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This volume includes the editorial Can the referent abscond with its own representation? by Thomas Crow; Ivory towers by Richard Taws; Are shadows transparent? by Roberto Casati; The hidden witness of everything by David Doris; Absconding in plain sight by Roberta Bonetti; Immanence out of sight by Joyce Cheng; A concrete experience of nothing by William Smith; Believing in art by Irene Small; Repositories of the unconditional by Gabriele Guercio; Behind the colonnade by Clemente Marconi; The myth of unmade images and the art of absconding by Gerhard Wolf; Moving eyes by Bissera Pentcheva; Interior motives by Melissa Katz; A secret kind of charm not to be expressed or discerned by Rebecca Zorach; Out of sight, yet still in place by Minou Schraven; Roma sotterranea and the biogenesis of New Jerusalem by Irina Oryshkevich; Style and substance, or why the Cacaxtla paintings were buried by Claudia Brittenham; Apparition painting by Yukio Lippit; Enlivening the soul in Chinese tombs by Wu Hung; Seeing through dead eyes by Jonathan Hay; On the true body of Huineng by Michele Matteini; Boxed in by Miranda Lash; Digitalisation by Boris Groys; and Des figures et des categories by Remo Guidieri.