SeriesCharles Eliot Norton Lectures

46 Works Popularity 1,882 (4,331 Members) 5,662 Books 44 Reviews 4.0
The origin of others by Toni Morrison 268 copies, 8 reviews
The classical tradition in poetry by Gilbert Murray 48 copies1926-1927
Italian sculpture of the renaissance: the Charles Eliot Norton lectures for the years 1927-28 by Eric Robert Dalrymple Maclagan 3 copies1927-1928
Rembrandt, with a complete list of his etchings by Arthur Mayger Hind 6 copies1930-1931
The Use of Poetry and the Use of Criticism by T. S. Eliot 242 copies1932-1933
The spirit of man in Asian art by Laurence Binyon 21 copies1933-1934
Space, Time and Architecture: The Growth of a New Tradition by Sigfried Giedion 326 copies, 2 reviews1938-1939
Poetics of Music in the Form of Six Lessons by Igor Stravinsky 352 copies, 1 review1939-1940
Literary Currents in Hispanic America by Pedro Henriquez-Ureña 1 copy1940-1941
Early Netherlandish Painting: Its Origins and Character by Erwin Panofsky 116 copies1947-1948
Early Netherlandish Painting: Its Origins and Character. Vol. 1: Text by Erwin Panofsky 68 copies1947-1948
Early Netherlandish Painting: Its Origins and Character. Vol. 2: Plates by Erwin Panofsky 66 copies1947-1948
The Romantic Imagination (Oxford Paperbacks) by C. M. Bowra 69 copies1948-1949
A Composer's World: Horizons and Limitations by Paul Hindemith 58 copies1949-1950
Music and Imagination by Aaron Copland 168 copies1951-1952
i--six nonlectures (The Charles Eliot Norton Lectures) by E. E. Cummings 393 copies, 2 reviews1952-1953
Icon and Idea: The Function of Art in the Development of Human Conciousness by Herbert Read 51 copies1953-1954
The estate of poetry by Edwin Muir 21 copies1955-1956
The Shape of Content by Ben Shahn 295 copies1956-1957
Language and Poetry: Some Poets of Spain by Jorge Guillén 20 copies1957-1958
Chavez: Musical Thought Norton Lecture by Carlos Chavez 1 copy1958-1959
Aesthetics and technology in building by Pier Luigi Nervi 10 copies1961-1962
Tragedy in the art of music by Leo Schrade 2 copies1962-1963
The lyric impulse by C. Day Lewis 10 copies1964-1965
Romanesque Architectural Sculpture: The Charles Eliot Norton Lectures by Meyer Schapiro 17 copies1966-1967
This Craft of Verse by Jorge Luis Borges 384 copies, 5 reviews1967-1968
Questions about Music by Roger Sessions 25 copies1968-1969
Sincerity and Authenticity (The Charles Eliot Norton Lectures) by Lionel Trilling 263 copies1969-1970
Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde by Octavio Paz 96 copies, 1 review1971-1972
The Unanswered Question: Six Talks at Harvard by Leonard Bernstein 159 copies1973-1974
The Secular Scripture: A Study of the Structure of Romance by Northrop Frye 134 copies, 1 review1974-1975
The Genesis of Secrecy: On the Interpretation of Narrative by Frank Kermode 160 copies, 3 reviews1977-1978
The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting by James Cahill 23 copies1978-1979
In Defence of the Imagination: The Charles Eliot Norton Lectures, 1979-80 by Helen Gardner 13 copies1979-1980
The Witness of Poetry by Czesław Miłosz 117 copies, 1 review1981-1982
Working Space by Frank Stella 88 copies1983-1984
I-VI by John Cage 60 copies1988-1989
Other Traditions (The Charles Eliot Norton Lectures) by John Ashbery 64 copies1989-1990
Six Walks in the Fictional Woods by Umberto Eco 801 copies, 10 reviews1992-1993
Remembering the Future by Luciano Berio 18 copies1993-1994
Writing and Being by Nadine Gordimer 60 copies1994-1995
Concerto Conversations: With a 68-minute CD (The Charles Eliot Norton Lectures) by Joseph Kerman 22 copies1997-1998
Lessons of the Masters (The Charles Eliot Norton Lectures) by George Steiner 186 copies, 1 review2001-2002
Bathers, Bodies, Beauty: The Visceral Eye by Linda Nochlin 13 copies2003-2004
The Naive and the Sentimental Novelist by Orhan Pamuk 301 copies, 5 reviews2009-2010
Six Drawing Lessons by William Kentridge 41 copies, 4 reviews2011-2012

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https://en.wikipedia.org/wiki/Charles_Eliot_Norton_Lectures The Charles Eliot Norton Professorship of Poetry at Harvard University was established in 1925 as an annual lectureship in "poetry in the broadest sense" and named for the university's former professor of fine arts. Distinguished creative figures and scholars in the arts, including painting, architecture, and music deliver customarily six lectures. The lectures are usually dated by the academic year in which they are given, though sometimes by just the calendar year. (English, Unclassified)

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