Misha Berson
Author of Between Worlds: Contemporary Asian-American Plays
About the Author
Misha Berson is the award-winning theatre critic for the Seattle Times and the author of the books Between Worlds: Contemporary Asian-American Plays and The San Francisco Stage. She writes regularly for American Theatre Magazine and other publications, appears as a commentator on KUOW-FM radio, has show more taught at the University of Washington and San Francisco State University, and is the former executive director of Theatre Bay Area. show less
Series
Works by Misha Berson
Tagged
Common Knowledge
- Gender
- female
Members
Reviews
Statistics
- Works
- 4
- Members
- 47
- Popularity
- #330,643
- Rating
- 3.0
- Reviews
- 1
- ISBNs
- 6
The book examines "West Side Story" from its origins to its role as a touchstone of American culture. The most engaging chapters come early in the book, as Berson addresses the show's staging, music and lyrics, and choreography. I also appreciated the chapter dedicated to the film version of the musical, which included a list of differences between the movie and the stage show. These chapters are very heavy on the research, but Berson integrates other people's thoughts and ideas in a way that is cohesive and easy to read.
Unfortunately, some of the other chapters suffer by comparison, and several seem like filler added to make the book longer. The most egregious chapters are "The Rise of the Dancer-Choreographer," "Broadway's Youth Musicals," and "West Side Story and the Rise of Juvenile Delinquency." These chapters seem unnecessary and distract from the strong scholarship that Berson brings to the rest of the book. I'm still scratching my head over the inclusion of the youth musicals chapter. Not only are the included shows unsurprising (Hair, Rent, and Spring Awakening are all mentioned), but the few connections Berson attempts to draw between these shows and "West Side Story" are obvious at best. What makes this truly lamentable is that the basic idea (West Side Story's influence on later musicals about teen angst and rebellion) has the potential to be much more interesting than the actual chapter suggests.
Given all of these factors, I do recommend "Something's Coming, Something Good," albeit with some reservations. In short, this book provides a great introduction for people who want to learn more about the show, and it even makes sense as a quick reference guide for those of us who know a great deal about the musical's origins and influence. However, don't be surprised by the lack of surprises in the book and don't be afraid to skip some of the lighter chapters that only have a tangential relationship with the show.… (more)