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Second-hand Man (Contributor) 1 copy
The Red Book, November 1925 (Contributor) 1 copy
The art of narration (Contributor) 1 copy
Little Verses and Big Names (Contributor) 1 copy
Fellowship : December 1921 (Contributor) 1 copy
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The Nation (Contributor) 1 copy
American Mercury, July 1931 (Contributor) 1 copy
American Mercury, August 1930 (Contributor) 1 copy
The Dial, February 22, 1919 (Contributor) 1 copy
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Cabell, Branch - (James Branch Cabell)kăˈbəl, 1879–1958, American novelist, b. Richmond, Va., grad. William and Mary, 1898. "As a mnemonic for the pronunciation of his name, he wrote: 'Tell the rabble / My name is Cabell.' (2004, F Brett Cox, editor)" After various experiences as a journalist and as a clerk for a coal mining company he began writing fiction. His early works, which are sophisticated novels deriding conventional history, include Gallantry (1907), Chivalry (1909), and The Rivet in Grandfather's Neck (1915). Many of Cabell's most popular novels are set in the imaginary medieval kingdom of Poictesme; among these are The Cream of the Jest (1917), Jurgen (1919)—Cabell's most famous work because of its attempted suppression on charges of obscenity—and The Silver Stallion (1926). Cabell's novels are usually pointedly antirealistic, and many of them can be considered moral allegories. Although he was enormously popular in the 1920s, his highly artifical prose style and subject matter lost favor with critics and public alike by the 1930s. His nonfiction writing includes Beyond Life (1919), The St. Johns (with A. J. Hanna, 1943), and Let Me Lie (1947).
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