Stephen Bury (1)
Author of Breaking the Rules: The Printed Face of the European Avant Garde 1900-1937
For other authors named Stephen Bury, see the disambiguation page.
About the Author
Stephen Bury is the Head of Modern English Collections at the British Library and a Research Tutor at Chelsea School of Art.
Works by Stephen Bury
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Common Knowledge
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- male
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Reviews
The artist’s multiple is perhaps the art of the twentieth century. If in the nineteenth century art could be seen as distinct from products of industry, in the early twentieth century industry could confidently project itself as art. The artist’s multiple, in its delight in reproducibility, industrial fabrication, and new processes and materials, exemplifies this trend. Stephen Bury explores the historical background of the multiple, examining its relationship to the jeu d’ esprit of show more the artist’s studio, the readymade, constructivism, the store and the everyday. It looks at the work of Marcel Duchamp, George Maciunas, Joseph Beuys and Felix Gonzalez-Torres as well as contemporary practice, such as ‘The Multiple Store’
Utilizing the new processes and materials of industry, the artist's multiple offered to the 20th century an art form that, like the products of consumer society, was repeatable and denied the uniqueness of the traditional art object. It was as if industrial capitalism no longer had to hide behind the schema of classical iconography, and where art was its disguising superstructure; it could nakedly flaunt itself as its own superstructure - where it was its own art. This book attempts to trace: the origins of the artist's multiple in the jeu d'esprit of the artist's studio; the readymade; the idea of fabrication that lay behind constructivism; the concern with the every-day, evident in both Pop Art and, less obviously, in Minimalism; and the fascination with packaging and distribution of Fluxus. The extended series of multiples made by Beuys is pivotal not only in its duration and extent but also because Beuys cut across the borders of print, photography, film, sculpture, painting and the readymade, and liberated it as a medium. Hence it need not be confined to either portable kinetic art or the simulacra of 60s American consumer products. Without this, the contemporary multiples of Jason Coburn, Martin Creed or Bob and Roberta Smith might not have been possible. show less
Utilizing the new processes and materials of industry, the artist's multiple offered to the 20th century an art form that, like the products of consumer society, was repeatable and denied the uniqueness of the traditional art object. It was as if industrial capitalism no longer had to hide behind the schema of classical iconography, and where art was its disguising superstructure; it could nakedly flaunt itself as its own superstructure - where it was its own art. This book attempts to trace: the origins of the artist's multiple in the jeu d'esprit of the artist's studio; the readymade; the idea of fabrication that lay behind constructivism; the concern with the every-day, evident in both Pop Art and, less obviously, in Minimalism; and the fascination with packaging and distribution of Fluxus. The extended series of multiples made by Beuys is pivotal not only in its duration and extent but also because Beuys cut across the borders of print, photography, film, sculpture, painting and the readymade, and liberated it as a medium. Hence it need not be confined to either portable kinetic art or the simulacra of 60s American consumer products. Without this, the contemporary multiples of Jason Coburn, Martin Creed or Bob and Roberta Smith might not have been possible. show less
Statistics
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- 6
- Members
- 73
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- #240,525
- Rating
- 4.8
- Reviews
- 2
- ISBNs
- 29
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- 2