Picture of author.

Eugene O'Neill (1888–1953)

Author of Long Day's Journey into Night

312+ Works 11,541 Members 113 Reviews 24 Favorited

About the Author

Eugene O'Neill was born in New York City on October 16, 1888, the son of popular actors James O'Neill and Ellen Quinlan. As a young child, he frequently went on tour with his father and later attended a Catholic boarding school and a private preparatory school. He entered Princeton University but show more stayed for only a year. He took a variety of jobs, including prospecting for gold, shipping out as a merchant sailor, joining his father on the stage, and writing for newspapers. In 1912, he was hospitalized for tuberculosis and emotional exhaustion. While recovering, he read a great deal of dramatic literature and, after his release from the sanitarium, began writing plays. O'Neill got his theatrical start with a group known as the Provincetown Players, a company of actors, writers, and other theatrical newcomers, many of whom went on to achieve commercial and critical success. His first plays were one-act works for this group, works that combined realism with experimental forms. O'Neill's first commercial successes, Beyond the Horizon (1920) and Anna Christie (1921) were traditional realistic plays. Anna Christie is still frequently performed. It is the story of a young woman, Anna, whose hard life has led her to become a prostitute. Anna comes to live with her long-lost father, who is unaware of her past, and she falls in love with a sailor, who is also unaware. When Anna finds the two men fighting over her as though she were property, she is so angry and disgusted that she insists on telling them the truth. The man she loves rejects her at first, but then later returns to marry her. Soon O'Neill began to experiment more, and over the next 12 years used a wide variety of unusual techniques, settings, and dramatic devices. It is no exaggeration to say that, virtually on his own, O'Neill created a tradition of serious American theater. His influence on the playwrights who followed him has been enormous, and much of what is taken today for granted in modern American theater originated with O'Neill. A major legacy has been the nine plays he wrote between 1924 and 1931, tragedies that made heavy use of the new Freudian psychology just coming into fashion. His one comedy, Ah, Wilderness (1933), was the basis for the musical comedy, Oklahoma!, itself a groundbreaking event in American theater. O'Neill later began to write the intense, brooding, and highly autobiographical plays that are now considered to his best work. The Iceman Cometh (1946) is set in a bar in Manhattan's Bowery, or skid-row district. In the course of the play, a group of apparently happy men are forced to recognize the true emptiness of their lives. In A Long Day's Journey into Night (1956), O'Neill examines his own family and their tormented lives, a subject he continues in A Moon for the Misbegotten (1957). O'Neill's work was highly honored. He was awarded the Nobel Prize for literature in 1936 and Pulitzer Prizes for Anna Christie, Beyond the Horizon, Strange Interlude (1928), and A Long Day's Journey Into Night, which also received the New York Drama Critics Circle Award. O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. He was also born in a hotel room in Times Square, NYC. (Bowker Author Biography) show less
Image credit:
Courtesy of the NYPL Digital Gallery
(image use requires permission from the New York Public Library)

Series

Works by Eugene O'Neill

Long Day's Journey into Night (1956) 3,416 copies
The Iceman Cometh (1946) 1,348 copies
Anna Christie / The Emperor Jones / The Hairy Ape (1922) — Author — 520 copies
Nine Plays (1932) 441 copies
A Moon for the Misbegotten (1952) — Author — 381 copies
Mourning Becomes Electra (1931) — Author — 341 copies
Complete Plays 1932-1943 (1988) 291 copies
Complete Plays 1913-1920 (1988) 279 copies
Complete Plays 1920-1931 (1988) 272 copies
Ah, Wilderness! (1933) 235 copies
The Emperor Jones (1921) 196 copies
Strange Interlude (1928) 162 copies
A Touch of the Poet (1957) 158 copies
Desire Under the Elms (1925) 146 copies
Anna Christie (1921) 141 copies
Seven Plays of the Sea (1937) — Author — 138 copies
The Hairy Ape (1922) 120 copies
Beyond the Horizon (1920) 103 copies
The Plays of Eugene O'Neill (1926) 79 copies
Six Short Plays (1951) 63 copies
More Stately Mansions (1764) 60 copies
Complete plays, 1913-1943 (1988) 46 copies
Hughie (1959) 41 copies
Ten "Lost" Plays (1600) 40 copies
Lazarus Laughed (1927) 35 copies
Marco Millions (1927) 30 copies
Long Day's Journey Into Night [1962 film] (1962) — Screenwriter — 28 copies
Dynamo (1929) 28 copies
Exorcism: A Play in One Act (2012) 23 copies
Days Without End (1934) 21 copies
Lost Plays (1950) 14 copies
The First Man (1922) 13 copies
Poems, 1912-1944 (1980) 13 copies
Penguin Plays (1960) 13 copies
The Straw (1921) 13 copies
The Moon of the Caribbees (1919) 12 copies
The Great God Brown (1926) 10 copies
In the Zone (2014) 10 copies
Drammi marini (1990) 10 copies
Diff'rent (1921) 9 copies
Plays of Eugene O'Neill (1941) 9 copies
Collected Shorter Plays (2007) 8 copies
Welded (1924) 8 copies
Plays (2017) 7 copies
Ile 7 copies
Bound East for Cardiff (2005) 6 copies
Meisterdramen (1966) 6 copies
Where the Cross Is Made (2014) 6 copies
Before breakfast (1916) 5 copies
The Rope (2014) 4 copies
Los Demonios (1987) 4 copies
Chris Christophersen (1982) 4 copies
The American spectator year book (1934) — Editor — 3 copies
The Man and His Plays (1947) 3 copies
Teatro escogido 3 copies
Teatro 3 copies
Mourning Becomes Electra [1947 film] (2004) — Screenwriter — 2 copies
Plays 2 copies
Tomorrow (2014) 2 copies
Théâtre complet 1 (1963) 2 copies
Chris Christophersen (1982) 2 copies
Abortion 2 copies
Gold (1920) 2 copies
Dias sem fim 1 copy
Teatr 1 copy
Beyond the Horizon (2015) 1 copy
Four Plays (2020) 1 copy
Théâtre choisi (1963) 1 copy
The Straw (2013) 1 copy
Three Plays (1949) 1 copy
Los Demonios 1 copy
5 plays 1 copy
Olje / Ile 1 copy
Fermenti 1 copy
In The Zone; Ile (2005) 1 copy
Plays 1 copy
Rijkemanshuis (1994) 1 copy
Fog 1 copy
TRAANIA 1 copy
Homecoming 1 copy
Opere 1 copy
The Movie Man (2014) 1 copy
The Sniper (2014) 1 copy
Servitude 1 copy
Le opere 1 copy
The Long Voyage Home (1952) 1 copy
Beyond the Horizon (2015) 1 copy
The Great God Brown (1926) 1 copy
Il castoro 1 copy
Négy dráma 1 copy
Drámák (1974) 1 copy
Two one-act plays (1980) 1 copy
Dr (1974) 1 copy

Associated Works

The Portable Harlem Renaissance Reader (1994) — Contributor — 393 copies
Eight Great Tragedies (1957) — Contributor — 382 copies
24 Favorite One Act Plays (1958) — Contributor — 274 copies
Six Modern American Plays (1951) — Contributor — 264 copies
Nobel Prize Library: Faulkner, O'Neill, Steinbeck (1971) — Author — 182 copies
This Is My Best (1942) — Contributor — 180 copies
Sixteen Famous American Plays (1777) — Playwright — 177 copies
Masterpieces of the Drama (1966) — Contributor — 173 copies
Famous American Plays of the 1920s (1959) — Contributor — 135 copies
Thirty Famous One-Act Plays (1943) — Contributor — 106 copies
Four Modern Plays (First Series) (1944) — Contributor — 89 copies
Contemporary Drama: 15 Plays (1959) — Contributor — 68 copies
Best American Plays: Third Series, 1945-1951 (1952) — Contributor — 66 copies
The Theatre Guild Anthology (1936) — Contributor — 61 copies
Modern and Contemporary Drama (1958) — Contributor — 43 copies
Best American Plays: Fifth Series, 1957-1963 (1952) — Contributor — 42 copies
Best American Plays: Fourth Series, 1951-1957 (1958) — Contributor — 39 copies
A Quarto of Modern Literature (1935) — Contributor — 38 copies
Ten Great One Act Plays (1968) — Contributor — 35 copies
14 great plays (1977) — Contributor — 31 copies
50 Best Plays of the American Theatre [4-volume set] (1969) — Contributor — 31 copies
Anna Christie [1930 film] (2005) — Original play — 23 copies
World's Great Plays (1944) — Contributor — 22 copies
Best American Plays: 6th Series, 1963-1967 (1971) — Contributor — 19 copies
New Girl in Town (1958) — Original play Anna Christie — 18 copies
The Long Voyage Home [1940 film] (1940) — Original play — 17 copies
Twelve Classic One-Act Plays (2010) — Contributor — 17 copies
Anathema!: Litanies of Negation (1928) — Introduction, some editions — 16 copies
MacBeth and the Emperor Jones (1935) — Contributor — 11 copies
The Iceman Cometh [1973 film] (2003) — Original play — 8 copies
Five Modern Plays (1987) — Author — 6 copies
Contemporary Drama American Plays II (1938) — Contributor — 4 copies
American Plays (1935) — Contributor — 2 copies
Ah, Wilderness! [1976 TV episode] (2001) — Original play — 2 copies
The Iceman Cometh [1960 film] (1960) — Original play — 2 copies
Five Modern Plays (1950) — Author — 1 copy
Teatru American Contemporan vol. 1 — Contributor — 1 copy

Tagged

20th century (242) alcoholism (32) American (237) American drama (75) American literature (380) anthology (328) classic (87) classics (104) collection (63) drama (1,729) essays (33) Eugene O'Neill (109) family (43) fiction (549) hardcover (31) Harlem Renaissance (29) Library of America (127) literature (332) LOA (54) Modern Library (73) Nobel (31) Nobel Prize (96) non-fiction (29) O'Neill (55) On Shelf (26) own (36) owned (31) paperback (30) play (482) plays (1,032) poetry (56) Pulitzer Prize (27) read (98) script (122) short stories (37) theatre (691) to-read (307) tragedy (77) unread (52) USA (46)

Common Knowledge

Canonical name
O'Neill, Eugene
Legal name
O'Neill, Eugene Gladstone
Birthdate
1888-10-16
Date of death
1953-11-27
Burial location
Forest Hills Cemetery, Jamaica Plain, Boston, Massachusetts, USA
Gender
male
Nationality
USA
Birthplace
New York, New York, USA
Place of death
Boston, Massachusetts, USA
Cause of death
cerebellar cortical atrophy, a rare form of brain deterioration
Places of residence
Monte Cristo Cottage, New London, Connecticut, USA
Château du Plessis, St. Antoine-du-Rocher, Indre-et-Loire, France
Casa Genotta, Sea Island, Georgia, USA
Tao House, Danville, California, USA
Education
St. Aloysius Academy for Boys
Princeton University
Harvard University
Occupations
playwright
poet
reporter
actor
assistant stage manager
prospector (show all 9)
sailor
secretary
editor
Relationships
O'Neill, Eugene, Jr. (son)
O'Neill, Shane (son)
Boulton, Agnes (wife)
Bryant, Louise (girlfriend)
Baker, George Pierce (teacher)
Strindberg, August (friend) (show all 8)
Reed, John (friend)
Chaplin, Geraldine (grand daughter)
Organizations
National Institute of Arts and Letters
The Lambs
Dramatists Guild
Authors League of America
Provincetown Players (co-manager)
New London Telegraph (reporter) (show all 8)
Marine Transport Workers Union of the Industrial Workers of the World
American Spectator (associate editor and contributor)
Awards and honors
Nobel Prize (Literature ∙ 1936)
American Academy of Arts and Letters (1923)
American Philosophical Society (1935)
American Theater Hall of Fame (1972)
Gold Medal, National Institute of Arts and Letters (1923)
Pulitzer Prize (1920, 1922, 1928, 1957) (show all 14)
Tony Award (1957)
Irish Academy of Letters (1932)
National Historic Landmark (Monte Cristo Cottage)(1971)
Eugene O'Neill National Historic Site (Tao House)(1976)
Eugene O'Neill Theatre, New York (1959)
Eugene O'Neill Theater Center, Waterford, Connecticut (1964)
Litt.D., Yale University (1923)
United States Postal Service stamp (1967)

Members

Reviews

O'Neill's brilliance and his place as America's foremost playwright locks into place, if it hadn't already, with this third volume of plays from the last decade of his writing life. Three of the plays presented here (The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten) are utter masterpieces, works of art so powerful that they rank among the great accomplishments in English letters. Two other plays (Ah, Wilderness! and A Touch of the Poet) are great plays. A third (More Stately Mansions) is the one great failure of O'Neill's career, I believe, an endless epic back-and-forth set of soulful arguments that could have been (and sometimes was) better played in an infinitely shorter play. But it's my belief that no American playwright has ever come within miles of capturing O'Neill's ability to see the pain at the heart of human beings and to encapsulate so perfectly the pity which the lost heart yearns for and requires.… (more)
 
Flagged
jumblejim | Aug 26, 2023 |
It's good at first, but by Act 3 all the themes have been developed and the rest of the play is simply digging in further to the already-established ruts.

This might be a play that really suffers in the reading as opposed to the performance.
 
Flagged
blueskygreentrees | 35 other reviews | Jul 30, 2023 |
I don't know why I was surprised by the abject misery. Themes a little dated, but a good read.
 
Flagged
Mcdede | Jul 19, 2023 |
I don't think I would have liked this play 20 years ago, but I really enjoyed it. The skill and ideas are amazing. I don't think the story was the greatest, but enough to keep me interested in what what going to happen. I can see why this work is so revered.
 
Flagged
Mcdede | 9 other reviews | Jul 19, 2023 |

Lists

1940s (3)
1930s (1)

Awards

You May Also Like

Associated Authors

Statistics

Works
312
Also by
57
Members
11,541
Popularity
#2,038
Rating
3.8
Reviews
113
ISBNs
432
Languages
16
Favorited
24
Touchstones
229

Charts & Graphs