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Fantasy. Fiction. Romance. Thriller. HTML:#1 New York Times bestselling author Laurell K. Hamilton offers a sexy, suspenseful novel of human—and inhuman—passions, as vampire hunter Anita Blake must repay a favor to a man almost as dangerous as the ancient evil she's about to face. . . .Edward is a hit man, specializing in monsters, vampires, shapeshifters, anything and everything. There are people like Anita who do it legal, but Edward doesn't sweat the legalities, or, hell, the show more ethics. He's an equal opportunity killer.
Anita may be one of the few friends that Edward has, but it’s like being friends with a tame leopard. It may curl up on the foot of your bed and let you pet its head, but it can still rip your throat out. . . . show less
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MyriadBooks On balancing the polyamorous lifestyle. Oh, and slaying monsters.
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In this installment, Anita gets a surprise call from Edward, her assassin BFF to whom she owes a favor. He needs her help with a murder investigation in New Mexico. Sounds like fun! Except that Edward is keeping more secrets than usual from her. It turns out, he's engaged to a mother of two. Horrified that Edward, a cold blooded killer, is intending to join himself to a completely innocent and unsuspecting family Anita is immediately on the defensive. Things only get more complicated as Edward begins to catch her up on his investigation - a serial killer that has been skinning dozens of people alive.
It seems like the skinnings are related to ancient Aztec rituals. Luckily, the local master of the city is herself an Aztec and she is show more willing to meet with Anita. It's possible, just possible, that a truly ancient evil has awakened in the deserts of New Mexico. A true immortal with a taste for Necromancers. Anita will be lucky if she can even find the thing, much less come up with a way to kill it.
Blugh, this book is pretty bad. It's about twice as long as it should be and feels extremely padded out. The number of times the author will just grind the plot to a halt so that she can orchestrate an incredibly tedious and repetitive conversation between her characters is truly staggering. The climax of the novel is literally just Anita asking as many pointless questions as she can think of to a wannabe god so that she can stall long enough for the police to arrive. It's pretty much the opposite of exciting. And since when does Anita wait to be save by the police of all people?
To make matters worse, all the characters we've come to know and love from the series are absent. The only one knocking around in this book is Edward, and he's pretty dry most of the time. So of course, Ms. Hamilton has to spend tons of time introducing an entire rugby team of new characters, mostly male, and all whose appearance, mannerisms, and wardrobe have to be spelled out in great detail. It gets old fast. Thematically, the book is pretty pointless too as Anita's entire character arch in this novel is just her hemming and hawing over whether she wants to return to her two boyfriends or try dating a normie. It really seems to erase several books worth of character and relationship development. Besides, it's annoying because it's extremely clear what decision she will eventually make. show less
It seems like the skinnings are related to ancient Aztec rituals. Luckily, the local master of the city is herself an Aztec and she is show more willing to meet with Anita. It's possible, just possible, that a truly ancient evil has awakened in the deserts of New Mexico. A true immortal with a taste for Necromancers. Anita will be lucky if she can even find the thing, much less come up with a way to kill it.
Blugh, this book is pretty bad. It's about twice as long as it should be and feels extremely padded out. The number of times the author will just grind the plot to a halt so that she can orchestrate an incredibly tedious and repetitive conversation between her characters is truly staggering. The climax of the novel is literally just Anita asking as many pointless questions as she can think of to a wannabe god so that she can stall long enough for the police to arrive. It's pretty much the opposite of exciting. And since when does Anita wait to be save by the police of all people?
To make matters worse, all the characters we've come to know and love from the series are absent. The only one knocking around in this book is Edward, and he's pretty dry most of the time. So of course, Ms. Hamilton has to spend tons of time introducing an entire rugby team of new characters, mostly male, and all whose appearance, mannerisms, and wardrobe have to be spelled out in great detail. It gets old fast. Thematically, the book is pretty pointless too as Anita's entire character arch in this novel is just her hemming and hawing over whether she wants to return to her two boyfriends or try dating a normie. It really seems to erase several books worth of character and relationship development. Besides, it's annoying because it's extremely clear what decision she will eventually make. show less
Okay, so Obsidian Butterfly was a weird, brutal, and oddly refreshing detour in the Anita Blake series, and I was totally here for it. It's taken me literally decades to read this far into the series, but now that I’ve hit Book 9, I’m reminded why this series is my guilty pleasure. Anita’s world is messy, bloody, chaotic, and full of emotional landmines. And I keep coming back because I love every bit of it.
Now, Anita has had a love triangle thing going on for many books now. But what was so refreshing about this instalment is that neither of her love interests are in it. No Richard, no Jean-Claude (with the exception of a single dream scene). And honestly, that was such a breath of fresh air. Without the usual soap opera drama, show more this one gets to breathe in a totally different way. It’s not over-the-top erotic (a rare thing for this series), and I was more than fine with that. The space gave Anita room to be introspective and maybe even a little less performative. The self-examination stuff wouldn’t have worked if the "boys" were hovering nearby.
However, what this book lacks in sexiness, it makes up for in horror. Seriously, the horror is dialed ALL THE WAY UP in this one. Genuinely disturbing stuff. Not even because of monsters or magic (though those are definitely there), but because of the very human cruelty underneath it all. A couple of scenes involving child abuse were extremely hard for me to get through. I don’t mean, “ew, that was dark"... I mean I actually had to put the book down and walk away for a while. I just can't with the child abuse stuff.
As for Anita herself, I really like that she’s getting older and starting to feel the weight of everything. She’s still intense and fully armed at all times, but there’s more emotional texture to her here. She’s tired. She’s complicated. She’s becoming a little less holier-than-thou, which I deeply appreciate. I’m hoping by the time she hits her 30s, we’re done with the moral superiority thing altogether.
There’s a central mystery to solve in this instalment, but that’s not really the point of the story. The core of the novel is all about relationships, inner conflict, and Anita’s realization that she might not be one of the “good guys” anymore... if she ever really was. It’s gritty, fast-paced, and full of tension, but it’s also introspective in a way the series hasn’t quite been before. The shift was noticeable and, for me, very welcome. As always, I'm looking forward to picking up the next in this series at some point. show less
Now, Anita has had a love triangle thing going on for many books now. But what was so refreshing about this instalment is that neither of her love interests are in it. No Richard, no Jean-Claude (with the exception of a single dream scene). And honestly, that was such a breath of fresh air. Without the usual soap opera drama, show more this one gets to breathe in a totally different way. It’s not over-the-top erotic (a rare thing for this series), and I was more than fine with that. The space gave Anita room to be introspective and maybe even a little less performative. The self-examination stuff wouldn’t have worked if the "boys" were hovering nearby.
However, what this book lacks in sexiness, it makes up for in horror. Seriously, the horror is dialed ALL THE WAY UP in this one. Genuinely disturbing stuff. Not even because of monsters or magic (though those are definitely there), but because of the very human cruelty underneath it all. A couple of scenes involving child abuse were extremely hard for me to get through. I don’t mean, “ew, that was dark"... I mean I actually had to put the book down and walk away for a while. I just can't with the child abuse stuff.
As for Anita herself, I really like that she’s getting older and starting to feel the weight of everything. She’s still intense and fully armed at all times, but there’s more emotional texture to her here. She’s tired. She’s complicated. She’s becoming a little less holier-than-thou, which I deeply appreciate. I’m hoping by the time she hits her 30s, we’re done with the moral superiority thing altogether.
There’s a central mystery to solve in this instalment, but that’s not really the point of the story. The core of the novel is all about relationships, inner conflict, and Anita’s realization that she might not be one of the “good guys” anymore... if she ever really was. It’s gritty, fast-paced, and full of tension, but it’s also introspective in a way the series hasn’t quite been before. The shift was noticeable and, for me, very welcome. As always, I'm looking forward to picking up the next in this series at some point. show less
First read: June 2006
Initial rating: 5/5 stars *favourite*
Re-read: October 2017
New rating: 5/5 stars *favourite*
I have one strong memory of reading Obsidian Butterfly the first time around and that is that the book was just so good I couldn't put it down. Any second I had to read, I picked it up and devoured it. I ended up reading the 600 odd page book in a little over a day.
In contrast, my re-read was incredibly slow; almost two months from start to finish, but I found it just as enjoyable as before, if not more enjoyable as I found a lot of details that I either missed the first time in rush to get to the end, or had simply forgotten about.
The plot: Edward calls Anita away from St. Louis and her regular life to help him investigate a show more supernatural occurrence in his home town. Edward puts together his own team which includes Anita, Olaf Gundersson; a serial rapist and murderer, and Bernardo Spotted-Horse; a supernatural bounty hunter.
What I liked:
- Following on from Blue Moon Hamilton once again takes Anita out of her comfort zone and puts her in a new place with new challenges to confront. I always like how Anita can handle herself, no matter where she is.
- The crime was horrific but originaland I love the twist on the zombie mythology employed here
- Obsidian Butterfly herself, and her strange sociopathic sense of justice – in particular the three females and their rapist that she turned into vampires, so that the women could get revenge on the rapist for eternity.
- Up until this point in the series, Edward has always been a mystery so to travel to his hometown and see his personal life and the way he conducts himself around other people was fascinating.
- As with all the Anita Blake novels, Hamilton gives tantalising glimpses of the reality of living in a world where magic and the supernatural are real and commonplace; such as how the criminal justice system could hold a person who can summon demons at will safely for trial. We also learn that the death penalty is applied to those who misuse their magic – like raising a demon to commit a murder, and that they follow tradition in burning the body after execution – a twenty-first century take on burning a witch at the stake.
- The horrific scene in the hospital nursery was so hard to read, but at the same time unputdownable.
- The entire dramatic rescue scene forPeter and Becca in particular the scene where Anita takes out two armed men in the bathroom with nothing but a single knife!
- I also liked the fact that while Anita is surrounded at all times by all manner of powerful, supernatural creatures. Hamilton still manages to make Edward and Olaf - mere human beings - two of the scariest characters on the page.
What I didn't like:
- On my re-read I skipped the details of what happened tothe children while they were held captive I just didn't want to read that sort of thing twice. show less
Initial rating: 5/5 stars *favourite*
Re-read: October 2017
New rating: 5/5 stars *favourite*
I have one strong memory of reading Obsidian Butterfly the first time around and that is that the book was just so good I couldn't put it down. Any second I had to read, I picked it up and devoured it. I ended up reading the 600 odd page book in a little over a day.
In contrast, my re-read was incredibly slow; almost two months from start to finish, but I found it just as enjoyable as before, if not more enjoyable as I found a lot of details that I either missed the first time in rush to get to the end, or had simply forgotten about.
The plot: Edward calls Anita away from St. Louis and her regular life to help him investigate a show more supernatural occurrence in his home town. Edward puts together his own team which includes Anita, Olaf Gundersson; a serial rapist and murderer, and Bernardo Spotted-Horse; a supernatural bounty hunter.
What I liked:
- Following on from Blue Moon Hamilton once again takes Anita out of her comfort zone and puts her in a new place with new challenges to confront. I always like how Anita can handle herself, no matter where she is.
- The crime was horrific but original
- Obsidian Butterfly herself, and her strange sociopathic sense of justice – in particular the three females and their rapist that she turned into vampires, so that the women could get revenge on the rapist for eternity.
- Up until this point in the series, Edward has always been a mystery so to travel to his hometown and see his personal life and the way he conducts himself around other people was fascinating.
- As with all the Anita Blake novels, Hamilton gives tantalising glimpses of the reality of living in a world where magic and the supernatural are real and commonplace; such as how the criminal justice system could hold a person who can summon demons at will safely for trial. We also learn that the death penalty is applied to those who misuse their magic – like raising a demon to commit a murder, and that they follow tradition in burning the body after execution – a twenty-first century take on burning a witch at the stake.
- The horrific scene in the hospital nursery was so hard to read, but at the same time unputdownable.
- The entire dramatic rescue scene for
- I also liked the fact that while Anita is surrounded at all times by all manner of powerful, supernatural creatures. Hamilton still manages to make Edward and Olaf - mere human beings - two of the scariest characters on the page.
What I didn't like:
- On my re-read I skipped the details of what happened to
This is the best of LKH's books. Though set in the midst of a pornographic trend in the series, this book truly focuses on the actions and relationships of the characters - not the bedroom.
We also get a closer look at Anita's own self-loathing (of her powers, abilities, family, race and gender). It's fascinating to shine a light on just how much of a bigot she is - and how that angst is all directed at herself. The entire series can be reread as an exercise in self-loathing.
We also get a closer look at Anita's own self-loathing (of her powers, abilities, family, race and gender). It's fascinating to shine a light on just how much of a bigot she is - and how that angst is all directed at herself. The entire series can be reread as an exercise in self-loathing.
This is the last of the good Anita Blake novels, and when I recommend this series to people (which I still do), I tell them that the series really ends here. Every book from this point on is horrible crap.
But this book is good. I loved how Anita had a chance to spend some time away from the boys and do some thinking. Hamilton plotted this book pretty carefully, and the main plot of killing-the-monster dovetailed very nicely with Anita's relationship angst. My favorite aspect was how Hamilton explored Edward, Edward and Anita's friendship, and Anita's thoughts on Edward. The ending of the book is so tidy that it works quite nicely as the ending to the series as well. Score!
This might actually be my favorite of the Anita Blake books.
But this book is good. I loved how Anita had a chance to spend some time away from the boys and do some thinking. Hamilton plotted this book pretty carefully, and the main plot of killing-the-monster dovetailed very nicely with Anita's relationship angst. My favorite aspect was how Hamilton explored Edward, Edward and Anita's friendship, and Anita's thoughts on Edward. The ending of the book is so tidy that it works quite nicely as the ending to the series as well. Score!
This might actually be my favorite of the Anita Blake books.
It is commonly accepted in Anita Blake fandom that Obsidian Butterfly is the last good book in the series. Indeed, it is the last book before Anita Blake morphs from Anita Blake: Vampire Hunter into Anita Blake: Shagger of Everything That Moves. This book's strongest point is the focus on Edward, but already elements that will drag the series down later being introduced - most notably Hamilton's desire to load every scene with meaningful psychoanalytical wangst.
out of all the Anita Blake books I've read to date, this one has got to be the most grotesque. It just didn't fit in with the whole Anita Blake world. It was nice to see Edward more, though him having a family was weird still weirds me out but whatever. This was my least favorite books out of the series so far. I can't wait until we are back in the normal Anita world. also going to be really interesting or really annoying on this love triangle and her trying to figure out whom she really loves and what not and the whole part that she only "might" love Jean Claude is a bunch of BULL because if she didn't love him as much as she loves Richard she wouldn't have stayed faithful to Jean Claude as long as she did, and if she wasn't put under show more that spell or what have ya by what's her face, would she have ever slept with Richard in the first place? But the main thing is she wouldn't be so conflicted if she didn't love him as much and she loves richard. show less
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Author Information

203+ Works 152,350 Members
Laurell K. Hamilton was born in Heber Springs, Arkansas on February 19, 1963. She received degrees in English and biology from Marion College, which is now Indiana Wesleyan University. She writes the Anita Blake: Vampire Hunter series and the Meredith Gentry series. (Bowker Author Biography)
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Common Knowledge
- Canonical title
- Obsidian Butterfly
- Original title
- Obsidian Butterfly
- Original publication date
- 2000-01
- People/Characters
- Anita "The Executioner" Katerine Blake; Jamison; Edward "Death"; Theodore "Ted" Forrester; Sergeant Rudolph "Dolph" Storr; Donna Parnell (show all 94); Judith Blake; Brenda; Becca Parnell; Peter Parnell; Bernardo "Bernard" Spotted-Horse; Olaf Gundersson; Jean-Claude; Richard Alaric Zeeman; Lieutenant Marks; Chief Appleton; Nurse Ben; Dr. Evans; Officer Norton; Detective Hernando Ramirez; Mr. Bromwell; Mrs. Bromwell; Thaddeus "Thad" Reginald Bromwell; Raymond Henderson; Ester Henderson; Josh Blake; Harold; Russell; Newt; Tom; Benny; Riker; Peeka (dog); Boo (dog); Marianne; Uncle Otto; Grandma Blake; Aunt Gertrude; Professor Dallas; Itzpaplotl "Obsidian Butterfly"; Mrs. Emma Taylor; Detective Loggia; Father Simon McCoupen; Dr. Philip Merrick; Ramona Denalli; César; Pinotl; Cruz; Diego; Seth; Cristobal; Chualtalocal; Xipe Totec; Tlazolteotl; Sigmund (stuffed toy penguin); Special Agent Bradley Bradford; Special Agent Franklin; Veronica "Ronnie" Sims; Catherine Mason-Gillette; Bob Gillette; Nicandro "Nicky" Baco; Louie; Officer Rigby; Roland Sanchez; Paulina Baco; Harpo; Officer Jarman; Officer Jakes; Leonora Evans; Dr. Cunningham; Nurse Vicki; Nurse Meg; Monstrou; Red Woman's Husband; Maury; Mr. Carson; Mrs. Carson; Dr. Martinez; Gerald Mallory; Amanda "The Amazon"; Simon; Deuce; Van Cleef; Undertaker; Mickey; Rooster; Shooter; Blade; Alario; Antonio; Bandit; Tlaloci; Officer Reynolds; Bert Vaughn
- Important places
- Albuquerque, New Mexico, USA; Santa Fe, New Mexico, USA; St. Louis, Missouri, USA
- Dedication
- This one is for all the Edward fans, who by their letters, questions, and sheer interest let me know that they were as interested in knowing more about him as I was.
- First words
- I was covered in blood, but it wasn't mine, so it was okay.
- Last words
- (Click to show. Warning: May contain spoilers.)I wish I knew.
- Blurbers
- Robb, J. D.; Krentz, Jayne Ann; Gabaldon, Diana
- Original language
- English
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- 9 — Czech, English, French, German, Hungarian, Italian, Korean, Polish, Russian
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