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Loading... The Tin Drum (original 1959; edition 1980)by Gunter Grass
Work InformationThe Tin Drum by Günter Grass (Author) (1959)
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Never quite finished I'm losing myself in snapshots of 'Strength Through Joy' tourists and testaments to tender 'Boy Scout' eroticism. perhaps the only kind of post-war german literature which could have achieved commercial success exculpatory / banal / funny / erotic. the Party Member of the family perceived, in retrospect, as a kind of jokester. had to believe - perhaps that's how it really was/is. agree in part with murnane (A Million Windows), the narrator is ___abdicating his obligation to the reader but the narrator is not necessary - same for much of the plot we're sniffing through As the story opens, we find thirty-year-old Oskar Matzerath in a mental institution. He proceeds to tell the story of his life. It is set in Danzig (Gdańsk) from 1899, when his grandparents meet, to 1954. Oskar, at age three, is given a toy drum for his birthday, and decides to quit growing. What follows is a bizarre combination of the history of Germany and Poland, satire, and absurd fable. Oskar summarizes the plot: "Born beneath light bulbs, interrupted my growth at the age of three, was given a drum, sangshattered glass, smelled vanilla, coughed in churches,… watched ants as they crawled, decided to grow, buried the drum,… learned to carve stone and posed as a model, went back to my drum and inspected concrete, made money and cared for the finger, gave the finger away and fled as I laughed, ascended, arrested, convicted, confined, now soon to be freed." Oskar is an unreliable narrator, frequently shifting between first and third person. There is a great deal of symbolism in this book, and I am quite sure I did not “get” all of it. I spent a good amount of brain power trying to relate portions of it to WWII history. This task was only partially successful, and I found that it took more effort than it was worth. I know this is considered a 20th century classic, and I am glad I read it, but cannot say I found much pleasure in the process. I read the 50th Anniversary English translation. The Afterword by translator Breon Mitchell is worth reading. He and other translators interacted with the author to gain insight into his intent. I could feel the rhythm, intended to simulate Oskar’s drumming, in the narrative. Frásögnin í tin trommunni er táknræn fyrir uppgang nasismans í Þýskalandi á millistríðsárnunum. Günter Grass lýsir lífi Óskars sem ákveður að hætta að vaxa þriggja ára gamall um það leiti sem nasistar komast til valda og hann fær tin trommu í afmælisgjöf. Hann upplifir stríðið og það er ekki fyrr en við fall Þriðja ríkisins sem hann stækkar aftur. Sagan sem er full af tilvísunum og táknum er þó mun flóknari og er mér minnisstæð fyrir vikið. Hún lifir því í minningunni hægt er að velta henni fram og aftur fyrir sér. Útgáfan sem ég hlustaði á var leikrit í flutningi BBC. Skemmtilegt og hressandi en mér er ljóst að eitthvað af atriðum bókarinnar hefur verið sleppt úr leikflutningnum.
"Le tambour" ("Die Blechtrommel") est un roman de l'auteur allemand Günter Grass, publié en 1959. Il s'agit du premier volet de la Trilogie de Dantzig de Grass et il est considéré comme l'une des œuvres les plus importantes de la littérature allemande d'après la Seconde Guerre mondiale. L'histoire est racontée par Oskar Matzerath, un garçon né à Dantzig (aujourd'hui Gdańsk, Pologne) en 1924, qui décide à l'âge de trois ans d'arrêter de grandir physiquement. Malgré sa petite taille, Oskar possède une voix puissante et une capacité extraordinaire à briser le verre avec ses cris aigus. Le roman suit la vie d'Oskar depuis son enfance peu conventionnelle jusqu'aux événements tumultueux du XXe siècle. Avec en toile de fond la montée du nazisme, la Seconde Guerre mondiale et l'après-guerre, l'histoire d'Oskar se confond avec celle de l'Allemagne. Son point de vue unique lui permet de commenter de manière satirique et symbolique les changements sociétaux et politiques qui se produisent autour de lui. "Le tambour" explore les thèmes de l'identité, de la culpabilité et de l'impact des événements historiques sur les individus. Grass utilise le réalisme magique et l'allégorie pour créer un récit riche et complexe qui saisit l'absurdité et la brutalité de l'histoire européenne du XXe siècle. Ce roman a reçu le prix Nobel de littérature en 1999, en reconnaissance de l'œuvre littéraire de Günter Grass et de sa contribution à la littérature allemande de l'après-guerre. Belongs to SeriesDanzig Trilogy (1) Belongs to Publisher SeriesBibliothek des 20. Jahrhunderts (Dt. Bücherbund) (Grass, Günter) Delfinserien (141) dtv (11821) Fischer Bücherei (473/4) — 10 more Is contained inHas the adaptationHas as a studyHas as a supplementHas as a student's study guideHas as a teacher's guideAwardsDistinctionsNotable Lists
Acclaimed as the greatest German novel written since the end of World War II,The Tin Drumis the autobiography of thirty-year-old Oskar Matzerath, who has lived through the long Nazi nightmare and who, as the novel begins, is being held in a mental institution. Willfully stunting his growth at three feet for many years, wielding his tin drum and piercing scream as anarchistic weapons, he provides a profound yet hilarious perspective on both German history and the human condition in the modern world.Translated from the German by Ralph Manheim. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)833.914Literature German literature and literatures of related languages German fiction Modern period (1900-) 1900-1990 1945-1990LC ClassificationRatingAverage:
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