SeriesA. W. Mellon Lectures in the Fine Arts
- Creative Intuition in Art and Poetry by Jacques Maritain
- The Nude: A Study in Ideal Form by Kenneth Clark
- The Art of Sculpture by Herbert Read
- Painting and Reality by Etienne Gilson
- Art and Illusion: A Study in the Psychology of Pictorial Representation by E. H. Gombrich
- The Eternal Present: A Contribution on Constancy and Change by S. Giedion
- The paintings of Nicolas Poussin by Anthony Blunt
- Of Divers Arts by Naum Gabo
- Horace Walpole by W. S. Lewis
- Christian Iconography by Andre Grabar
- Blake and Antiquity by Kathleen Raine
- Blake and Tradition by Kathleen Raine
- The Portrait in the Renaissance by John Pope-Hennessy
- On Quality in Art: Criteria of Excellence, Past and Present by Jakob Rosenberg
- The Roots of Romanticism by Isaiah Berlin
- Visionary and Dreamer: Two Poetic Painters, Samuel Palmer and Edward Burne-Jones by David Cecil
- Mnemosyne: The Parallel Between Literature and the Visual Arts by Mario Praz
- The Visionary Eye: Essays in the Arts, Literature, and Science by Jacob Bronowski
- A History of Building Types by Nikolaus Pevsner
- Giorgio Vasari: The Man and the Book by Thomas Sherrer Ross Boase
Core
Collections and Selections
The Beginnings of Art by S. Giedion 25 copies | 6.1 |
The paintings of Nicolas Poussin [Text] by Anthony Blunt 3 copies | 7.1 |
DescriptionsEdit Descriptions
- The A. W. Mellon Lectures in the Fine Arts have been delivered annually since 1952 at the National Gallery of Art, Washington, D.C. They are afterward published in Bollingen Series, under the collective number XXXV. (English, Unclassified)
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