Book AwardsAcademy Award
Awards data has been moved to its own structure. See Awards.
Book awards by cover
Works (200)
| Titles | Order |
|---|---|
| Pinocchio [1940 film] by Ben Sharpsteen | Best Original Score, Twice |
| The Jazz Singer [1927 film] by Alan Crosland | Honorary, 1929 |
| The Last Command [1928 film] by Josef von Sternberg | Best Actor, 1929 |
| The Way of All Flesh [1927 film] by Victor Fleming | Best Actor, 1929 |
| Wings [1927 film] by William A. Wellman | Best Picture-Production; Best Effects-Engineering Effects, 1929 |
| Morning Glory [1933 film] by Lowell Sherman | Best Actress, 1934 |
| It Happened One Night [1934 film] by Frank Capra | Best Picture, Best Director, Best Actor, Best Actress, Best Writing: Adapted Screenplay, 1935 |
| Mr. Deeds Goes to Town [1936 film] by Frank Capra | Best Director, 1937 |
| Captains Courageous [1937 film] by Victor Fleming | Best Leading Actor, 1938 |
| You Can't Take It With You [1938 film] by Frank Capra | Best Picture 1939 |
| Stagecoach [1939 film] by John Ford | Best Actor in a Supporting Actor, Best Music-Scoring, 1940 |
| The Wizard of Oz [1939 film] by Victor Fleming | Best Music-Original Song, Best Music-Original Score, 1940 |
| Rebecca [1940 film] by Alfred Hitchcock | Best Picture, Best Cinematography: B&W, 1941 |
| Citizen Kane [1941 film] by Orson Welles | Best Original Screenplay, 1942 |
| Dumbo [1941 animated film] by Ben Sharpsteen | Best Music-Scoring of a Musical Picture, 1942 |
| Suspicion [1941 film] by Alfred Hitchcock | Best Actress - Joan Fontaine, 1942 |
| Casablanca [1942 film] by Michael Curtiz | Best Picture, Best Director, Best Writing -Adapted Screenplay, 1943 |
| Gaslight [1944 film] by George Cukor | Best Actress in a Leading Role, Best Art Direction-Interior Decoration-black and white, 1945 |
| Going My Way [1944 film] by Leo McCarey | Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Writing: Original Story, Best Writing: Screenplay, Best Music: Original Song, 1945 |
| Laura [1944 film] by Otto Preminger | Best Cinematography-black and white, 1945 |
| The Bells of St. Mary's [1945 film] by Leo McCarey | Best Sound: Recording, 1946 |
| Leave Her to Heaven [1945 film] by John M. Stahl | Best Cinematography: Color, 1946 |
| Starring Tom & Jerry! [Videorecording] by Joseph Barbera | Best Short Subject, Cartoons, Quiet Please!, 1946 |
| The Best Years of Our Lives [1946 film] by William Wyler | Honorary Award; Best Picture; Best Actor in a Leading Role; Best Actor in a Supporting Role; Best Director; Best Writing-Screenplay; Best Film Editing; Best Music-Scoring of a Dramatic or Comedy Picture, 1947 |
| To Each His Own [1946 film] by Mitchell Leisen | Best Actress, 1947 |
| The Yearling [1946 film] by Clarence Brown | Best Cinematography-Color; Best Art Direction-Interior Decoration-Color, 1947 |
| The Bachelor and the Bobby-Soxer [1947 film] by Irving Reis | Best Writing, Original Screenplay, 1948 |
| Black Narcissus [1947 film] by Michael Powell | Cinematography, Color - Jack Cardiffs, 1948 |
| All the King's Men [1949 film] by Robert Rossen | Best Picture, Best actor - Crawford AND Best supporting actress - McCambridge, 1949 |
| Easter Parade [1948 film] by Charles Walters | Scoring of a Musical Picture, Johnny Green and Roger Edens, 1949 |
| Key Largo [1948 film] by John Huston | Best Actress in a Supporting Role, 1949 |
| The Magical World of Disney: The Vanishing Prairie / Seal Island [1954 TV Episode] by James Algar | Best Short Subject- Two-reel, 1949 |
| The Naked City [1948 film] by Jules Dassin | Best Film Editing, Best Cinematography-Black & White, 1949 |
| The Snake Pit [1948 film] by Anatole Litvak | Best Sound, Recording, 1949 |
| The Treasure of the Sierra Madre [1948 film] by John Huston | Best Supporting Acrtor, Best Director, Best Writing - Screenplay, 1949 |
| Born Yesterday [1950 film] by George Cukor | Best Actress, 1951 |
| Sunset Boulevard [1950 film] by Billy Wilder | Best Original Screenplay, 1951 |
| The Third Man [1949 film] by Carol Reed | Best Black and White Cinematography, 1951 |
| The African Queen [1951 film] by John Huston | Best Actor - Humphrey Bogart, 1952 |
| An American in Paris [1951 film] by Vincente Minnelli | Original Screenplay, 1952 |
| High Noon [1952 film] by Fred Zinnemann | Best music, song, 1952 |
| From Here to Eternity [1953 film] by Fred Zinnemann | Best Director, Best Picture, Best Supporting Actor, Best Supporting Actress, Best Writing: Screenplay, Best Cinematography: Black-and-White, Best Sound Recording, Best Editing, 1954 |
| Titanic [1953 film] by Jean Negulesco | Best Writing, Story and Screenplay, 1954 |
| The Country Girl [1954 film] by George Seaton | Best Actress in a Leading Role, Best Writing: Screenplay 1955 |
| The Little Kidnappers [1953 film] by Philip Leacock | Honorary, 1955 |
| On the Waterfront [1954 film] by Elia Kazan | Best Picture, Best Director, Best Actor, Best Supporting Actress, Best Film Editing, Best Art Direction-Set Decoration: Black-and-White, Best Writing: Story and Screenplay, Best Cinematography: Black-and-White, 1955 |
| Three Coins in the Fountain [1954 film] by Jean Negulesco | Best Cinematography: Color, Best Music: Original Song, 1955 |
| To Catch a Thief [1955 film] by Alfred Hitchcock | Cinematography, 1955 |
| Anastasia [1956 film] by Anatole Litvak | Best Actress, 1956 |
| Marty [1955 film] by Delbert Mann | Best Picture, Best Director, Best Actor, Best Writing: Screenplay, 1956 |
| Giant [1956 film] by George Stevens | Best Director, 1957 |
| The Man Who Knew Too Much [1956 film] by Alfred Hitchcock | Best Music - Original Song, 1957 |
| The Red Balloon [1956 film] by Albert Lamorisse | Best Writing, Best Screenplay - Original, 1957 |
| The Bridge on the River Kwai [1957 film] by David Lean | Best Music-Scoring, 1958 |
| Gigi [1958 film] by Vincente Minnelli | Picture, Director, Writing, Screenplay Based on Material from Another Medium, AND Music, Scoring of a Musical Picture, 1959 |
| I Want to Live! [1958 film] by Robert Wise | Best actress in a Leading Role, 1959 |
| Ben-Hur [1959 film] by William Wyler | Best Picture, Best Director, Best Actor, Best Supporting Actor, Best Costume Design: Color, Best Film Editing, Best Cinematography: Color, Best Art Direction: Set Direction: Color, Best Sound, Best Effects: Special Effects, Best Music: Scoring of a Dramatic or Comedy, 1960 |
| Some Like It Hot [1959 film] by Billy Wilder | Best Costume Design, Black-and-White, 1960 |
| The Apartment [1960 film] by Billy Wilder | Best Picture, Best Director, Best Film Editing, Best Original Screenplay, 1961 |
| Butterfield 8 [1960 film] by Daniel Mann | Best Actress - Taylor, 1961 |
| Elmer Gantry [1960 film] by Richard Brooks | Actor - Lancaster, Supporting Actress - Jones, and Best Adapted Screenplay - Brooks, 1961 |
| The Time Machine [1960 film] by George Pal | Special Effects, 1961 |
| West Side Story [1961 film] by Robert Wise | Best Costume Design-Color 1962 |
| The Music Man [1962 film] by Morton DaCosta | Best Music-Scoring of Music-Adaptation or Treatment, 1963 |
| To Kill a Mockingbird [1962 film] by Robert Mulligan | Best Actor, Best Writing: Screenplay based on Material from Another Medium, Best Art Direction:Set Decoration Black-and-White, 1963 |
| How the West Was Won [1962 film] by John Ford | Best Sound, 1964 |
| It's a Mad, Mad, Mad, Mad World [1963 film] by Stanley Kramer | Best Effects, Sound Effects, 1964 |
| Father Goose [1964 film] by Ralph Nelson | Best Writing, Story and Screenplay - Written Directly for the Screen, 1965 |
| Mary Poppins [1964 film] by Robert Stevenson | Best Actress in a Leading Role, Best Effects-Special Visual Effects, Best Music-Substantially Original Score, Best Music-Original Score, Best Film Editing, 1965 |
| Zorba the Greek [1964 film] by Mihalis Kakogiannis | Best Cinematography, Black-and-White, 1965 |
| Cat Ballou [1965 film] by Elliot Silverstein | Best Actor in a Leading Role, 1966 |
| The Great Race [1965 film] by Blake Edwards | Best Effects, Sound Effects, 1966 |
| Ship of Fools [1965 film] by Stanley Kramer | Best Cinematography: Black-and-White, Best Art Direction-Set Decoration: Black-and-White, 1966 |
| The Sound of Music [1965 film] by Robert Wise | Best Picture, Best Director, Best Sound, Best Film Editing, Best Music-Scoring of Music, Adaptation or Treatment, 1966 |
| Fantastic Voyage [1966 film] by Richard Fleischer | Effects, Special Visual Effects - Art Cruickshank, 1967 |
| The Graduate [1967 film] by Mike Nichols | Best Director. 1967 |
| A Man for All Seasons [1966 film] by Fred Zinnemann | Best Picture, Best Actor in a Leading Role, Best Cinematography-Color, Best Costume Design-Color, Best Writing-Screenplay Based on Material from Another Medium 1967 |
| Who's Afraid of Virginia Woolf? [1966 film] by Mike Nichols | Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Cinematography Black-and-White, Best Costume Design Black-and-White, Best Art Direction-Set Decoration Black-and-White, 1967 |
| Bonnie and Clyde [1967 film] by Arthur Penn | Best Actress in a Supporting Role, 1968 |
| In the Heat of the Night [1967 film] by Norman Jewison | Best Picture, Best Actor, Best Sound, Best Film Editing, Best Writing: Screenplay Based on Material from Another Medium, 1968 |
| Why man creates (DVD) by Saul Bass | Documentary Short Subject, 1968 |
| Charly [1968 film] by Ralph Nelson | Best Actor in a Leading Role, 1969 |
| The Lion in Winter [1968 film] by Anthony Harvey | Best Actress in a Leading Role; Best Writing-Screenplay Based on Material from Another Medium; Best Music-Original Score for a Motion Picture-not a Musical, 1969 |
| Oliver! [1968 film] by Carol Reed | Best Picture, Best Director, Best Art Direction-Set Decoration, Best Sound, Best Music-Score of a Musical Picture-Original or Adaptation, 1969 |
| Patton [1970 film] by Franklin J. Schaffner | Original Screenplay AND Picture, 1970 |
| Nicholas and Alexandra [1971 film] by Franklin J. Schaffner | Best art direction AND best costume design, 1971 |
| The Candidate [1972 film] by Michael Ritchie | Original Screenplay, 1972 |
| The French Connection [1971 film] by William Friedkin | Best Picture, Best Actor, Best Director, Best Film Editing, Best Writing: Screenplay Based on Material from Another Medium, 1972 |
| Cabaret [1972 film] by Bob Fosse | Best Director, Best Actress, Best Supporting Actor, Best Cinematography, Best Film Editing, Best Art Direction: Set Decoration, Best Sound, Best Music: Scoring Original Song Score and/or Adaptation, 1973 |
| The Godfather [1972 film] by Francis Ford Coppola | Best Picture, Best Actor, Best Writing: Screenplay Based on Material from Another Medium, 1973 |
| The Godfather Part II [1974 film] by Francis Ford Coppola | Best Writing -Adapted Screenplay, 1974 |
| The Sting [1973 film] by George Roy Hill | Best Picture, Best Director, Best Film Editing, Best Costume Design, Best Art Direction:Set Decoration, Best Music: Scoring Original Song Score and/or Adaptation, Best Writing: Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced, 1974 |
| A Touch of Class [1973 film] by Melvin Frank | Best actress, 1974 |
| Chinatown [1974 film] by Roman Polanski | Best Writing: Original Screenplay, 1975 |
| The Great Gatsby [1974 film] by Jack Clayton | Best Costume Design, Best Music: Scoring Original Song Score and/or Adaptation, 1975 |
| Harry and Tonto [1974 film] by Paul Mazursky | Best Actor, 1975 |
| Jaws [1975 film] by Steven Spielberg | Best Sound, Best Film Editing, Best Music: Original Dramatic Score, 1976 |
| The Man Who Skied Down Everest [1975 film] by Bruce Nyznik | Best Documentary-Features, 1976 |
| One Flew Over the Cuckoo's Nest [1975 film] by Miloš Forman | Best Picture, Best Director, Best Actor, Best Actress, Best Writing: Screenplay Adapted From Other Material, 1976 |
| Network [1976 film] by Sidney Lumet | Best Actor in a Leading Role - Finch - Dunaway - Straight - Chayefsky, 1977 |
| A Star Is Born [1976 film] by Frank Pierson | Best Music: Original Song, 1977 |
| Annie Hall [1977 film] by Woody Allen | Best Picture, Best Director, Best Actress, Best Writing: Screenplay Written Directly for the Screen, 1978 |
| The Goodbye Girl [1977 film] by Herbert Ross | Best Actor, 1978 |
| The Deer Hunter [1978 film] by Michael Cimino | Best Picture, Best Supporting Actor, Best Director, Best Sound, Best Film Editing, 1979 |
| Alien [1979 film] by Ridley Scott | Best Effects: Visual Effects, 1980 |
| Coal Miner's Daughter [1980 film] by Michael Apted | Best Actress in a Leading Role - Sissy Spacek, 1981 |
| Arthur [1981 film] by Steve Gordon | Supporting Actor - John Gielgud, 1982 |
| Gandhi [1982 film] by Richard Attenborough | Best Picture, Best Director, Best Actor, Best Cinematography, Best Writing: Screenplay Written Directly for the Screen, Best Art Direction: Set Decoration, Best Costume Design, Best Film Editing, 1983 |
| Tootsie [1982 film] by Sydney Pollack | Actress in a Supporting Role - Jessica Lange, 1983 |
| Amadeus [1984 film] by Miloš Forman | Best Picture, Best Director, Best Actor, Best Writing: Screenplay Based on Material from Another Medium, Best Art Direction: Set Decoration, Best Costume Design, Best Sound, Best Makeup, 1985 |
| The Killing Fields [1984 film] by Roland Joffé | Best Actor in a Supporting Role, 1985 |
| The Times of Harvey Milk [1984 film] by Rob Epstein | Best Documentary, 1985 |
| Aliens [1986 film] by James Cameron | Best sound effects editing - Don Sharpe, 1986 |
| Back to the Future [1985 film] by Robert Zemeckis | Best Effects-Sound Effects Editing, 1986 |
| Mask [1985 film] by Peter Bogdanovich | Makeup - Michael Westmore and Zoltan Elek, 1986 |
| The Trip to Bountiful [1985 film] by Peter Masterson | Best Actress in a Leading Role, 1986 |
| Babette's Feast [1987 film] by Gabriel Axel | Best Foreign Language Film, 1987 |
| The Mission [1986 film] by Roland Joffé | Best cinematography, 1987 |
| Moonstruck [1987 film] by Norman Jewison | Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Writing, Screenplay Written Directly for the Screen, 1987 |
| A Room with a View [1985 film] by James Ivory | Best Art Direction: Set Decoration, Best Writing Screenplay Based on Material from Another Medium, Best Costume Design 1987 |
| The Man Who Planted Trees [1987 film] by Frédéric Back | Animated Short Film, 1988 |
| Wall Street [1987 film] by Oliver Stone | Best Actor, 1988 |
| Working Girl [1988 film] by Mike Nichols | Song, 1988 |
| Who Framed Roger Rabbit [1988 film] by Robert Zemeckis | Special Achievement Award, Best Effects: Sound Effects Editing, Best Effects: Visual Effects, Best Film Editing, 1989 |
| The Little Mermaid [1989 animated film] by Ron Clements | Best Music-Original Song; Best Music-Original Score, 1990 |
| Dances with Wolves [1990 film] by Kevin Costner | Best Picture, Best Director, Best Film Editing, writing Adapted Screenplay, 1991 |
| Ghost [1990 film] by Jerry Zucker | Best Supporting actress - Whoopi Goldberg; Original Screenplay, 1991 |
| GoodFellas [1990 film] by Martin Scorsese | Best Supporting Actor, 1991 |
| The Hunt for Red October [1990 film] by John McTiernan | Best Effects, Sound Effects Editing - Cecelia Hall, George Watters, II, 1991 |
| Schindler's List [1993 film] by Steven Spielberg | Best Picture, Best Director, AND Writing -Adapted Screenplay, 1991 |
| Thelma & Louise [1991 film] by Ridley Scott | Best Original Screenplay, 1991 |
| Beauty and the Beast [1991 animated film] by Gary Trousdale | Music/ Original Score and Song, 1992 |
| The Fisher King [1991 film] by Terry Gilliam | Best Supporting Actress, Mercedes Ruehl, 1992 |
| Indochine [1992 film] by Régis Wargnier | Best Foreign Language Film, 1992 |
| The Silence of the Lambs [1991 film] by Jonathan Demme | Best Picture, Best Director, Best Actor, Best Actress, Best Writing: Screenplay Based on Material Previously Produced or Published, 1992 |
| Terminator 2: Judgment Day [1991 film] by James Cameron | Best Effects-Sound Effects Editing, Best Sound, Best Effects-Visual Effects, Best Makeup, 1992 |
| Aladdin [1992 film] by Scott Weinger | Music/ Original Score and Song, 1993 |
| Bram Stoker's Dracula [1992 film] by Francis Ford Coppola | Best Costume Design, Best Make-up, Best Sound Effects Editing, 1993 |
| Forrest Gump [1994 film] by Robert Zemeckis | Best Picture, Best Actor, Best Director, Best Effects: Visual Effects, Best Film Editing, AND Best Writing: Adapted Screenplay, 1995 |
| Jerry Maguire [1996 film] by Cameron Crowe | Best Supporting Actor, Cuba Gooding Jr., 1996 |
| The English Patient [1996 film] by Anthony Minghella | Picture, Director, Actress in a Supporting Role, Cinematography, Art Direction-Set Decoration, Costume Design, Sound, Film Editing, AND Music, Scoring of a Musical Picture, 1997 |
| Fargo [1996 film] by Joel Coen | Best Actress in a Leading Role, Best Writing-Screenplay Written Directly for the Screen 1997 |
| L.A. Confidential [1997 film] by Curtis Hanson | Best Writing -Adapted Screenplay, 1997 |
| Titanic [1997 film] by James Cameron | Best Director AND Best Picture, 1997 |
| As Good as It Gets [1997 film] by James L. Brooks | Best Actress, Helen Hunt, 1998 |
| Gods and Monsters [1998 film] by Bill Condon | Best screenplay adaptation, 1998 |
| The Last Days [1998 Documentary film] by James Moll | Best Documentary, 1998 |
| Men in Black [1997 film] by Barry Sonnenfeld | Best Makeup, 1998 |
| A Beautiful Mind [2001 film] by Ron Howard | Best Picture, Best Writing -Adapted Screenplay, AND Best Director, 1999 |
| Shakespeare In Love [1998 film] by John Madden | Best Picture, Best Actress, Best Supporting Actress, Best Costume Design, Best Art Direction: Set Decoration Best Writing: Screenplay Written Directly for the Screen, Best Music: Original Musical or Comedy Score, 1999 |
| American Beauty [1999 film] by Sam Mendes | Best Picture, Best Director, Best Actor, Best Cinematography, Best Writing: Screenplay Written Directly for the Screen, 2000 |
| The Matrix [1999 film] by Lilly Wachowski | Best Film Editing, Best Sound, Best Effects-Sound Effects Editing, Best Effects-Visual Effects, 2000 |
| Gladiator [2000 film] by Ridley Scott | Best Picture, Best Actor, 2001 |
| Traffic [2000 film] by Steven Soderbergh | Best Director, Best Actor in a Supporting Role, Best Writing-Screenplay Based on Material Previously Produced or Published, Best Film Editing, 2001 |
| Moulin Rouge! [2001 film] by Baz Luhrmann | Costume Design, 2002 |
| Shrek [2001 film] by Andrew Adamson | Best Animated Feature Film, 2002 |
| The Barbarian Invasions [2003 film] by Denys Arcand | Foreign Language Film, 2003 |
| Bowling for Columbine [2002 film] by Michael Moore | Best Documentary, Features - Michael Moore, Michael Donovan, 2003 |
| Cold Mountain [2003 film] by Anthony Minghella | Best Supporting Actress, 2004 |
| Finding Nemo [2003 film] by Andrew Stanton | Best Animated Feature Film, 2004 |
| Monster [2003 film] by Patty Jenkins | Best Actress, 2004 |
| The Aviator [2004 film] by Martin Scorsese | Supporting Actress, Art Direction: Set Decoration, Cinematography, Film Editing, 2005 |
| Ray [2004 film] by Taylor Hackford | Best Performance by an Actor in a Leading Role - Foxx, 2005 |
| The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe [2005 film] by Andrew Adamson | Best Achievement in Makeup, 2006 |
| The Departed [2006 film] by Martin Scorsese | Picture AND Director, 2006 |
| King Kong [2005 film] by Peter Jackson | Best Achievement in Visual Effects, 2006 |
| Pan's Labyrinth [2006 film] by Guillermo Del Toro | Best Achievement in Art Direction, Cinematography, and Achievement in Makeup, 2006 |
| Babel [2006 film] by Alejandro González Iñárritu | Best Achievement in Music Written for Motion Pictures, Original Score, 2007 |
| The Danish Poet by Torill Kove | Animated Short Film, 2007 |
| Little Miss Sunshine [2006 film] by Jonathan Dayton | Best Supporting Actor, Best Writing: Original Screenplay, 2007 |
| The Lives of Others [2006 film] by Florian Henckel von Donnersmarck | Best Foreign Language Film, 2007 |
| Michael Clayton [2007 film] by Tony Gilroy | Best Performance by an Actress in a Supporting Role, 2008 |
| La vie en rose [2007 film] by Olivier Dahan | Best Performance by an Actress in a Leading Role, Best Achievement in Makeup, 2008 |
| Man on Wire {2008 Documentary film} by James Marsh | Best Documentary-Features, 2009 |
| Milk [2008 film] by Gus Van Sant | Best Actor in a Leading Role, Best Writing - Original Screenplay 2009 |
| Milk: The Shooting Script (Newmarket Shooting Script) by Dustin Lance Black | Best Writing, Original Screenplay 2009 |
| Spielzeugland by Jochen Alexander Freydank | Live Action Short Film, 2009 |
| Inside Job [2010 film] by Charles Ferguson | Documentary Feature, 2010 |
| The Social Network [2010 film] by David Fincher | Best Writing - Adapted Screenplay, 2010 |
| Up [2009 film] by Pete Docter | Best Animated Feature Film of the Year, 2010 |
| Up!: Music from the Motion Picture (Piano/Vocal/Songbook) by Michael Giacchino | Best Original Score, 2010 |
| The Wolfman [2010 film] by Joe Johnston | Best Makeup - Rick Baker and Dave Elseys, 2010 |
| The King's Speech [2010 film] by Tom Hooper | Best Picture, Best Actor, Best Director, Best Writing: Original Screenplay, 2011 |
| The Artist [2011 film] by Michel Hazanavicius | Best Picture, Best Director, Best Actor, Best Costume Design, Best Music Written for Motion Pictures-Original Score, 2012 |
| Rango [2011 film] by Gore Verbinski | Best Animated Feature Film, 2012 |
| Argo [2012 film] by Ben Affleck | Best Picture, 2013 |
| The Great Beauty [2013 film] by Paolo Sorrentino | Best Foreign Language Film, 2013 |
| Lincoln [2012 film] by Steven Spielberg | Best Actor, Production Design, 2013 |
| Frozen [2013 film] by Chris Buck | Original Song, 2014 |
| Still Alice [2014 film] by Richard Glatzer | Best Performance by an Actress in a Leading Role, 2014 |
| The Imitation Game [2014 film] by Morten Tyldum | Best Writing-Adapted Screenplay, 2015 |
| The Revenant [2015 Film] by Alejandro González Iñárritu | Actor in Leading Role, Best Director, Best Cinematography, 2016 |
| Zootopia [2016 film] by Bryon Howard | Best Animated Feature Film, 2017 |
| Get Out [2017 film] by Jordan Peele | Best Original Screenplay, 2018 |
| Green Book [2018 film] by Peter Farrelly | Best Picture, Best Actor in a Supporting Role, Best Original Screenplay, 2019 |
| 1917 [2019 film] by Sam Mendes | Best Cinematography; Best Visual Effects; Best Sound Mixing, 2020 |
| Jojo Rabbit [2019 film] by Taika Waititi | Best Adapted Screenplay, 2020 |
| Parasite [2019 movie] by Joon-Ho Bong | Best Picture, Best Director, Best Original Screenplay, Best International Feature Film, 2020 |
| Rocketman [2019 film] by Dexter Fletcher | Music Written for Motion Pictures-Original Song, 2020 |
| Everything Everywhere All at Once [2022 film] by Daniel Kwan | Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, Best Film Editing, 2023 |
