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Stephen Greenblatt is a literary critic, theorist and scholar. He is the author of Three Modern Satirists: Waugh, Orwell, and Huxley (1965); Renaissance Self-Fashioning: From More to Shakespeare (1980); Learning to Curse: Essays in Early Modern Culture (1990); Redrawing the Boundaries: The Transformation of English and American Literary Studies (1992); The Norton Shakespeare (1997); Will in the World: How Shakespeare Became Shakespeare (2004); Shakespeare's Freedom (2010); and The Swerve: How the World Became Modern (2011). (Bowker Author Biography)
— biography from Will in the World: How Shakespeare Became Shakespeare
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The Swerve: How the World Became Modern 3,111 copies, 129 reviews
The Rise and Fall of Adam and Eve 325 copies, 11 reviews
Tyrant: Shakespeare on Politics 315 copies, 9 reviews
The Complete Works of William Shakespeare (Editor, some editions) 28,704 copies, 159 reviews
Religio Medici and Urne-Buriall (New York Review Books Classics) (Editor, some editions) 190 copies, 3 reviews
Staging the Renaissance (Contributor) 71 copies
Reynard the Fox: A New Translation (Foreword, some editions) 61 copies
A New History of Early English Drama (Foreword, some editions) 48 copies, 1 review

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Short biography
Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University as well as a finalist for the Pulitzer Prize and the National Book Award for Nonfiction. He is the General Editor of The Norton Shakespeare and the General Editor of The Norton Anthology of English Literature. He divided his tme between Cambridge, Massachusetts, and Vermont. [from The Swerve (2011)
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