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Canada by Richard Ford


by Richard Ford

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1,344835,746 (3.68)110
English (72)  Spanish (7)  Swedish (2)  Catalan (1)  Italian (1)  All languages (83)
Showing 1-25 of 72 (next | show all)
Strange novel written from the perspective of an adolescent (who matures into a grown man) who, with his twin sister, finds himself adrift after his parents get arrested for an inept bank robbery. Before the authorities realize that the children are alone and put them into the foster care system, the sister runs away. A workplace friend of the jailed mother transports the narrator from his home in Montana to a hotel that her brother owns in a small town in Saskatchewan.
A lot happens in the novel, and there's a lot for both the narrator and the reader to chew on. ( )
  dickmanikowski | Jan 12, 2015 |
This book was strange and beautiful. ( )
  NatalieSW | Jan 1, 2015 |
In comparison to another review on here which preferred the first half of this book I think I would say that the second half was the more intriguing. Yes the first half set the scene well but it did feel like a bit of overkill. The background and the consequences of the robbery are picked over in minute detail. I definitely found this part slow going whereas the second half of the book flew by. Overall though a very thought provoking book and yes it definitely did feel emotionally draining by the end of it. Powerful stuff. ( )
  polarbear123 | Dec 30, 2014 |
I am a big Ford fan, but bucking the critical consensus, I wouldn't put Canada up there with his very best. It's unequivocally a book of two halves, and for me, the first half was a much stronger book than the second. It left me with a feeling of slight flabbiness, and that Ford had a destination in mind, determined to get there at the expense of better construction.

Del Parson is the narrator of the novel, an older man now stepping us through the most tumultuous period of his life, when his parents resolved to commit a bank robbery. That decision will shatter Del's young life and change him, and his family, inalterably.

The first thing to talk about, when you're talking about Ford's books, is the prose. As always, it is achingly good. His ability to capture the thoughts of a fifteen year old boy, when written from the vantage point of a man in his sixties (both Ford, and the adult Del, looking back), is remarkable. What's even more remarkable is its readability. Ford has never been one for literary pyrotechnics, but the profundity and beauty of his words is easy glide over and miss because it's just so darned easy to digest. The simplicity belies the care and weight Ford invests in his sentences. The way he closes his chapters is just beauitful poetry.

There's an equal facility (mostly; we'll get to that), with his characters. Ford isn't interested in cutting anyone's heads open, and laying their thoughts out for the reader to pick through like beachcombers. Instead we get actions, sometimes cryptic; words, often contradictory; and Del's own insightful, but limited observations. It works, very well. Del's portrait of his brittle, strained family and prickly twin sister are so real and undeniably human, I found myself helplessly loving them just as Del does.

Ford struggles more in the second half of the book, where Del interacts with a far more eccentric (and I felt less real) cast of characters. Whilst Ford refuses to overwrite, in dealing with characters that are more extreme, it's easier to slip towards cliche or cypher - which disappointed me. I also felt the rushed timeline lent an unreal air to this part of the story. The tension he had built so masterfully in the first half was strangely absent, and the denouement was simply far too speedy.

For all that, it is not a bad book; simply a less strong one from Ford. Well worth reading from one of the masters of American literature. ( )
  patrickgarson | Dec 28, 2014 |
I registered a book at BookCrossing.com!
  JosieRivers | Dec 28, 2014 |
This is a compelling story of one family (two adults; two children) -- make no mistake about it. But I thought it took Richard Ford (a consummate writer, by the way) a long time to tell it.

By the end of the story, I was exhausted. It was emotionally wrenching -- particularly from the standpoint of Dell (the boy in the story).

I highly recommend "Canada" -- but possibly not as a first read (if you haven't already read any of Ford's other works). ( )
  RussellBittner | Dec 12, 2014 |
Drawn by the title, and the author's pedigree, I came to the novel Canada as a Canadian, anticipating a story illuminating this vast and diverse country and people.

Instead, what I came upon was an author trying too hard, and unsuccessfully, to channel the likes of F. Scott FitzGerald or John Steinbeck, carrying with him a typically American ignorance of Canada, its people, its culture, its heritage.

The story revolves, endlessly, around a bank-robbing mother and father who, through their idiocy and sense of entitlement, leave their children, fraternal twins, barely into adolescence as orphans and essentially homeless.

The novel is full of implausibilities: the fact there are no social services to take charge of the children at the time of the arrest of the parents; the smuggling of the unreliable narrator into Canada to an alleged safe house; the robbery itself. The list is just too long to enumerate here.

The writing, although lauded by critics as a 'meticulous concern for the nuances of language', to this reader fell flat, lacklustre, without that alleged meticulous concern for the nuance of language. Frankly, it read as so much blah, blah, blah. In fact, the first third of the book is interminably expository, given little credence or gravitas by the nature of Ford's use of the unreliable narrator.

When we finally come to the denouement, we are treated to a moment out of an old Peggy Lee song, Is That All There Is? Which is followed quickly by a complete change of scenery and time, one cannot help but feel because the author ran out of steam.

The characters were so utterly cardboard as to be ridiculous.

And let us not even begin to speak of the gross misunderstanding of anything to do with Canada, let alone Saskatchewan. Frankly, upon consideration, I would recommend every Canadian to pick up this novel, particularly if you're from Saskatchewan, just to explode into laughter at how wrong this writer could envisage that oceanic, wildly free geography we know as the middle province of the Prairies.

Finally, good job, Richard Ford, by way of insulting every Canadian who might read this book by stating several times in the novel: Canadians are just like Americans, and, Canadians want to be just like Americans. Seriously?

Next time the author of Canada wishes to write with authority about a foreign country, I suggest he actually live in that country for a period of time, immerse himself in the culture and the people, then, and only then, he might begin to approach the subject matter with some authority. But, then, maybe not. Any author who can write with sublime confidence that Canadians are just like Americans plainly hasn't a clue and should stick to writing about his own culture. ( )
1 vote fiverivers | Oct 30, 2014 |
For me, there was just far too much detail---Dell's remembering of 50 years ago in extreme detail, down to colors and textures and eye meanings, mouth movements. Yes, a large part of the novel happened over a very few days when the life-changing event for him occurred but it was exhausting to listen to. I kept waiting for the audio to actually get somewhere. It seemed overly long with Dell's over-analysis of everything that had happened to him as a 15 year old---yes, absolutely not normal in any stretch of the word, but also not completely great reading/listening-to material in a novel. ( )
  nyiper | Aug 17, 2014 |
So. Canada. This is a book about a 15-year-old boy named Dell whose parents decide to rob a bank, which completely disrupts his and his twin sister's lives. The story is told by an older Dell looking back on the whole experience, but he manages to keep his younger self's perspective.

It's a very quiet book. All of the strange events (bank robbery, crossing the border to run from the law, etc.) are presented very calmly. Most of the time, they're even sort of spoiled by the narrator before they even take place. But the point doesn't really seem to be to thrill the reader with the events, it's too look more closely at them and the people doing such things. That's my issue with the book, though. I don't think that it can't have both aspects.

Almost the entire first half of the book is set up for the bank robbery that is mentioned in the first line. I wouldn't normally have that much of an issue with that (probably), but it was a lot of the narrator explaining how his parents, the robbers, are rather than showing us through their actions. Then, the second half, after the robbery actually occurs. I think I would've liked it better if it was a bit less subdued and a bit more consequential. But I can't deny that the adult characters Dell got thrown into the lives of were interesting. And I did love how Ford represented small, dying off towns. His writing isn't embellished (normally a con for me), but his descriptions of these places still left a very strong impression on me.

So. Canada. Maybe I went in with too high of expectations. I liked the characters, I liked most of the points about people/events that the narrator made (though he didn't necessarily need to say all of them outright to us). But I found myself excited to be finished so I could go on to read something else. Not the best sign. ( )
  outlandishlit | Jun 9, 2014 |
I didn't mean to read this book; I thought it was going to be about Canada.

I wonder how Canadians feel about an American compared to Hemingway and other great American writers taking the name ‘Canada’ and using it for a title, in a book which is mostly about fictional Americans, set in fictional ghost towns in Saskatchewan. There’s something about naming a story after a country which raises expectations. This isn’t necessarily a good thing. Take that shitty movie Australia, for instance.

(While reading this book I happened across an interview with the author on Canadian radio and listened to it via podcast – perhaps the Canadians are too nice to ask this very question, because the interviewer didn’t.)

The other thing is, the characters in this book called Canada don’t actually get to Canada for a long while. In fact, the bank robbery is announced in the first paragraph (so I’m not spoiling anything for you there) and the actual robbery takes place page 97. What happens in that first 97 pages? Bank robbery details and characterisation. This made me think. I wondered if the pace of modern storytelling has changed to the point where a bank robbery that takes 97 pages to happen is an anomaly in a storytelling climate built for quick thrills.

It was after the bank robbery that I became engaged, funnily enough, because surely bank robberies would rate pretty high on the excitement scale. Then the book lost me again when it became apparent that the narrator had wandered again into the lives of criminals -- groteque ones, this time.

Richard Ford uses an interesting style of narration here, blending the voice of an adolescent boy and the 65 year old man he is when he supposedly pens his memoir. (I guess partly because it is revealed his mother had always wanted to be a writer.)Since this is the voice of an older English teacher, you get sentences which contain some clarification after the point -- orator style -- 'I went back to the hotel in the taxi, which had waited.' An omniscient voice would probably explain in some other way that the taxi had waited. This technique stood out to me throughout the book.

I wanted to know more about Berner/Bev, though in fact her life was probably more interesting as a synopsis.

The scene of the women's prison is the most memorable. Otherwise, this feels a lot like watching Fargo, the TV series, as I am doing at the moment, which I've heard described as 'white noir', full of scenes which stick in your memory later, even after you've forgotten the plot. ( )
  LynleyS | May 28, 2014 |
This book was always going to be a stretch for our Monday Night group. Ford’s somewhat cold and clinical style left most of us feeling his characters unexplored and one dimensional. This is not to say we didn’t find the story compelling. In fact, most of us were intrigued by 15- year-old Dell’s narrative. His and twin sister Berner’s bizarre, dysfunctional family life demanded our attention … and a conclusion! Sadly, some of us could not muster the emotional attachment it took to continue with the second half and simply lost interest.

But for those of us who read on, it became a macabre struggle of survival for young Dell, despite all the odds pitted against him. Something that both Delia and Cheryl found fascinating. Sandra too was captivated by this dark and, to some degree, depressing tale.
It put us all on the trail of ‘parentless children’ and how they can literally fall through the cracks of a welfare system. Something we were sure could easily happen in the backwaters of Montana during Dell’s time, the mid ‘50s.

Slow beginning aside, the story escalated into a thought provoking and interesting read that left us pondering the many loose ends that the author left untouched … Dell’s evident escape to a better life, and his sister’s unknown future, to name a few. A neat and tidy story Canada may not be, but it kept the majority of our group sufficiently enthralled and more importantly, wanting more. ( )
  DaptoLibrary | May 20, 2014 |
A heavy mantle of foreboding hangs over much of the action of Canada, Richard Ford's masterful new novel. This is the story of Dell Parsons, who in 1960 is fifteen and growing up with his mother and father and twin sister Berner in Great Falls, Montana when the family unit is abruptly blown apart in the wake of an ill-planned and ineptly executed bank robbery committed by their parents. After their parents are arrested the resentful Berner simply walks away, apparently to forge a life for herself elsewhere. Dell waits in the passive fashion that we learn is habitual to him, and is eventually rescued by a friend of his mother, who had agreed to take both children to Canada to live with her brother in rural Saskatchewan, a place that in Ford's vision is bleak and harrowing and smouldering with repressed violence. Dell spends his time in Saskatchewan closely observing the strange people around him, keeping his emotions in check and committing himself to nothing, while trying to reinvent himself--he does not want the fact that he is the son of bank robbers to define his life. It turns out that the man into whose care he has been delivered, Arthur Remlinger, has spent years doing the same thing: struggling to emerge from the shadow of a rash act of violence committed by the passionate and idealistic youth he used to be. As Remlinger's past slowly catches up with him, we wait with Dell to see what Remlinger will do when pushed to the wall. Much of the novel explores how past acts contribute to the person we become in the present, the impossibility of denying these acts, the inescapable consequences and the need for acceptance. It is also a novel about crossing borders, physical and moral. The narrative, first person from Dell's perspective, is dark and taut, crowded with untrustworthy characters all keeping an eye on each other and filled with astute observations on human behaviour. The brief final section shows us Dell and Berner reunited fifty years after the main action, each having responded in his and her own way to their parent's fateful decision. This is a wise and profound work of fiction that you will not soon forget. ( )
  icolford | Mar 18, 2014 |
Superb first section. I still need to finish it. ( )
  jconnell | Mar 9, 2014 |
This book opens with two very provocative sentences, "First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later". But if you think you will be reading a pot boiler, a thriller, you will be wrong. (It is a page turner though.) It is the story of a tragedy, of a rupture in the normal fabric of life. Read it for the writing. The prose is lean and spare and beautiful. The sense of place evokes the endless expanse of the prairie in the midwest of the U.S. and the desolation of those prairies moving north into Canada. It speaks of the innocence and compassion that only a child can find when confronted with the unimaginable. There is adventure, but this is a somber book. It's terribly rewarding though and I recommend it. ( )
  m2snick | Feb 19, 2014 |
This book opens with two very provocative sentences, "First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later". But if you think you will be reading a pot boiler, a thriller, you will be wrong. (It is a page turner though.) It is the story of a tragedy, of a rupture in the normal fabric of life. Read it for the writing. The prose is lean and spare and beautiful. The sense of place evokes the endless expanse of the prairie in the midwest of the U.S. and the desolation of those prairies moving north into Canada. It speaks of the innocence and compassion that only a child can find when confronted with the unimaginable. There is adventure, but this is a somber book. It's terribly rewarding though and I recommend it. ( )
  m2snick | Feb 19, 2014 |
The Short of It:

The anatomy of a crime, as told by one of the characters most affected by it.

The Rest of It:

"First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later. The robbery is the more important part, since it served to set my and my sister’s lives on the courses they eventually followed. Nothing would make complete sense without that being told first." (First lines of Canada)

Those opening lines set the stage for Dell’s story. His parents, struggling to make a life for themselves in Great Falls, Montana, rob a bank after getting involved in an illegal business deal. Their hope, is to pay off their debt and begin again. What Bev Parsons does not know, is that his wife Neeva sees this criminal act as a way to escape a lifetime with the man she married. Dell and his sister Berner are left to a family friend who has plans to get them out of the country. But as twins, and only fifteen, they are not sure what to make of the things happening around them.

What a book. I’ve never read Richard Ford before but when my book club picked it for January I had to give it a try. It’s not a book a reader can love. The story is too bleak for that, but I did appreciate the languid writing. Some of the members in the group compared Ford to Richard Russo and I agree. His writing reminded me a lot of Russo.

Many of the details shared are “day in the life” type details but at the same time, Ford uses foreshadowing to string the reader along. It works. I read these 400+ pages in two sittings. Telling the story from Dell’s sheltered perspective is somewhat limiting at times, but his wide-eyed wonder at the things going on around him made him vulnerable which lent the story a fragile, precarious quality.

What I most enjoyed, is the discussion that took place afterward. It’s hard to imagine what drives people to do the things they do, but it was fun to discuss it. Dell’s parents were never normal, in the traditional sense of the word. They kept their kids sheltered, were not successful in any way and tried to remain under the radar. Living in that small town, they managed to avoid most of their neighbors and didn’t seem to know how to interact with the people around them, or each other. This should have helped them in the end, but it’s really what did them in.

Ford can tell a tale and his sense of place is strong here. I enjoyed his style of writing so much, that I will be sure to seek out his other books. Have you read any of his books?

For more reviews, visit my blog: Book Chatter. ( )
  tibobi | Jan 14, 2014 |
Reviews of this book are mixed - from those who call it boring and unrealistic to those who hale it as a masterpiece. My review would be somewhere between these two positions. I loved this book for its language, for its characters and for its overall storyline. I did have trouble with certain parts of the book (mainly those occurring immediately following the arrest of Dell's parents) but overall I read this book in astonishment at the author's skill. ( )
  PennyAnne | Jan 1, 2014 |
I thought this story of a young man's life, especially after his parents' robbery, was both very interesting and well written. Richard Ford writes character well, and also provides intelligent philosophy. ( )
  suesbooks | Nov 28, 2013 |
This is one of those literary novels that mostly makes you think the author's done better work in the past. Like some of the later John Irving novels I've read it's not completely awful, but there isn't much impact to it.

Basically in 1960 Dell Parson's parents rob a bank in North Dakota to pay off some Native Americans. The most implausible part is that no one takes the kids when the parents are arrested; they're just left there to fend for themselves even though they're 15. I don't think that would happen even in 1960 in a small Montana town. Most likely they'd have gone to the police station until a social worker could take them. But anyway, the book is called Canada because Dell ends up in Saskatchewan, in an even worse town than the one in Montana.

The idea of fleeing to Canada would have had a lot more impact back in 1968 or so with the Vietnam War in full swing and people looking to avoid the draft. In 2013 it comes off as quaint.

It's one of those novels too where the author uses a narrator who is probably the least interesting character in the book. This only works when the characters around that character are far more interesting, which is just not the case here.

Anyway, for what it is the book is well written, but it really felt to me like a book out of time.

That is all. ( )
  ptdilloway | Nov 21, 2013 |
Really well written book but the story is just not that entertaining. If the author writes other books they will be on my list to read but I can't enthusiastically recommend this one. ( )
  bwkramer | Nov 19, 2013 |
I was on the selection committee of a bi-country "real world" book group, and one of the two books that my fellow committee members and I were determined to push through the overly complicated process for picking the following year's reading list was Richard Ford's "Canada". We were so resolute, in fact, that we were willing to split off from our European counterparts if "Canada" did not make the final cut. (In fact, the group did break up, but it was over a book that we *had* to read, which proves, I suppose, that loathing a title choice is an even more powerful force that anticipating a hyped-up book; there's a moral in there somewhere if you want to find it.) I loved the [b:The Sportswriter|40722|The Sportswriter|Richard Ford|http://d.gr-assets.com/books/1327936345s/40722.jpg|14675] trilogy and the reviews for Ford's latest book were laudatory. I was sure that our book group brinkmanship would be worth it.

The novel starts off with a bang, as all the reviews will tell you. You know there's going to be a bank robbery, which is always an interesting prospect. And I liked the depiction of Dell Parsons. I have a son almost the same age, who is also a bit diffident and self-contained, but with an inner core of toughness, just like the main character. (I actually started the novel as an audio while I was walking with my son, and when Dell became obsessed with the idea of keeping bees, I snapped off my book and asked my son what he thought about having his own personal beehive; he immediately got excited, as I knew he would be.) But this novel, which I wanted to love, and was willing to fight for, turned sour for me very quickly. It was a terrible disappointment in so many ways.

I tend to write reviews mostly in response to my own experience of the world; there's a lot of great analysis here on GR, and if someone else had all ready made the points that I would make, I don't really see the need for yet another review. Some other readers loathed this book as much as I did, and we did so for the same reasons. But deeper than my dislike of Ford's dreary, self-important posturings was the major stumbling block that I just couldn't accept the basic construct that Ford sets up. It just didn't work for me on so many levels.

First: his depiction of a military family. I just knew, after listening to Ford throwing in every tired cliche of the military (the socially isolated, the rootless, the peripatetic living practically out of suitcases,etc.etc.) that the author had been in the military just long enough to think that he knew the military, and to dislike, it too. Now negative portrayals of the military, when accurate, don't bother me in the slightest; in fact, I enjoy them. But Ford doesn't understand the military, not at all. (A writer doesn't have to have been in the military to get it; Tom Wolfe's [b:The Right Stuff|586472|The Right Stuff|Tom Wolfe|http://d.gr-assets.com/books/1176047563s/586472.jpg|907221] portrays the accelerated nesting--the koa rocker-German cuckoo clock-Polish crockery jumble of furious unpacking--the usual military experience--extremely well.) We military people tend to carry an immense amount of stuff around with us like a snail with a shell; it's what we do to prove we've been around. So...it's highly outside the norm that a military officer's family would live such a stripped-down life; during my husband's career I met just a few--a very few--people with homes like that. It's not likely, but it IS possible.( It's also, quite frankly, the way a lazy writer who really doesn't much about the military would imagine such a lifestyle to encompass.)

It is also highly unlikely that the Parsons family would be so isolated within the Air Force itself, particularly in that time and place. I understand that the family was supposed to be eccentric, even dysfunctional, and that the mother thought she was supposed to be better than everyone else, that she didn't want the kids to mix with anyone. So...I accepted--with difficulty--this far-fetched scenario, too. The moment I just couldn't buy, however, the moment when Ford's cardboard miltary family came crashing down for me was when Dell's father stated that as Air Force brats they knew nothing about the world, or where they lived, and spent too much time indoors. What? WHAT? I don't know of any military parent anywhere who would think that, or say it. It's one of the things that makes the military life bearable, what EVERY military parent says to themselves, and to the kids, that moving from base to base every few years gives the kids to see more of the world than most civilian kids ever do. So I call BS on Ford's whole negative, erroneous, stereotypical views of the military, which I believe come from his own less than positive experiences.

There's another personal reason why I don't buy Ford's book. You see, one of my uncles by marriage robbed a bank, in the same region as Montana, during the same year that "Canada" is set. It's quite a story; both my youngest aunt and my older brother, who accompanied my grandparents on their journey to clean up the mess that their daughter had made of her life, felt compelled to tell me, the last time I talked to either of them, exactly what happened according to their point of view. My aunt, the third sister, had run off with a convicted felon whom my grandparents understandably despised (my mother's family was used to drama, as my own mother had eloped with a Brother of the Catholic Church to Las Vegas, but my aunt's spouse selection was too much for even them to accept) some years before my uncle's botched attempt at armed robbery. My aunt hadn't been heard from--at all--for the better part of a decade. Social services called my grandparents up when they hauled away my uncle and my aunt fell apart. Whether she had had a true nervous breakdown (my second aunt's opinion) or was just flakey and lazy and couldn't get her act together (my mother's opinion) is moot; the point is that someone called family members right away; they just didn't walk out the door and leave the kids all alone in the house, as Dell and Berner are left alone in the book. So no, I don't think Ford's plot twist is realistic, and that (and I'm not being spoilery here since the entire novel is a flashback) Dell's mother, who isn't estranged from her family, would entrust her kids to some near stranger, or that it is likely that the police wouldn't report what was going on immediately to social services. Of course, it could happen--most anything can happen--but when a writer resorts to that feeble excuse, he's just messing with the reader, and being rather contemptuous at that. I can only say that from my own personal experience the plot doesn't make a whole lot of sense.

So, at this point of the novel I was doing a lot of eye-rolling, when I came upon *the scene*. You might know what I mean. Thank God it's not explicit but what the hell is this creepy, totally unneccesary, totally gratuitous depiction of incest doing in the book? Is this Ford's attempt to be edgy? Please. It's completely forced--pretty much like the entire novel--and seems utterly out of character for Dell.

Even with all my objections-the Air Force family by way of Mars, the preposterous unlikelihood of Dell and Berner being abandoned after their parents's arrest--I could have accepted the book. Maybe. I don't know every military family in the world, and thank God, I only have one uncle who robbed a bank in 1960 in the Upper Midwest. But deep down, I don't feel that Ford respects his reader. He repeats things. Over and over and over. Dell's father is tall and bombastic. His mother is dark and "ethnic" and superior. The making of every baloney sandwich is described in excruciating detail, and every piece of laundry flaps slow-mo on the clothesline. Ford connects the dots between every theme point he's making--there's some weird blather about the differences between the United States and Canada that's especially puzzling to this American with a Canadian mother--and underscores these lines again and again so that you, dear reader, will get the grand themes that the author is supposedly wrestling with and which you are too dim to understand on your own. It's as if Ford is afraid of letting the reader draw his or her own conclusions--which might be, in fact, be ones that the author doesn't want you to draw. So no, I didn't find the book a moving allegory on life, and the sins of the parents being visited on the children, blah, blah, blah. I found it a highly artificial, schematic work, by an author who makes the mistake of confusing grimness for profundity, and portentousness for insight. And you know what? It's just plain DULL. That's the worst sin of all.

My vote for the most over-rated book of 2012. ( )
  gaeta1 | Nov 9, 2013 |
Indeed this is a long coming of age story but I will miss Dell and how much he endured. October 2013 ( )
  eembooks | Oct 23, 2013 |
Ein Roman wie ein großer See. Man springt hinein, zieht ruhige Bahnen durchs Wasser und wird dann sanft hinausgespült, um sein Leben außerhalb weiterzuleben. Groß, ruhig, wunderschön. Eine Geschichte. ( )
  Wolfseule | Oct 15, 2013 |
Ein Roman wie ein großer See. Man springt hinein, zieht ruhige Bahnen durchs Wasser und wird dann sanft hinausgespült, um sein Leben außerhalb weiterzuleben. Groß, ruhig, wunderschön. Eine Geschichte. ( )
  Wolfseule | Oct 15, 2013 |
Ein Roman wie ein großer See. Man springt hinein, zieht ruhige Bahnen durchs Wasser und wird dann sanft hinausgespült, um sein Leben außerhalb weiterzuleben. Groß, ruhig, wunderschön. Eine Geschichte. ( )
  Wolfseule | Oct 15, 2013 |
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