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S. J. Perelman was a prolific humorist and satirist at the New Yorker for almost half a century. His contributions had a surrealistic quality in style and in subject that elicited from Dorothy Parker the judgment that he had "a disciplined eye and a wild mind" and "a magnificent disregard" for his reader. His raillery was aimed at popular fiction, motion pictures, advertising, and similar features of our transient culture. In his preferred form, a short drama, Perelman excelled in the unconventional, the concentrated, the sophisticated in humor. (Bowker Author Biography)
— biography from Most of the Most of S. J. Perelman
… (more)
Crazy Like a Fox 226 copies, 3 reviews
The Last Laugh 169 copies, 2 reviews
The Rising Gorge 124 copies, 2 reviews
Westward Ha! 115 copies, 2 reviews
Eastward Ha! 95 copies, 1 review
The Swiss Family Perelman 82 copies, 2 reviews
Acres and Pains 81 copies, 1 review
Chicken Inspector No. 23 72 copies, 3 reviews
Vinegar Puss 63 copies
Monkey Business [1931 film] (Writer) 47 copies, 2 reviews
Keep it crisp 31 copies, 1 review
The Ill-tempered Clavichord 27 copies, 1 review
Dawn Ginsbergh's Revenge 7 copies, 1 review
The Best American Essays of the Century (Contributor) 708 copies, 4 reviews
Americans in Paris: A Literary Anthology (Contributor) 281 copies, 3 reviews
Best of Modern Humor (Contributor) 277 copies, 3 reviews
Remarkable Names of Real People (Preface, some editions) 92 copies
Ten Great Musicals of the American Theatre (Contributor) 77 copies, 2 reviews
The Best American Humorous Short Stories (Contributor) 75 copies, 2 reviews
The Jewish Writer (Contributor) 47 copies
Reading for Pleasure (Contributor) 47 copies
The Bedside Tales: A Gay Collection (Contributor) 42 copies
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Short biography
Sidney Joseph Perelman was born in Brooklyn and grew up in Providence. He entered Brown University in 1921 as a daily commuter. After leaving college, he worked as a cartoonist and later writer for Judge magazine and for College Humor magazine and in the early 1930s he went to Hollywood and worked as a script writer. He began writing for the New Yorker in 1934. In 1970, Perelman left the USA to live in London but returned to New York in 1972.
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