotch lassie, and sullen farm girl Mary Mason. None of them fit the bill, and Nancy, after much searching, is relieved to find an elderly WASP (White Anglo-Saxon Protestant) woman to take the position. The mystery feels similarly structured, with Nancy considering one unsuitable candidate for the role of villain after another, until settling on Mary, who arouses her suspicions by frequenting a very exclusive dress shop. The remainder of the story is devoted to Nancy pursuing this clue, and leads our heroine into a dangerous spy mission, and an involuntary boat trip.
Although there were elements of the story here that I enjoyed - as always, I appreciate the vintage vocabulary and period details in these original editions from the 1930s - others bothered me. In addition to the more overt prejudice mentioned above, there is a lot of unconscious assumption of privilege on Nancy's part, such as when she persuades her father to use his contacts at the River Heights department stores to gather information on what Mary has purchased. When Carson Drew expresses hesitation, mentioning that his manager friend may balk at the idea of handing over confidential information, due to the store policy, Nancy brushes this aside almost impatiently, arguing that these people owe her father a favor. Apparently she doesn't believe in work ethics! There's this feeling throughout, when speaking of such retail works, or of the police, that they should just accept what their "betters" - i.e.: Nancy and her kind - want done, because it is for the best. I understand that the 1950s revision of this one has a significantly altered plot, and a girl masquerading as Nancy herself. A side-by-side read of these would be fascinating, I think, but I don't have time for such an involved project. Recommended to those who enjoy vintage girls' fare, and to fans of Nancy Drew.
Addendum: this Applewood Books edition, which presented a facsimile reprint of the original 1930 first edition, might also be of particular interest to fans, as it contains an introduction by Mildred Benson, one of the primary early authors behind "Carolyn Keene." show less
There's also a case of insta-love that leads to an insta-grudge identical to a love/grudge situation in the previous book: One of Nancy's best friends turns her back on Nancy over a guy. Only this time it's the other of Nancy's two besties.
Hey. Maybe the lasting show more friendship-and-mysteries thing the trio has wouldn't work for them without one or another of them rushing straight to emotional extremes sometimes. Heh heh. It's more interesting to see Nancy's boyfriend Ned's hint of disappointment at yet another mystery popping up and taking her attention, since he'd prefer to have a normal vacation with his girlfriend. Although he wraps his disappointment in humor this time and helps her out as always, I don't doubt this kind of thing will eventually put a strain on their relationship.
As for the mystery, again, it's also interesting but with a couple of glaringly contrived traps. Just about anyone with a teaspoon of common sense would know not to walk right into some of the deadly trouble Nancy ends up in, here. Her clear lack of judgment in those moments is unbelievable for an experienced detective of reported international fame.
But then, it isn't like I expect all the believability in the world from these mysteries. And at least Nancy realizes her, well...stupidity after the second of the traps, literally telling herself, "I've been so stupid." She then launches into hardcore (but not cruel) action to defend herself when she must.
On that score: Go, Nance! show less
Nancy is decidedly skeptical about the idea of ghosts, but investigates anyway. Meanwhile, Carson fails to make it home show more from a trip to Chicago. As the old ladies get more and more nervous, Nancy puts herself worries about her father aside and puts herself in danger (again) to get evidence, allowing her to discover the truth behind the hauntings, summon the police, and lead a couple of sketchy police raids to get justice; accidentally solving Carson’s disappearance along the way.
Nancy drops the ball a couple of times along the way; she fails to follow up on a couple of hints that might have made things a bit easier for her, and, gee-whiz, given that the mysterious hauntings take place at night, maybe she should have stayed up late a bit sooner than she does. She also comes pretty close to getting caught or even dying a couple of times. (Hey, kids, maybe be careful around secret passages, and take some extra batteries.) Another highlight is Carson being perfectly comfortable giving his teenage daughter his revolver to protect herself, even if she doesn’t actually engage in a serious gun battle, even if she comes pretty close a couple of times. (Presumably, an updated edition taking place in modern America will improve the book’s realism by featuring significant gunplay.)
We also have another good ol’-fashioned racist portrayal; this time of a black woman who works for/with the crim. It’s not meant to be offensive, I’m sure, just a poor black woman speaking with a broad Southern accent, but I guess you could read it that way if you choose. show less
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