Jane Smiley: LibraryThing Author Interview
Jane Smiley has written one of everything: articles, essays, non-fiction, children's literature, a TV episode ... not to mention her popular fiction titles, including her Pulitzer-winning retelling of King Lear, A Thousand Acres. If you look at her author page on LibraryThing, you can see that 9,929 members have at least one of her works in their library.
Jane's new book, Private Life, is a fictional story based on her own great-aunt's life, spanning the 1880's to 1940's. The story unfolds over the turn of the last century, encompassing a number of well-known American events (both cultural and scientific) while remaining very much a domestic story about the private life and marriage of Margaret and Andrew Early.
Author MadLib: Jane Smiley is currently working on . She lives . When she's not , she's .
What does Private Life refer to?
Margaret's inner life (which Andrew shows no interest in) and also the contrast between the role of the traditional wife and the world-renowned scientist-husband. But it also refers to the various layers of her memories of her early life and her interpretation of them.
Andrew's personality seemed to overwhelm and override Margaret. Do you think there was any way Margaret could have constructed a happy life while married to Andrew? If they were living in today's times, how differently might she have navigated her marriage?
In the end she gets some perspective on who she is within this marriage, but it is a certain kind of marriage that is less common today (though not gone away). Anyone, even today, can be married to a self-centered, self-involved tormented ego-maniac. It's also more possible today to get help in retaining your identity in such a marriage. But every marriage involves choices about whether to accommodate the marriage or to leave it, so even though Margaret and Andrew exist in an earlier time, the dynamic of their relationship is not entirely of their time. And of course, there are still plenty of cultures in our world where the wife's job is to be subordinate, and so what does that mean? It's a perennial question.
If it was the "effervescence of the impending twentieth century" that made Andrew attractive to Margaret, what would the modern-day equivalent be? Do you think she would have married him?
I think couples can have any sort of shared experience that they feel brings them together, and sometimes that shared experience turns out to be an illusion. At that moment in Margaret's life, both she and Andrew (and most of the people around them) think that the twentieth century will be new and exciting—a break from the past rather than a continuation of it. But it never happens that way.
From jmyers24: When you were writing The All-True Travels and Adventures of Lidie Newton, how much of the total time was spent in research vs. actually writing the book? How does the research for that work compare with that for Private Life?
I don't have a specific memory of how long I spent on research, only that there was plenty of material about Kansas and Missouri before the Civil War, and that a lot of it was original source material, since Kansas was so interesting as both a place to settle and as a contested territory. So there were autobiographies, newspaper articles, advertisements, tall tales. I probably spent the same about of time researching both, but I don't remember clearly enough to say for sure.
From adelavoe: What is a typical work day for you? Do you write in the morning or the evening? Do you write long hand or use a computer?
I use a laptop computer and I never write at night. During the day, though, it varies—sometimes an hour or so if I'm really going, other times longer, if I need to make more effort. I try to write three or four pages a day, six days a week.
From jenwren18: Of all the books you've written, which one was the most special experience for you while writing it and why?
Two of the books seemed to come from outside me, The Greenlanders and Horse Heaven. These stories seemed to tell themselves and to use me as a secretary. I think that is always a good thing, but it doesn't always mean that readers will like those books best. My favorite Anthony Trollope novel is He Knew He Was Right, which Trollope hated, and my favorite Dickens novel is Our Mutual Friend, which Dickens thought was very difficult. But both seem very fluent to me. So what a reader makes of a novel is always different from what the writer makes of it.
It's fun! The girls' horse books are told in the voice of the main character, Abby, so though they aren't necessarily less complex, they are more immediate. She is interested in the concrete details of her daily life, not so much what it all means, but how it is all going to work itself out. I like the unfolding of that.
Never saw it, so I don't know. But I doubt that any of it would surprise me. It was a daring novel in several ways, and quite often I run into someone who really has enjoyed it, so every novelist has to say, it is what it is, and you, as a reader, can make of it what you will.
From adelavoe: Who do you think has been overlooked for the Nobel Prize in literature? Who do you think is the best essayist today?
Almost everybody has been overlooked for the Nobel Prize. Big prizes are bolts of lightning—they make no sense, and aren't necessarily good, either. I am not an expert on essayists. I like funny ones.
What have you been reading lately?
No! I don't keep many books. I like to pass them on to other readers.
I had to follow up on the fact that Jane Smiley knits, because I'm a big fan of knitting. What are you working on now?
Well, I stopped on a vest I was making because I hadn't dyed enough wool, so I had to order some Kashmiri saffron to dye some more. In the interim, I decided to try a project I call "knit a sweater in a week". The yard is mostly wool and the needles are big (#9), so the gauge is about 3 st. and 3 rows to the inch. I am moving right along! It is a jacket-style cardigan. All of this sounds quite expert, but the projects are very hit and miss—some I wear and some I hide.
—interview by Sonya Green
Books by Jane Smiley
Of Human Bondage (6643 copies)
A Thousand Acres (5116 copies)
Crossing to Safety (3174 copies)
Moo (2198 copies)
The Sagas of Icelanders (1803 copies)
The All-True Travels and Adventures of Lidie Newton (1135 copies)
Horse Heaven (998 copies)
Some Luck (911 copies)
The Greenlanders (878 copies)
Good Faith (776 copies)
Thirteen ways of looking at the novel (761 copies)
Duplicate Keys (636 copies)
Private Life (596 copies)
Ten Days in the Hills (554 copies)
The Moonflower Vine (506 copies)
The Age of Grief (439 copies)
Ordinary Love and Good Will (398 copies)
Early Warning (395 copies)
You've Got to Read This: Contemporary American Writers Introduce Stories that Held Them in Awe (327 copies)
Barn Blind (324 copies)
Charles Dickens (300 copies)
Golden Age (282 copies)
At Paradise Gate (263 copies)
The Best American Short Stories 1995 (255 copies)
Family Furnishings: Selected Stories, 1995-2014 (193 copies)
The Workshop: Seven Decades of the Iowa Writers Workshop - 43 Stories, Recollections, & Essays on Iowa's Place in Twentieth-Century American Literature (162 copies)
The Georges and the Jewels (159 copies)
Twenty Yawns (104 copies)
The Barbie Chronicles: A Living Doll Turns Forty (96 copies)
A Good Horse (89 copies)
The Granta Book of the American Long Story (81 copies)
Best New American Voices 2006 (75 copies)
The Best American Short Stories 1985 (46 copies)
An Innocent Abroad: Life-Changing Trips from 35 Great Writers (Lonely Planet Travel Literature) (39 copies)
Marta Oulie: A Novel of Betrayal (39 copies)
Antaeus: The Final Issue (26 copies)
The True Subject: Writers on Life and Craft (23 copies)
A Thousand Acres [1997 film] (16 copies)
Riding Lessons (An Ellen and Ned Book) (6 copies)
Schön, dass du hier bist (2 copies)
TEN DAYS IN THE HILL (1 copies)
ORDINARY LOVE AND GOODWILL (1 copies)
13 OF LOOKING AT THE NOVELWAYS (1 copies)
The Hillside (Warmer collection) (1 copies)
Little Women (1 copies)
Los Premios Pulitzer de novela (IV) (1 copies)
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