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Samuel Johnson (1) (1709–1784)

Author of Rasselas

For other authors named Samuel Johnson, see the disambiguation page.

491+ Works 9,476 Members 124 Reviews 43 Favorited

About the Author

Samuel Johnson was born in 1709, in Lichfield, England. The son of a bookseller, Johnson briefly attended Pembroke College, Oxford, taught school, worked for a printer, and opened a boarding academy with his wife's money before that failed. Moving to London in 1737, Johnson scratched out a living show more from writing. He regularly contributed articles and moral essays to journals, including the Gentleman's Magazine, the Adventurer, and the Idler, and became known for his poems and satires in imitation of Juvenal. Between 1750 and 1752, he produced the Rambler almost single-handedly. In 1755 Johnson published Dictionary of the English Language, which secured his place in contemporary literary circles. Johnson wrote Rasselas in a week in 1759, trying to earn money to visit his dying mother. He also wrote a widely-read edition of Shakespeare's plays, as well as Journey to the Western Isles of Scotland and Lives of the Poets. Johnson's writing was so thoughtful, powerful, and influential that he was considered a singular authority on all things literary. His stature attracted the attention of James Boswell, whose biography, Life of Johnson, provides much of what we know about its subject. Johnson died in 1784. (Bowker Author Biography) show less

Series

Works by Samuel Johnson

Rasselas (1759) 1,954 copies, 33 reviews
A Journey to the Western Islands of Scotland (1775) 474 copies, 9 reviews
A Dictionary of the English Language (1755) 342 copies, 14 reviews
Lives of the English poets (1779) 322 copies, 6 reviews
Johnson's Dictionary: A Modern Selection (1974) 291 copies, 3 reviews
Selected Writings (Penguin Classics) (1968) 235 copies, 2 reviews
Selected Essays (Penguin Classics) (2003) 193 copies, 2 reviews
The Rambler [all] (1953) 125 copies, 3 reviews
A Johnson Reader (1964) 90 copies
The Complete English Poems (1971) 84 copies
Preface to Shakespeare (1985) 66 copies
Dr Johnson's Dictionary (2004) 53 copies, 1 review
Life of Richard Savage (1971) 51 copies, 1 review
Consolation in the Face of Death (1944) 43 copies, 1 review
The Idler (2000) 40 copies
Johnson on Shakespeare (1908) 39 copies
Lives of the Poets, Volume 1 (1912) 37 copies, 1 review
A Johnson Sampler (Nonpareil Book) (2002) 35 copies, 1 review
Prose and poetry (1951) 29 copies
Prayers and meditations (2008) 27 copies
Dr. Johnson's Prayers (1980) 18 copies
The Poems of Samuel Johnson (1941) 18 copies
The false alarm (2012) 9 copies
Ensayos literarios (2015) 8 copies
Selected letters of Samuel Johnson (1979) 7 copies, 1 review
The vulture (1970) 7 copies
Viaje a las islas occidentales de Escocia (2007) 7 copies, 2 reviews
Dr Johnson said... (1988) 3 copies
Páginas Escolhidas (2014) 3 copies
Rasselas and Essays (1967) 3 copies
The adventurer 3 copies
Arte de la biografía — Contributor — 3 copies
Two satires 3 copies
Selected writings of Samuel Johnson (1949) — Author — 2 copies
Works (8 vols.) 2 copies
The Literary Magazine ... (1978) 2 copies, 1 review
Know thyself (1992) 2 copies
Dementimaskinen (1990) 1 copy
The Rambler. In 6 volumes. 1 copy, 1 review
Papers from the Idler (1921) 1 copy
Life of Pope 1 copy
Sententies 1 copy
Historia Studiorum 1 copy, 1 review
Londres (2004) 1 copy
Essays 1 copy
Works (2 vols.) (1854) 1 copy
Il viandante (2019) 1 copy

Associated Works

William Shakespeare: The Complete Works (1623) — Editor, some editions; Contributor, some editions — 35,639 copies, 177 reviews
The Norton Anthology of English Literature, Volume 1 (1962) — Contributor — 2,459 copies, 8 reviews
Paradise Lost [Norton Critical Edition] (1667) — Contributor, some editions — 2,419 copies, 14 reviews
The Art of the Personal Essay (1994) — Contributor — 1,516 copies, 11 reviews
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,469 copies, 9 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,244 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,018 copies, 7 reviews
The Complete Works of Horace [Latin] (1963) — Translator, some editions — 829 copies, 8 reviews
Prefaces and Prologues to Famous Books (2004) — Contributor — 614 copies, 2 reviews
English Poetry, Volume II: From Collins to Fitzgerald (1910) — Contributor — 577 copies, 1 review
English Essays: From Sir Philip Sidney to Macaulay (1969) — Contributor — 570 copies, 2 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 496 copies, 2 reviews
The Rag and Bone Shop of the Heart: A Poetry Anthology (1992) — Contributor — 441 copies, 4 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 436 copies, 1 review
The Poems of Alexander Pope (1966) — Editor, some editions — 288 copies, 1 review
Criticism: Major Statements (1964) — Contributor — 234 copies
Eighteenth-Century English Literature (1969) — Author — 194 copies, 1 review
The Norton Book of Travel (1987) — Contributor — 118 copies, 1 review
The Norton Book of Friendship (1991) — Contributor — 104 copies
Major British Writers, Volumes I and II (1959) — Contributor — 97 copies, 1 review
Shorter novels of the eighteenth century (1967) — Contributor — 94 copies, 2 reviews
The plays of William Shakespeare (1995) — Editor, some editions — 81 copies, 2 reviews
The Dramatic Works of William Shakespeare (1835) — Editor, some editions — 78 copies, 1 review
An Introduction to Poetry (1968) — Contributor — 72 copies, 1 review
Eighteenth Century Plays (1972) — Contributor — 69 copies, 1 review
Shakespeare: Othello (1971) — Contributor — 45 copies
Spring: A Spiritual Biography of the Season (2006) — Contributor — 37 copies, 1 review
Classic Essays in English (1961) — Contributor — 23 copies
Masters of British Literature, Volume A (2007) — Contributor — 21 copies
Great Narrative Essays (1968) — Contributor — 19 copies
Oxford and Oxfordshire in Verse (1982) — Contributor — 15 copies
The Problem of Style (1966) — Contributor — 11 copies, 1 review
Words, words, and words about dictionaries (1963) — Contributor — 10 copies
Englische Essays aus drei Jahrhunderten (1973) — Contributor — 9 copies
Love & Marriage — Contributor — 3 copies

Tagged

18th century (483) 18th century literature (67) biography (336) British (116) British literature (99) classic (63) classics (73) dictionaries (56) dictionary (152) English (104) English literature (328) essays (333) fiction (330) Folio Society (75) Hebrides (69) history (159) Johnson (117) language (62) letters (64) literary criticism (122) literature (373) memoir (58) non-fiction (264) novel (75) poetry (341) reference (152) Samuel Johnson (362) Scotland (225) to-read (272) travel (299)

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How do I catalogue a book which contains 2 works in Talk about LibraryThing (July 2011)

Reviews

147 reviews
This novella is ostensibly a tale about an Ethiopian prince, Rasselas, who, chafing under the boredom of the life of luxury he leads in the Happy Valley, contrives to escape with two companions, his sister Nekayeh, and a man named Imlac. In fact this is a vehicle for Johnson's exploring various philosophical ideas, in particular around the sources of and how to seek happiness in life, including who in society has or might achieve happiness and how, whether through living a good life or not, show more and what that means. There are some interesting pithy aphorisms arising from their conversations with each other and with other characters, including with a philosopher-astronomer who believes he has the personal power to move the sun and planets. Quite amusing and interesting. show less
I am VERY SLOWLY reading all of the works of Samuel Johnson (I am surprised to find I've been reading this particular volume for two years), and once again really can't recommend the guy enough if you are a fan of British literature, pithy aphorisms, or cultural criticism. Volume nine consists of his Lives of the English Poets, originally written as introductions to printed collections of their works. This includes men I have heard of (Cowley, Milton, Dryden) and many that I had not (sorry show more British literature!). In each, Johnson includes biographical information, an overview of contemporary critical reception, a chronological look at their work (often including extensive quotations), and sprinkles throughout his own opinions on all the above. Johnson is truly the king of loving all over certain parts of a writer's style and work and then undercutting that with a sick burn. Like pretty much all criticism, the snarky negative stuff is a lot more fun to read, particularly if you don't know much about the 17th century writer in question. Johnson can also get quite heated in a very modern feeling way, like in this section from his piece on 17th century poet John Philips who had one of his poems published without his consent:

This poem was written for his own diversion, without any design of publication. It was communicated but to me; but soon spread and fell into the hands of pirates. It was put out, vilely mangled, by Ben Bragge; and impudently said to be corrected by the author. This grievance is now grown more epidemical; and no man now has a right to his own thoughts, or a title to his own writings. Xenophon answered the Persian, who demanded his arms: 'We have nothing now left but our arms and our valour: if we surrender the one, how shall we make use of the other?' Poets have nothing but their wits and their writings; and if they are plundered of the latter, I don't see what good the former can do them. To pirate, and publickly own it, to prefix their names to the works they steal, to own and avow the theft, I believe, was never yet heard of but in England. It will sound oddly to posterity, that, in a polite nation, in an enlightened age, under the direction of the most wise, most learned, and most generous encouragers of knowledge in the world, the property of a mechanick should be better secured than that of a scholar! that the poorest manual operations should be more valued than the noblest products of the brain! that it should be felony to rob a cobbler of a pair of shoes, and no crime to deprive the best author of his whole subsistence! that nothing should make a man a sure title to his own writings but the stupidity of them! that the works of Dryden should meet with less encouragement than those of his own Flecknoe, or Blackmore! that Tillotson and St. George, Tom Thumb and Temple, should be set on an equal foot! This is the reason why this very paper has been so long delayed; and, while the most impudent and scandalous libels are publickly vended by the pirates, this innocent work is forced to steal abroad as if it were a libel.

Can't wait to dig VERY SLOWLY into volume 10!
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STILL IN EDIT

Nobody but scholars and swell-heads read Johnson anymore. I am neither. My father had a portrait of Johnson by Joshua Reynolds in his study when I was a child and when I enquired as to who the odd gentleman was I was informed that it was The Great Cham. Clueless for decades I stumbled upon Boswell’s magnificent biography and was forevermore enthralled. I started reading everything I could find.

Lives of the English Poets is probably his greatest writing; little critiques and show more biographies appended to an edition of English poets. Strictly Grub Street stuff, but what stuff. Most of these poets are footnotes today, even the Oxford Book of Verse neglects many of them, but Johnson’s little entries are some of the best scribblings ever laid down in the English language. Sheer delight to read. Almost like magic. How did he do that? show less
Thoughts on Johnson

• He's a consummate self-mythologist, a sesquipedalian showman/showoff who knows what's expected of him. Boswell calls a certain mountain "immense". Johnson: 'No; it is no more than a considerable protruberance.' You can just hear him enunciating "protruberance" with fathomless scorn.
• His hilarious, self-aware egotism. On emigration to America: "To a man of mere animal life, you can urge no argument against going to America, but that it will be some time before he show more will get the earth to produce. But a man of my intellectual enjoyment will not easily go and immerse himself and his posterity for ages in barbarism." [note: Johnson had no posterity other than letters].
• He "maintained the superiority of Homer" (over Virgil). I agree.
• His thoroughgoing contempt for "Ossian" and all believers in the phony Celtic bard is a joy. No flies on Samuel J!
• His relish in mansplaining. "He this morning explained to us all the operation of coining, and, at night, all the operation of brewing, so very clearly, that Mr M'Queen said, when he heard the first, he thought he had been bred in the Mint; when he heard the second, that he had been bred a brewer."
• Certainly the oddest passage in either book, Johnson's thoughts on clean and unclean fabrics and dreams of keeping a harem (in Boswell):
All animal substances are less cleanly than vegetables. Wool, of which flannel is made, is an animal substance; flannel therefore is not so cleanly as linen. I remember I used to think tar dirty; but when I knew it to be only a preparation of the juice of the pine, I thought so no longer. It is not disagreeable to have the gum that oozes from a plumb-tree upon your fingers, because it is vegetable, but if you have any candle-grease, any tallow upon your fingers, you are uneasy till you rub it off. I have often thought, that, if I kept a seraglio, the ladies should all wear linen gowns, or cotton — I mean stuffs made of vegetable substances. I would have no silk; you cannot tell when it is clean: it will be very nasty before it is perceived to be so. Linen detects its own dirtiness.
• His social conscience is in perplexing conflict with his Toryism. He says it is "a problem for politicians" that "those who procure the immediate necessaries of life" (i.e. labourers, workers in general) are the worst paid. He can't agree with raising their wages, because this would increase prices, and lamely suggests that they should be given charity when times are good (he doesn't say what should be done when charity is lacking).
• Johnson is arguably on the spectrum in terms of his near-eidetic textual memory/facility for quotation. It's hard to tell sometimes if his lack of affect is real or affected, but I think it's the latter.

Thoughts on Boswell

• B loves to play the humble amanuensis, but he uses this cover to get in plenty of cheeky digs at his friend. The relationship is much more bilateral than it seems. They're really partners masquerading as idol and idolator. We're charmed to learn that J calls B "Bozzy".
• You sense that Boz takes a quiet pleasure in Johnson's rare slip-ups. One Pennington, an army man, tells them of the notorious fidelity of the Arabs to those under their protection:
Johnson: Why, sir, I can see no superiour virtue in this. A serjeant and twelve men, who are my guard, will die, rather than that I shall be robbed.
Pennington: But the soldiers are compelled to do this, by fear of punishment.
Johnson: Well, sir, the Arabs are compelled by the fear of infamy.
Pennington: The soldiers have the same fear of infamy, and the fear of punishment besides; so have less virtue, because they act less voluntarily.
• One night he gets absolutely wankered: "we were cordial, and merry to a high degree; but of what passed I have no recollection, with any accuracy." The teetotal Johnson wakes him at noon the next day, laughs at him, and gives him the hair of the dog.
• His occasional plugs for his "forthcoming life of Dr Johnson" are quite endearing. B's ambition is never much disguised.

Thoughts on Boswell on Johnson (or, per B, "the transit of Johnson over the Caledonian hemisphere")

• Boswell's mission is maximal — he isn't satisfied if he lets a single moment go unrecorded. "Much has thus been irrecoverably lost" he laments, by his having ceased keeping a scrupulous journal at the tail-end of their trip. Johnson is notably thanatophobic, and it's as if Boswell sees his writings not just as a memorial of the great man, but as a way of actually keeping him alive, somehow postponing the inevitable. There's a desperation about Boswell's biography; he writes like a man trapped in a drowning automobile. It's hard to look away.
• Boswell is at heart a romantic. "It was like enchantment" he says of a day spent in cultivated company at a remote army fort, "my warm imagination jumped from the barren sands to the splendid dinner and brilliant company..." Johnson plays the rationalist, but you sense that one of Boswell's main attractions for him is as an outlet for, or reflection of, his own romantic heart. Boswell's life-writing drinks deep from this contrast, and hints or warns how dangerous the beguiling Boswellian romanticism is, if it becomes policy and not just art.
• Even when he (B) is in the right, Boswell makes allowances for Johnson: "I think Dr Johnson mistaken [...] but so great a mind as his cannot be moved by inferior objects: an elephant does not run and skip like lesser animals."
• By portraying his subject in this pointillist fashion, Boswell is able to excavate the real Johnson, deeply concealed beneath layers of bluster and blubber.

Other gleanings

• Johnson: "I was told at Aberdeen that the people learned from Cromwell’s soldiers to make shoes and plant kail." Make shoes and plant kail is surely the 18th century "chew bubble gum and kick ass."
• Boswell: "Every man should keep minutes of whatever he reads. Every circumstance of his studies should be recorded; what books he has consulted; how much of them he has read; at what times; how often the same authors; and what opinions he has formed of them, at different periods of his life. Such an account would much illustrate the history of his mind."
• On Skye, B tells us, they join with the locals in "a dance which [...] the emigration from Sky has occasioned. They call it 'America'. Each of the couples, after the common involutions and evolutions, successively whirls round in a circle, till all are in motion; and the dance seems intended to shew how emigration catches, till a whole neighbourhood is set afloat."
• J's accurate etiology of sea-legs. Boswell: "I felt still the motion of the sea. Dr Johnson said, it was not in imagination [J's rationalism again], but a continuation of motion on the fluids, like that of the sea itself after the storm is over."
• J's impromptu satirical "Meditation on a Pudding" is a highlight.
• I can empathise with Johnson being mistaken (by a half-deaf laird) for a Johnston.
• Insular J’s slander of the Chinese:
Boswell: You yourself, sir, have never seen, till now, any thing but your own native island.
Johnson: But, sir, by seeing London, I have seen as much of life as the world can shew.
Boswell: You have not seen Pekin.
Johnson: What is Pekin? Ten thousand Londoners would drive all the people of Pekin: they would drive them like deer.
• B describes a letter from Garrick as being "as agreeable as a pineapple in a desert".
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Associated Authors

James Boswell Author, Contributor
J.P. Hardy Editor
François Quesnai Contributor
George Whitefield Contributor
Voltaire Contributor
Joseph Butler Contributor
David Hume Contributor
Edward Gibbon Contributor
Henry Fielding Contributor
John Toland Contributor
Adam Smith Contributor
Tacitus Contributor
Diogenes Laërtius Contributor
Plutarch Contributor
Lytton Strachey Contributor
Marcel Schwob Contributor
Peter Levi Editor
John Wain Editor
W. J. Bate Editor
H. R. Woudhuysen Editor, introduction, notes
Wim Tigges Translator
Patrick Tull Narrator
William Daniell Illustrator
Arthur Waugh Introduction
Fanny Burney Contributor
Fritz Kredel Cover designer
Mrs. Piozzi Contributor
Oliver Lundquist Cover designer
Joshua Reynolds Cover artist
R. T. Davies Contributor
Henry Morley Introduction

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Rating
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Reviews
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ISBNs
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